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TALES OF A MAGIC MONASTERY inspired me so much that I set twelve of the tales to music. I wrote to Theophane the Monk to ask his permission to use the stories, and he (being a monk, I suppose) did not answer my letter -- whereupon I wrote a second letter and said, "If you remain silent, I will take this as my permission to use your stories." Silence prevailed, so I finished the little operas, and we performed them. This was in 1985! Now I am revising the score and will be selling it over the web along with many other liturgical and other opera scores.
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The last story, for example, tells of four boys in Suriname two of whom bragged that their respective fathers were the best traders in town. The third, however, smiled and said that his father had them beat and the fourth boy agreed: He had with one ear of corn purchased a cow, a horse and a donkey. The father had indeed started with one ear of corn, and had indeed purchased a cow, a horse and a donkey--but not all at once, as the other boys supposed. Rather, he had planted the corn ear, sold his crop, bought a cow, sold it and bought a horse and sold it and bought a donkey.
Similarly, another tale speaks of a poet named Mutanabbi who passed by Zubeida's house one day and decided to return that evening to propose that they be married. Halfway home, he encountered a handsome young man who was on his way to see Zubeida, "the most beautiful woman in the city," whom he also wanted to marry. Mutanabbi was afraid of losing his chance, so he told the young man that he had just moments ago seen Zubeida kissing a wealthy man. The young man left, feeling lost. After learning that Mutanabbi had married Zubeida, he accused the former of lying. After all, if Zubeida had really kissed a wealthy man, why would she have chosen Mutanabbi? Why, the wealthy man she kissed was her father, of course.
Another story features a Muslim holy man on the island of Celebes, who found a dark cave and crawled inside to escape from warring enemies. "If it hadn't been for the spider," he told his friends afterwards, "I surely would have been caught and killed." No one believed him, of course. But he had spoken the truth along with a lie. The spider had spun a web over the mouth of the cave, leading the holy man's enemies to believe that no one could possibly be inside. The man, however, had neglected to tell his friends was how the spider saved him.
(This particular tale reminds me of the Jewish tale of David, who as a boy had questioned why God made spiders. Unlike the Muslim tale, however, the Midrash explains that God gave even the smallest creature a purpose. When David was grown, King Saul became angry with David and tried to kill him. David fled and hid in a cave. A spider spun his web across the cave's mouth. That night, soldiers passed the save. King Saul reasoned that no man could hide there without tearing the web. And David thanked God for making spiders.)
From this book, children learn that different traditions are often similar. They also learn to carefully examine "facts." Things presented as truth may compose only part of the picture. Alyssa A. Lappen
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The biggest problem is with the editing, or lack thereof. There are no explanatory notes offering historical, social or political context; there are no translatoins of the many German, Latin, Irish etc. interpellations. One could argue that this leaves us in the same position as those first newspaper readers, but Myles' predominantly middle-class audience could boast a sound classical education and a greater familiarity with the allusions so liberally scattered here than we do today.
Finally, the decision not to print the pieces chronologically (none of them are dated), but by subject, distorts the work, handicaps its versatility and can lead to repetition and tedium.
That 'the Best of Myles' remains one of the last century's few genuinely important books is entirely due to the indestructible persona(e) of Myles himself, hypercultured, alcoholic, visionary verbal contortionist with pretensions to aristocratic heritage. His phlegmatic invective at local problems such as sewage systems and the civil service are less valuable than his assault on language as it had (has?) degenerated into cliche and received opinion in the culturally sterile Ireland of the 1940s and 50s; and in his post-modern project of demolishing hierarchies of linguistic and artistic endeavour. Reading Myles has a bracing effect - he forces you out of habitual mental laziness; forces you to think HARDER.
Mr. O'Brian wrote for a daily newspaper until his death in 1966. The volume and quality of the written material he produced is amazing. This 400-page book is one of five that are available and that I intend to read. There is virtually nothing about his personal history in this volume, so hopefully there is a biography in print documenting the time he spent learning and practicing his craft. The only downside to this book is that some is in Gaelic with no translation, and there are many articles that will seem to exist in isolation if the reader does not have some knowledge of Irish History. Even if these commentaries were removed, the balance of the work would still be a remarkable literary performance.
Some of the best pieces were his comments on the affectation in so many facets of daily life. And his specific attacks on, "bores", and all the pretensions of the world of modern art, and those who would pretend to posses knowledge of which they are bereft. He creates institutes and foundations and companies dedicated to servicing frauds and exposing the truth. Much is for pure fun, but like all humor contains truth. He offers the services of a company that will come to the home of any illiterate with a library, and his people will either rummage through your books for a pittance, or for a more substantial sum, will dog-ear pages, write brilliant marginalia, and leave tickets and programs to various cultural events as though they were misplaced bookmarks. And for those who have the funds, books will receive forged inscriptions from their authors, and letters of thanks to the book's owner for their help with a particularly difficult passage.
This book came at the end of 2001 for me. I hate lists of the best of the year; however nothing I have read this year surpasses this book, absolutely nothing!
Yes, one more thing that admire him for. He would deal with Gaelic and even write in it, he would mock with politics and politicians, with history and society and even so, he managed to stay completely non-political. At least he left his columns that way. The Best of Myles is best to read before his longer and more ambitious works like The Third Policeman or At Swim-Two-Birds. And also after them.
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BTW, there're even more De Selby in "The Dalkey Archive"!!! And don't read "The Poor Mouth" unless you're ready to read 100-odd pages about the boiled potato diet of an Irish family.
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it did provide some interesting cocktail banter and it does give value for money.
you'll finish it within half an hour and forget it under your bed.
Overall fun book.