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The last story, for example, tells of four boys in Suriname two of whom bragged that their respective fathers were the best traders in town. The third, however, smiled and said that his father had them beat and the fourth boy agreed: He had with one ear of corn purchased a cow, a horse and a donkey. The father had indeed started with one ear of corn, and had indeed purchased a cow, a horse and a donkey--but not all at once, as the other boys supposed. Rather, he had planted the corn ear, sold his crop, bought a cow, sold it and bought a horse and sold it and bought a donkey.
Similarly, another tale speaks of a poet named Mutanabbi who passed by Zubeida's house one day and decided to return that evening to propose that they be married. Halfway home, he encountered a handsome young man who was on his way to see Zubeida, "the most beautiful woman in the city," whom he also wanted to marry. Mutanabbi was afraid of losing his chance, so he told the young man that he had just moments ago seen Zubeida kissing a wealthy man. The young man left, feeling lost. After learning that Mutanabbi had married Zubeida, he accused the former of lying. After all, if Zubeida had really kissed a wealthy man, why would she have chosen Mutanabbi? Why, the wealthy man she kissed was her father, of course.
Another story features a Muslim holy man on the island of Celebes, who found a dark cave and crawled inside to escape from warring enemies. "If it hadn't been for the spider," he told his friends afterwards, "I surely would have been caught and killed." No one believed him, of course. But he had spoken the truth along with a lie. The spider had spun a web over the mouth of the cave, leading the holy man's enemies to believe that no one could possibly be inside. The man, however, had neglected to tell his friends was how the spider saved him.
(This particular tale reminds me of the Jewish tale of David, who as a boy had questioned why God made spiders. Unlike the Muslim tale, however, the Midrash explains that God gave even the smallest creature a purpose. When David was grown, King Saul became angry with David and tried to kill him. David fled and hid in a cave. A spider spun his web across the cave's mouth. That night, soldiers passed the save. King Saul reasoned that no man could hide there without tearing the web. And David thanked God for making spiders.)
From this book, children learn that different traditions are often similar. They also learn to carefully examine "facts." Things presented as truth may compose only part of the picture. Alyssa A. Lappen
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This is not a light read. This is a long, dense novel, but I found something fascinating on nearly every page.
"Middlemarch" was Eliot's attempt to describe a pre-reform English country town. Within the novel we run across the typical characters like the wealthy land owners, clergymen, polticians, etc. The book primarily revolves around the actions of two families, the Brookes and the Vincys.
The main characters are Dorothea Brooke and Tertius Lydgate, a newcomer to Middlemarch. Dorothea has an independent mind at a time when women were supposed to be openly subservient to men. She intends to do much good in the world and is constantly drawing up 'plans'. Lydgate is a physician who wants to make improvements in the medical field. He has a solid idea of what he wants to do with his life and how to accomplish it.
Through these two characters, Eliot presents the frustrations and joys to which we can be driven because of an idealistic mind. Both Dorothea and Lydgate are idealists. Both encounter many trials because of their idealism, trials that they overcome in their own ways.
In "Middlemarch" Eliot also makes a statement about marriage. Dorothea and Lydgate's problems stem almost entirely from bad marriages. They each go into their own marriages with distinct impressions of how married life will be and both are very disappointed when the reality of the situation becomes obvious.
"Middlemarch" is one of those novels that it is difficult to explain why one likes it. The plot is predictable, the characters are unexceptional, and the time period isn't particularly interesting. However, Eliot has constructed a masterpiece with this novel that few have matched. Perhaps the genius of George Eliot is that she could do so much with so little.
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