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We went to Sri Lanka in the high season (February, when the place is full of Germans and other Europeans) and the only reservation we made in advance was two nights at the Galle Face Hotel (see Columbo chapter, where to stay, top end), a fabulous old relic of colonial architecture. With the help of the Lonely Planet, we "winged" everything else: train tickets to Kandy, car rental, dive trips & bungalows on the southwestern beaches. Sri Lanka is a diverse, fabulous place to explore, and the Lonely Planet made it super easy.
Great historical chapter "Facts About the Country" makes for good reading while you're waiting for your cold lassi to come to the table.
Even though we meet many fine characters, from American businesswoman Casey Tcholok to smuggler's son Paul Choy, Hong Kong itself is really the star of this novel. Seeming almost anarchic at times, the colony (as it then was, the novel is set in 1963) and its people, Chinese and British, seem to worship one god, Money.
Clavell ties in references to his other novels--characters from King Rat show up and relive their wartime hatred, many of the characters discuss and live out the heritage of Tai-Pan, and a Japanese character mentions briefly the events of Shogun.
This is the sort of book that will keep you up reading until 4 a.m.
What I didn't like: I found the character of Peter Marlowe most annoying. He shows up all the time, acts like a know it all, and is really Clavell's way of writing himself into the book. Also, about six different times, it is mentioned that the U.S. is starting to get involved in Vietnam, and each time, a precient character chirps (or at least thinks) that the U.S. will regret it. Hindsight is 20/20, the novel was published in 1981.
A good read.
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Not only are these good stories in their own right, but they're also excellent examples of good science writing. (One of the physicists involved with the discovery of the CMBR even told Sullivan that he didn't understand the significance of his finding until he read his article.) The only weaknesses are the diagrams, which sometimes verge on being too small to read, and the episodic nature of the text, with each article being relatively self-contained, rather than being one chapter in an explanatory book. But these are minor complaints about an overall excellent book.
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If someone were to do a modern translation of the Lives, more people would be able to enjoy it. Unfortunately, the sad truth is that you can probably count the number of good classical translators on one hand, and how many of them have the time to translate Plutarch?
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Where the Knight's Tale was primarily a story about chivalry, love, and spirituality, The Two Noble Kinsmen is very much about psychology and human emotions. Like other plays that Shakespeare wrote, this one shows how conflicting emotions create problems when we cannot master ourselves. In this case, the two loving cousins, Palamon and Arcite, fall out over having been overwhelmed by love for the appearance of Emilia, Duke Theseus's sister. The play explores many ways that their fatal passion for Emilia might be quenched or diverted into more useful paths. The dilemma can only be resolved by the removal of one of them. This places Emilia in an awkward situation where she will wed one, but at the cost of the life of the other. She finds them both attractive, and is deeply uncomfortable with their mutual passion for her. In a parallel subplot, the jailer's daughter similarly falls in love with Palamon, putting her father's life and her own in jeopardy. Overcome with unrequited love, she becomes mad from realizing what she has done. Only by entering into her delusions is she able to reach out to others.
What most impressed me from reading this play is how much better Shakespeare was as a writer than either Chaucer or Fletcher. You can tell the parts that Shakespeare wrote because the language is so compact, so powerful, and so filled with relevant imagery. The tension is unremitting and makes you squirm.
By contrast, the Knight's Tale is one of the dullest stories you could possibly hope to read and admire for its virtuosity without experiencing much enjoyment. Although the same plot is developed, few emotions will be aroused in you. When Fletcher is writing in this play, the development is slow, the content lacks much emotion, and you find yourself reaching for a blue pencil to strike major sections as unnecessary.
In fact, this play would not be worth reading except for the exquisite development of the dilemmas that are created for Emilia. Her pain will be your pain, and you will want to escape from it as much as she does. In these sections, you will find some of Shakespeare's greatest writing.
I also was moved by the way several scenes explored the duality of cousinly friendship and affection occurring at the same time that lethal passions of love and jealousy are loose.
Although this play will probably not be among your 50 favorites, you will probably find that it will sharpen your appetite for and appreciation of Shakespeare's best works.
I also listened to Arkangel recording, and recommend it. The performances are fine, the voices are easy to distinguish, the music is magnificent, the singing adds to the mood nicely, and you will find your engagement in the play's action powerfully increased over reading the play.
When do you lose control over your emotions? What does it cost you? How could you regain control before harm is done?
May you find peaceful, positive solutions to all of your dilemmas!
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I think the author of the book needs to visit Ukraine and Russia soonish and re-write the book, or get some treatment for..., racism, cold war and a shield from what the media brings to your TV screens (everyone knows that only bad news and breakthroughs make news), so please use your brains!
I read the book after my mother-in-law's remarks and was sick in my stomach, for quite a while.
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Before I read this book I really respected and admired Shakespeare and now my admiration goes beyond his literature, with the help of the author, his lessons on leadership and management are essential for any person working in a large corporation.
SHAKESPEARE SHOULD HAVE BEEN A CEO!!!
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