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But everything that readers have written here about the author's evasiveness when it comes to the most interesting parts of her story are true. (As Bart Simpson critiqued Krusty the Klown's autobiography, "it was self-serving with many glaring omissions!") To cite only one example, her idealized portraits of her early family life simply ring false. The bald facts are that her parents separated (which could not have been a casual matter for a minister and his wife in the 1950s), she lived apart from her mother for many years (Aretha huffily denies that she was "abandoned", as many have said, but this was a very peculiar arrangement for the time), she was flogged with a belt for transgressions (not peculiar, sad to say, but can no longer be passed off as simply firm parenting), and while still a teenager she became pregnant not just once but twice (which convinces me that her feelings about the strongly patriarchal rule of the Reverend Franklin - which extended well into her young adulthood - are a lot more complicated than her worshipful descriptions of him would suggest).
So you might try this book if you're willing to settle for simply hearing Aretha's "voice" speak in the first person. (The audio version is read by an actress who does a good job of delivering those queenly cadences but it just ain't the same.) But anyone interested in the inner life of a great American artist will have to look elsewhere.
Aretha wants us to believe that her father was a paragon of virtue and a dedicated pastor though he lived with a woman to whom he was not married (Lola). He seemed to be no fine example of Christian morality perhaps that is why he was so cool with her two pregnancies. I personally did not need to know the names of her children's fathers but something, even a little something of what is was like to be a teen mother not once but twice before she was 17. I am well aqauinted with black church culture and I KNOW there was a lot of drama there especially in the era she became pregnant.
Aretha left out many relevant points of her life (and her father's) that would have made a more honest and readable tome. We really learn nothing about the lady's true feelings about nothing; other than her father.
Miss Franklin reveals herself as a petty, ego-rich diva; talented but vey shallow. If this is not the case then she should've written a more detailed and honest book.
The best parts of the book are her remembrances of all the food she ate throughout her life and career. These are vivid and full of lucious detail. In one part of the book, in a mere 4 paragraphs there were no less than four food references; they seem to be memory starters for her. She can recall with great verve and relish the food experiences she's had; from the Apollo Theater in New York to Roscoe's Chicken and Waffles in Los Angeles. I wish she'd been more forthcoming with her life experiences.
This book was a true waste of my hard earned money. I enjoyed Patti Labelle's memoirs much more. They were honest, balanced and did not always paint the author in the most flattering light. In other words she was real. C'mon Auntie Ree what's the real deal. Give me something I can feel.
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I guess Divas will always have their share of catty-tudes with other performers, but Aretha takes the cake. It's real cute near the end of the book when she names specific divas in her book. As if now, that she has christened these women divas, they have now entered Diva-Dom. Yeah right!
This book leaves you with a sour taste and does not give off the perception of Aretha being a nice person. I am so disappointed. I think this book alone will destroy any chances for future comebacks. I really did not enjoy this book.