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The mother is a famous archeologist who had little time for her daughters upbringing. Reluctantly her, now adult, daughter joins her on a dig of the Mayan ruins. Ghosts of the past, both the Mayans, and the mother and daughter, mix to bring the two women closer together.
One of the most unique aspects of this book is that the two women take turns telling the story, so that each chapter swithes back and forth between opposite view points.
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And I was glad I did. This author definitely has her own style, which is solid and distinguishable from Tolkien's. The story does not run parallel to the Hobbit in all ways, which is good.
All in all, this is a good, fun read for sci-fi and fantasy enthusiasts alike.
Murphy manages to assimilate the feel of good old-fashioned Space Operas with modern SF conventions and up-to-date science. I bought this book Sunday afternoon and finished it on Tuesday evening... it sweeps you along with norbits, wormholes, clones, pataphysicians and space pirates (!) and all-around good humoured adventure.
(As for the Max merriwell angle, I'd recommend checking out the author's website for a more coherent explanation than I could give)
The book is the perfect length for a night on the couch with hot tea and an afghan over your knees-- (something the story's hero would like as much as you, gentle reader).
I really grew to like Bailey-- and his companions in adventure (especially Fluffy). If you liked The Hobbit, Star Wars, the Narnia Books, Harry Potter, The Odyssey, The Robert Jordan "Wheel of Time" Series, King Arthur's tales, or *any* other "hero myth" at all, you should also like this book.
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First, it's written in language suitable to, and develops its themes at a level resembling, a child's book. However, it is not being marketed for ten-year-olds, as perhaps it should be, but for adults. (Not that I would recommend it to a ten-year-old either).
I don't quite understand what Murphy thinks she is doing with this Max/Mary Merriwell stuff. Whoever is supposed to have written this book, it isn't any good, and naming a character (Patrick Murphy) after herself is just plain weird.
The plot of Wild Angel is simply impossible. Without wishing to spoil it for anyone who still wants to read it, it involves impossibilities of biology and human physiology. Wolves do not adopt humans and small half-clothed children cannot survive Sierra Nevada winters, period. Granted one role of fantasy is to make us believe the impossible, but Murphy fails to convince me. The characters are shallow and scarcely developed to the point where I kept getting the various women mixed up, and as for the use of language, the Mark Twain quotes dragooned into chapter-heading duty were the only good writing to be found.
The book backs away shyly from any display of sex or violence, not to mention any serious exploration of themes of wilderness, civilization and so forth, which is why it seems like a badly written child's book to me. Clumsy "informative" paragraphs on wolves add to this impression.
It should come as no surprise by this point that I recommend skipping this book.
In side note though: There have been some fairly modern and well documented cases of feral children - not many to be sure, but enough to make it not completely impossible speculation to have such a child raised by wolves. The difficulty is that by the time such children were found and brought to civilization they were usually beyond the capability of learning true language, and were probably too young at the time they started living in the wild anyway, so there was no way to find out how they had survived.
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The author provides vivid descriptions of the experiences Nadya faced in making the trek westward in the 1840s. You feel yourself being carried across an arid landscape on a rickety wagon and on through the snowy Rockies (facing all kinds of hazards and overcoming them) with Nadya, Elizabeth, and Jenny.
One touching scene in the book is when Nadya as a Wolf (having been spurned earlier in the day by Elizabeth, who has never felt right about her romantic attachment to Nadya) allows herself to be mated with a male Wolf. In that moment, you experience Nadya's joy at that moment of orgasmic release as she howls ecstatically to the skies.
For those readers seeking a werewolf novel full of gore and gratuitous violence, you won't find it here. But if you want to read a well-told tale about the life and experiences of a female werewolf in 19th century America, you've come to the right place.
Nadya is a young woman in the American mid-west 150 years ago. She is werewolf: one night during the full moon she changes into a wolf and lives wild for that night. She is isolated from her society, but not her family, and because of this, she is able to become who she really is in a trek that takes her to the west coast and a new life there.