I am bemused and rather disappointed with this book. Muldoon uses intertextual associativeness to generate wonderful poems -- touching, comic, and stylistically breath-taking. Here he uses the same method in a critical rhapsody that links together a galaxy of Irish literary texts and legends, arranged (or disarranged) in alphabetical order. He moves freely and funnily between Gaelic and English, ancient and modern, biographical and textual. The performance is carried off with brio, in a manner that recalls certain experiments in randomness of Roland Barthes. Unfortunately, many of the allusions Muldoon finds are so farfetched as to make one wince as at a bad pun. He circles around Joyce's "The Dead," adding one or two valid observations to what allusion-hunters have already noted, but otherwise sending readers off on a wild goose chase. Unlike Seamus Heaney, who is a great, authoritative, and highly trained literary critic, Muldoon does not project from his distinctive poetic sensibility a capacious literary critical vision. He flogs to death the idea of "conglomewriting" as a distinctively Irish practice, culminating in Finnegans Wake, but he offers little serious reflection on what the literary value of this practice might be. For that one must turn to works like Gerard Genette's Palimpsestes, which offers a careful and thorough examination of the ancient art of intertextual composition. Professorial pedants will find consolation in the thought that poets may need their services after all.