List price: $19.95 (that's 30% off!)
Used price: $11.99
Buy one from zShops for: $13.82
Used price: $109.88
Collectible price: $21.13
Used price: $2.26
Collectible price: $4.41
Buy one from zShops for: $2.15
Used price: $7.99
Collectible price: $18.00
Used price: $42.95
Used price: $5.50
Collectible price: $14.82
Used price: $2.75
Buy one from zShops for: $1.49
In this book you meet Tarzan, learn who he really is, where he came from, how he became lord of the apes and protector of the jungle, and the English Earl of Greystoke. You also learn the story behind the story about Tarzan and Jane.
I've been a Tarzan fan for nearly 20 years. I've been collecting Tarzan books (older ones) for the past 15 years. I've read nearly all the books in the series, and this one is probably the best. I'll be the first to admit that if you read a lot of Tarzan books back to back you will see a somewhat formulaic approach to some of the installments. This first book, however, is original, interesting, and immensely entertaining.
I encourage you to read the book that got it all started in 1914 -- the premis, the character, and the mystique that spawned numerous films, and other spin-off media, and a series of books that spanned publication dates from 1914 well into the 1940s.
Move over Indiana Jones and James Bond -- Tarzan is the real McCoy. He's strong, brave, modest, wise, and good. He's got the attributes that we could sure use in a hero today!
Give this book a look. You'll be glad you did. It's a book that you could enjoy reading to your children.
5 stars for story, character development, readability, and content. Is it a literary classic? Yes, in that it holds its own respected place among fictional literature. Will it ever will literary acclaim? I don't think that Joyce or Faulkner need to worry.
But, hey, it's a fun read! Give it a try.
Alan Holyoak
Used price: $0.01
Collectible price: $5.73
Buy one from zShops for: $5.99
Set in Germany in the mid-80's, this book is a poorlywritten, shallow, unfocused fictional account that even the Library of Congress Publication Data on page ii classifies as "Juvenile Literature" and the back cover categorizes the book as "Science Fact/Science Fiction." "Juvenile Literature," could refer to both the author as well as the intended audience.
Ostensibly, the author/narrator is a courier between "Helmut" a character based on Karl Koch aka Hagbard of Cuckoo's Egg infamy and "Karl Mueller" a character also based in the Cuckoo's Egg milieu, that of Marcus Hess. In this account Koch burns in a car fire in town instead of alone in the forest outside Hannover. Do not expect to read any character development in this account however, the author is occupied wandering this account from hacking to Argentina defeating the German (West) soccer team in the 1986 World Cup.
Neither should one expect to read about hacking, one should especially not expect any ethical conscience on computer intrusions.
There are superficial undertones of activity by intelligence (KGB?) and law enforcement (FBI?) agencies, but they remain undeveloped as well.
Fully one third of the book's 91 pages are filler, including a glossary, character biographies, a couple pages on the alleged conspiracy of silence on Koch's suicide and a very shallow treatment of some hacking history including Dark Avenger and the MOD. Printed on 8" X 5" stock in large fonts with plenty of space between lines, the book costs about a penny/sentence.
You have been warned....
Used price: $1.07
Buy one from zShops for: $4.50
Well, for those of us who still like to dust off the classics and read them, TOR's edition of the Hunchback of Notre Dame serves nicely. It's bound in a modern style--small, with an intriguing cover, with easy-on-the-eyes print. And, it's complete and unabridged (accept no substitutions on this point, otherwise you're depriving yourself of the grand vision of the artist). Also, TOR's 458-page mass market paperback is only [$]--when was the last time you got so many hours of entertainment for so little?
The Hunchback of Notre Dame is a dark, desperate novel, filled with mist and moonlight and echoes in the lonely streets of 15th century Paris past midnight. In the main, it tells the intersecting stories of three lonely characters, each aching in their own way. There's Claude Frollo, archdeacon of Josas, who's spent his whole life cloistered in the tight garb of Catholicism. There's La Esmeralda, an enchantingly beautiful gypsy who's searching for her long lost mother. And, of course, there's Quasimodo, the malformed, hunchbacked figure haunting the shadows of the Cathedral of Notre Dame.
Hugo knows how to tell a story--there is plenty of irony, a few good surprises, and some excellent characterization. He paints the dark places of humanity: people struggling to survive, to find hope in the midst of horror, each clinging in some way to a dream that can never be realized.
One drawback of the book is its pacing, which, at times, slows to a crawl. For example, there is a long chapter on the layout of Paris in the 15th Century, which, if you're not a city planner or fastidious historian, can get pretty long and boring. Even Hugo seems to know it becomes boring, because he recaps so often. Also, Hugo often breaks the fourth wall and directly addresses the reader, which can be distracting and anti-dramatic at times. Thirdly, I would have liked to spend some more time with that loveable wretch, Quasimodo. He has a big part in the end, but not much more. But don't let these minor annoyances stop you from reading a great story.
If you have patience, The Hunchback of Notre Dame will rebuild the gothic Notre Dame of stone in words; if you have imagination, it will acquaint you with the adventures of some extraordinary characters; and if you have a heart, you will shed a tear for Claude Frollo, La Esmeralda, and Quasimodo.
Quasimodo's lonliness will move you; he is too ugly and deformed to be part of this world and he accepts it. There is a gripping scene in which Quasimodo is stripped and beaten before a jeering crowd. The pain and humiliation he felt brought me to tears, yet his courage and bravery inspired me. It is certainly the most moving story I have ever read.
However, reading through Hugo's lengthy descriptions of historical events and places can get quite tedious; the constant interruptions in an otherwise riveting story may drive you mad. But they can easily be forgiven. In Hugo's novels, one chapter of story is worth a dozen chapters of history.