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Book reviews for "Moore,_Henry" sorted by average review score:

Daisy Miller
Published in Paperback by Penguin USA (Paper) (1988)
Authors: Henry James and Geoffrey Moore
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Suprisingly resonant
I read this book as part of an English course on late-19th and 20th century American literature. It's the first time I've read a novel by Henry James, having so far only seen the movie adaptations of 'Portrait of a Lady' and 'Washington Square'. Having been wary of reading James (because of his reputation for dense, convoluted prose) I was surprised at this novel's relatively brisk plot and overall readability. The story itself, ostensibly a simple one about one man's inability to understand a seemingly complicated woman, also has interesting things to say about gender, class and the relationship between the United States (personified by the heroine) and the rest of the Western world. I was actually somewhat amazed that the image of America created through the characterization of Daisy Miller still rings true 125 years after this book's publication.

A Masterful Sadness.
As is often the case for Henry James, there is scarcely a detail of his work that can be made better somehow.

DAISY MILLER: A STUDY, 1878, is among the principal novellas of history and literature. Very simply, the story involves a young girl Daisy Miller, wandering through Europe, and from America. She is sensitive and capricious. Her ways attract attention, such that perhaps she appears a lustrous woman of carnal desires, or disrespectful to cultures not her own, or stupid. At any event, she catches the eye of another tourist, Mr. Winterbourne, a "nice guy" who not unlike the nice guys of our own world lucks out. He does not get Daisy, but watches as she kisses another and loses herself to unappreciatve men. She does this from anger, resentment, and want of attention. She becomes a symbol of many things, and in the end she dies. The book has been debated for decades.

The dialogue is so well crafted as to be sacred. No further editing of this story is possible, for James took very great pains to edit his work multiple times over. And here, we see a flow of talking and happenings that seem to real to even be on the page. As for instance the communication of Mr. Winterbourne and Daisy's little brother (I believe). The little boys talks, and behaves, as a little boy would. And, Mr. Winterbourne likewise behaves as a young man would to a young boy. Greatest of all are the marvellous dialogues between Daisy and Mr. Winterbourne. They flirt at times, and one feels Winterbourne's longing for her. They feel his sadness, a real sadness, as when she is not feeling for him nearly as deeply. I likened myself to to the man.

I am glad to know that Mr. James was credited as having been "the Master."

Good, quick injection of James
I hadn't read James for about eight years or so when I came across a copy of Daisy Miller in a pile of discarded books at a local university. It sat on my shelf for a while longer, as I knew full well that James writes in thick sentences, making up for the lack of volume by quite a bit.

What I found was what I have come to expect from James, even in his early works. This book does a great deal in terms of pulling together many levels of interpretaion: Old World versus New World, common versus exclusive, and also the chaser and the chased.

This last viewpoint in particular is what stuck with me. We have a young girl, and a young man. They meet once for a few days, and the young man becomes utterly fixated on her, if for any other reason that she is playing, in his view, hard to get. When she turns her attention elsewhere, the ante is doubled and tripled when, for a variety of reasons most likely centered around our young hero Winterbourne, the American society in Rome starts to give our heroin the "cold shoulder". Given that James writes most often to examine the person most in focus in the novel, I tend to atribute most of the troubles of this young girl to both herself and Winterbourne, not just the society of the time. This is far from a safe academic interpretation, however.

The notes included in the book are helpful for getting into the mindset of the typical reader of James' day, but are not distracting. Overall, this would probably be suitible for an ambitios middle school student, and just right for most high school students.


A Bookmark: Texas A & M University Press (Joe and Betty Moore Texas Art Series, No. 10)
Published in Hardcover by Texas A&M University Press (1999)
Author: Henry C. Dethloff
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Too Much Polemic
I was so looking forward to a good book on the geology and history of Texas rivers. I was disappointed. The travelogues are sketchy but useful. In every chapter, over and over again, we hear that industrilization is bad for rivers, dams stop the free flow of rivers, and that Ango settlers stole the land from native Americans. Yes, that's true and probably can be profitably discussed in a preface. Something like John Graves "Good Bye to a River" engenders sympathy and makes you care about the rivers. Huser's treatment of the subject leaves the reader merely irritated at the author.


Archetypal World of Henry Moore
Published in Hardcover by Princeton Univ Pr (1985)
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Archetypal World of Henry Moore (Bollingen Series, 68)
Published in Hardcover by Princeton Univ Pr (1985)
Authors: Erich Neumann, R.F.C. Hull, and Bollingen Foundation Collection
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The art of Henry Moore [Heng-li Mo-erh ti i shu] = 1/2/1986-12/3/1986, Hong Kong Museum of Art, 1/2/1986-9/3/1986, Hong Kong Arts Center ... [et al.]
Published in Unknown Binding by The Council ()
Author: Henry Moore
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The Artists' Cookbook
Published in Hardcover by Trans-Atlantic Publications, Inc. (1987)
Authors: Henry Moore and Jocelyn Stevens
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Arts and Their Mission
Published in Paperback by Anthroposophic Press (1986)
Authors: Rudolf Steiner, Henry B. Monges, and Moore
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As the eye moves
Published in Unknown Binding by Harry N. Abrams, Incorporated ()
Author: Henry Moore
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The Auction (Misty Picture Books)
Published in School & Library Binding by Children's Book Press (1988)
Authors: Marguerite Henry, Joan Nichols, and Stephen Moore
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Auden poems, Moore lithographs : an exhibition of a book dedicated by Henry Moore to W. H. Auden with related drawings
Published in Unknown Binding by British Museum ()
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