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As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.
The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.
One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.
The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.
The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.
If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.
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This English version of "Gitanjali" is a series of prose poems that reflect on the interrelationships among the poet/speaker, the deity, and the world. Although Tagore had a Hindu background, the spirituality of this book is generally expressed in universal terms; I could imagine a Christian, a Buddhist, a Muslim, or an adherent of another tradition finding much in this book that would resonate with him or her.
The language in this book is often very beautiful. The imagery includes flowers, bird songs, clouds, the sun, etc.; one line about "the riotous excess of the grass" reminded me of Walt Whitman. Tagore's language is sensuous and sometimes embraces paradox. Like Whitman and Emily Dickinson, he sometimes seems to be resisting traditional religion and prophetically looking towards a new spirituality.
A sample of Tagore's style: "I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared" (from section #98). As companion texts for this mystical volume I would recommend Jack Kerouac's "The Scripture of the Golden Eternity" and Juan Mascaro's translation of the Dhammapada.
I would enthusiatically recommend this book by my favorite author. Like the Psalms of David, Gitanjali is a soothing balm to the spirit. I read this entire book in less than two hours and has been my long-trip travel companion ever since. The introduction to the book by W. B. Yeats is magical and all the poems in this book transcend your imagination. The variety and quality of the poems are unbelievable!
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Williams' emphasis on plate discipline and mental approach, combined with his teaching of how to analyze your own swing gives you the basic tools you need to be an excellent offensive player. For pitchers, this book is a must to understand the weapons available to the batter.
For fans, this book will help you understand what's important and what's just filler by the broadcast team. If you're under 14 years old, buy this book, or go get from your local library, and study it on a field with a tee and a bag of balls. Then read it every day before you do your hitting reps.
This book turns bad hitters fair, and good hitters great. You just need to put in the work.
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Chase County, Kansas is an empty area in relative terms. The arrangement of the book is to follow a sort of geographical grid. The author introduces new concerns with a series of paragraphs and quotations from other works. Individual stories are inserted for interest and historical verisimilitude. For example, Gabriel Jacobs was a Dunkard preacher from Indiana. He and his wife arrived in Chase County in 1856.
The book is filled with maps. Cottonwood Falls, State Lake, Spring Creek, Den Creek, Rock Creek, Cottonwood River, Sharp Creek, Roniger Hill, Landon Rocks and Bazaar are shown on the map of the Bazaar Quadrangle. Chase County is tall grass country. Beef is the major pursuit. It absolutely depends upon grass. The work of Chase is to turn soil and cellulose into humanly digestible carbohydrates and protein. Tribal people took their health from prairie plants. Antelope are returning to the Flint Hills through a restocking program. The author observes that the land in Chase County is like a good library, it lets a fellow extend himself. Common Chase properties of the land are the vales and uplands through which the author enjoyed traveling.
A review by me cannot do justice to this book. The work is as multi-dimensional as EXECUTIONER'S SONG by Norman Mailer. Vachel Lindsay traveled down the Cottonwood Valley. A student going to high school in Chase County thinks there is no privacy, no opportunity to be one's self. A grade school teacher told the author she hoped that people in Chase County could learn to love themselves less and the children more. The largest cottonwood in Kansas has a trunk 27 feet around. The Timber Culture Act of 1873 gave 160 acres of land to the settler who would plant ten of these acres in trees. In 1931 a Fokker plane carrying the famous football coach Knute Rockne crashed in Chase County near Bazaar.
People ariving in Chase County after 1862, the Homestead Act, were limited to taking a quarter section, 160 acres. Most county bottom land had been claimed by 1870. Absentee land ownership has been a fact of life in Chase County since the 19th century when the English aristocracy and the railroads owned large tracts.
The author says that for him writing is not a search for explanations, but a ramble. He believes that Chase County is the ideal place to develop a prototype of a new agricultural community. The book began when the author arrived at Roniger Hill with an image of a topographical grid in his head. Of the dozen settlements in Chase County, three or four can still be called villages and two are towns. The significance of prairyerth is that Chase County lies among it. "The Prairyerths and Blackerths are deep soils, lightly granular, relatively nonacid, unleached, with full stores of humus and minerals."
There is truly nothing like living in this community and experiencing the sights, places and people described so richly in PrairyErth. William Least Heat-Moon knows this place well, and paints a picture that is as vivid and timeless as Chase County itself. As a "local", I've returned to this book time and time again.
Unfortunately, my job is now taking us away from here. If you've read the passage about Spring Street in Cottonwood Falls, then you know our home. This is truly a beautiful and extraordinary place; unique in the world. If you would like to experience the sense of community that my family and I have been so blessed with, give me a call.
Mary and Laura start to go to school and on their first day they met many friends and some foes. one of their rivals was named Nellie who had a party and invited all the girls from school. Nellie was very rude and very cruel to Mary and Laura. Laura decided to have a party as well, and invited all the girls from school. Laura invites Nellie particulary to get back at her, and boy did she do a clever and a funny prank on Nellie. Then the Ingalls experienced blizzards, storms, and prairie fires which were very devastating. After all the work the family put into the farm and the wheat, their work finally payed off.
This book had lots of surprising, unpredictable, and very exciting events. If I could rate this book on a scale of one through ten, I would give this book a ten. Once I started to read this book I couldn't put it down, because I was so hooked on it. This book is fantastic and is great for every age, and great for every age, and should be enjoyed by everyone. If your looking for a great book that will excite, delight, suprise, and grasp your attention, On the Banks of Plum Creek is just the book your looking for.
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The lyrics are the same, from book to book, but the fanciful illustrations in this one are enough to engage adults and children as they read this book together.
The perfect gift for any family whose Christmas tradition includes reading this classic!
The winter landscapes fill our senses and Tasha's own gray tabby cat and Welsh Corgi welcome us into this charming world.
Tasha's Santa that you will meet in this book has been portrayed as the poem describes him...a right jolly old elf. He's not that much larger than the corgi and his team really consists of eight "tiny" reindeer. His pointy ears and his Eskimo mukluks add to the delightful ambiance of the book. He dances with the toys and with the happy animals and we can truly believe it will be a happy Christmas for all.
I hope this book becomes a Christmas Eve tradition for many, many more families.
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Horse Badorties is a loser who knows he's a loser and this makes his life that much more poignant, hilarious, and pathetic. He's on the fast track going nowhere and intends to enjoy every moment of it. He's the burnout hippie who hasn't escaped his languishing identity; he's capable of great things, but never follows through. He's a skilled musician, a magnetic group leader, and a charismatic con artist, yet never takes himself seriously enough to achieve the bliss he's looking for -- until he gives up his main ambition to watch the sunset over the Hudson River.
Like the sunset, his contentment is also short lived and leads inevitably to his perpetual dark dissatisfaction with everything he does (with the exception of his girl's choir). Yet I still find myself laughing at him and with him. Every time I read this book.
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This book serves a definite purpose. It's designed to be the book on the shelf that you use when the inevitable "How Do I Do This?" question pops up. It fulfill this purpose well. What this book is not designed for is to fully explain the features of Windows 2000 and Active Directory. There are other titles that do a much better job of that.
This book never comes up short in the help department. You cant remember it all and you dont need an 900 page book to remind you. Pick this up and keep it handy. You wont be let down when you need it most.
I think the coverage is very complete, but given the comlexity of win2k, some areas are bound to be left out. Suffice it to say that this book looks like it has everything I need to do my job. If you work as a win2k administrator, definitely get this volume.
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The ending of the book will disappoint those who want a happy ending, or just an ending with all the loose ends tied up. In real life, though, loose ends usually stay loose. My thought is that Solzhenitshyn intended the reader to understand that for the characters and the society who are so damaged by the past there can be no happy endings; the best they can hope for is to continue from day to day, grasping at whatever happiness briefly comes their way.
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This is a must read. A wonderful story of love, hardships, and more love, REFUGE is a truly breathtaking piece of art.
Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.
Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.
Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.
Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization. There is the reader's ease of use and the correcting misprints and mislination. I have no problem with this regularization of spelling or punctuation. But when an editor goes beyond normalizing and modernizing--when an editor interferes with the text then I have a problem.
Let me give two examples of the editorial interference that I am writing about:
King Lear 2-1-14 (p. 1184)
Bevington has:
Edmund
The Duke be here tonight? The better! Best!
This weaves itself perforce into my business.
The Folio has:
Bast. The Duke be here to night? The better best,
This weaues it selfe perforce into my businesse,
Even allowences made for modernization of punctuation and grammar would not account for Bevington's "The better! Best." Bevington glosses this to mean "so much the better; in fact the best that could happen." Nice try, but "The better best" of the folio is a double comparative, (which is a regular feature of Early Modern English) and not two separate adjectival phrases. Interestingly, the Quarto printing of Lear prints this scene in prose, and there is no punctuation between "better" and "best" in that version either.
A few lines down Lear 2-1-19 Edmund continues
Bevington has:
Brother, a word. Descend. Brother, I say!
Enter Edgar
But Bevington has reversed the order. The Folio has:
Enter Edgar.
Brother, a word, discend; Brother I say,
Bevington does not say why he changed the order, though to be fair other modern editors have done the same thing.
These two changes just a few lines apart go beyond regularization or modernization. They interfere with the text as presented in the 1623 Folio. And Bevington does not explain the changes. So next time you pick up this or any other modernized edition you should ask yourself "am I really sure what I'm reading is what Shakespeare wrote?"