This is a wonderful book of stories about those who have been curious and brave enough to search into their own souls and find lost parts of themselves. I read this book while taking a one week workshop on dollmaking and now I wish that I could go through the year long process discribed within these pages. You don't have to be interested in dolls to see the transformations that dollmaking can bring from an individual's own creativity. Great read with excellent photos of dolls created by artist and non-artist.

The Wines of California, Stephen Brook, Faber and Faber, London, 1999, ISBN 0-571-19030-8. Paperback; 685 pages; $20.

Stephen Brook has been a freelance writer for many years specializing in wine and travel books. He won the André Simon Award in 1987 for Liquid Gold: Dessert Wines of the World, and has written several other excellent travel and wine books. He has been learning about and drinking California wines since the late 1970s, and finds that California wines appeal to him strongly for their generosity: "California wine regions routinely succeed in offering rich, full-bodied, fleshy, opulent wines that make an immediate sensory appeal." This is a generous book that beautifully expresses the "instantaneous pleasure" he finds in California wine.

Brook briefly summarizes the history of wine in California, relying gracefully on the works of Charles Sullivan. He has a short, but excellent, summary of the "rules of California wine", asserting that California as an independent country would be the world's fourth largest producer after Italy, France and Spain. (A telling comment: "By and large, California wineries are not keen to dupe the consumer, although the overall laxity of the regulations often makes it easy for an element of deception to creep in.") Brook devotes about a quarter of the book to the wine regions, a quarter to grapes and types of wines, and the balance to a "Gazetteer" of various producers throughout the state. Throughout he relies on personal relationships with hundreds of grape growers, wine makers, writers and wine lovers.

Brook emphasizes that: "There were no secrets, no mysteries, about wine. My questions, whether about viticulture or winemaking techniques, were readily answered." In a favorable review of the book published in "Decanter" recently, Gerald Asher emphasizes that "this willingness to share information has made it possible for Brook to track changes that amount to a U-turn in all things vinous in the state. When talking to growers elsewhere, I am often amazed to hear them make references to a California that no longer exists - they cannot imagine a place where change can be so rapid and so fundamental."

Brook is quite skeptical about the AVA system, but his summaries are clear and historically accurate. Similarly with his descriptions of the various types of wine; I found his section devoted to Zinfandel particularly enlightening. But the heart of the book is a series of short, elegant essays on hundreds of different wineries; there are no tasting notes to speak of, but he captures the styles of wines made by many of these wineries in quite a remarkable way. And he captures the history and the character of the wineries with conciseness and clarity.

For example, I have just finished reading Robert Mondavi's autobiography, Harvest of Joy, admittedly a book that could have benefited from tighter editing. Brook's four pages captured the essence of Mondavi's story with style and warmth.

It would be fun to quote dozens of these essays; here's part of one favorite just to give you the flavor of the whole: "Newton's vineyards are not open to the public, which is a great shame since these are arguably the most beautiful in all of California. Peter Newton's wife Su Hua is Chinese, and the terraced vineyards are reminiscent of Chinese landscape paintings, the whole effect enhanced with red-lacquer gateways, wooden pagodas, and other Chinese ornaments. ... Peter Newton told me that Su Hua is now the winemaker, even though she also pursues a separate career in San Francisco. It's perfectly conceivable that this immensely dynamic and talented woman does indeed make the wines. She has been a model, a scientist, designed much of the vineyard and winery buildings, and has formidable expertise as a wine marketer. There is a mysterious personage at Newton called Luc Morlet; he is the director of oenology, but I have never met him and don't know what he does. The team is completed by the consulting services of Michel Rolland, who only advises on his special subject: Merlot."

I can only agree with Gerald Asher that only a person who finds great pleasure in California wine could have "devoted himself to a study of this magnitude. I give it a 'thumbs up'." Highly recommended.

Without question this is the best introductory journalism textbook on the market. I have used it in my classes for several years. The chapters are short but informative, and the exercises realistic. Primarily focussed on print, the discussion of broadcast journalism is sounder than that found in many books dedictaed to that subject.

A fourteen year old who loves to read almost anything under the sun:

I loved this book. When I was in seventh grade I checked it out of our little school library because it had a lot of points--we'd read books, take a test, and receive a certain number of points for that book. If we got everything correct, we got full points, and we needed many points to pass English every trimester.
I didn't realize I was going to fall in love with the characters. Each person is beautifully made, intricate, and unique. You grow to know everyone in the story. Margaret Mitchell doesn't let any detail slide. She describes Scarlett beautifully.
Scarlett is perhaps the most interesting character I've ever read. I hate her completely, and yet love her just the same. She was the most spoiled brat, and yet I felt like I was part of her, or she was part of me.
Also, Margaret Mitchell does a good job of justifying the Confederate's reasons for breaking off from the United States. Although I don't agree with slavery at all, I could see where the southerners came off, believing as they did, and even felt a little angry at the northerners for being so hotheaded themselves.
For those of you who have seen the movie and liked it, buy this book, its ten times better. And for those of you who disliked the movie, still get the book. It is very much different from the movie, you get in the whole world, and they left out so much in the movie. For instance, Scarlett ... well, just read it, it's good.

Margaret Mitchell wrote, for her first book (an earlier work, called "Lost Laysen" has since been published), an exhaustingly researched, wide-ranging, exciting and thrilling book set in the Civil War. This book - Gone With The Wind - was a runaway success; and ultimately made into the biggest movie of its day. Alright, let's admit it, by modern standards it's sexist, racist, overblown, and melodramatic. And it's pretty darned brilliant. I have read this book no less than ten times! In theory, one ought to detest that spoiled little brazen, Scarlett O'Hara, but Margaret Mitchell makes her into a vivid, strong human being, a woman with spirit and the will to survive, but who was essentially immature and spoilt. But she was fiercely protective, loyal, and someone who you were forced to admire, even as you disliked what she was doing. She also had a alarming propensity to fall in love with the wrong men - this was a woman doomed to claw her way anywhere to succeed, but at the same time, estranging herself in the eyes of her Society. But does she give up, does she make it a tragedy? No. She gets up and keeps going, she just doesn't let people see that she minds it very much. She is an inspiration, but she doesn't really deserve to be. Scarlett is flawed, hideously so, but none the less, we are forced to admire her. She IS the book. A weaker or less flawed heroine would be irritating or just TOO unsympathetic. Her unrequitted love is very believable, it's happened to most of us at one time in our youth, and we never really quite shake that first infatuation off without a rude or painful awakening.

The attitudes which feature in this book, although sexist and racist to us now, were perfectly normal for Civil War Southerners - Margaret Mitchell really understood the way people behaved at this time, and did not make them behave out of period or in anachronistic ways. Like Georgette Heyer and Regency England, she has a true understanding and insight into the period she is writing about - she LIVES it, and her people could have been alive then without unduly standing out as unusual or unremarkable.

Scarlett is a rebel, but she does not go as far as a modern author might make her heroine go. She loves her family and her land, though she may deny it, and she is very proud. She is an inspirational woman, a true forerunner of the power woman of the 1980s - a sensational concept, even for the 1930s! The clever thing is how, in such a huge and spreading book, everything comes together. It may seem trivial and unnecessary to discuss Aunt Pittypat's drawing room, or go into the minutae of Scarlett's wardrobe, or to discuss events that happened a long time ago, but believe me, it is all very important in building up a coherent and very accurate (scarily accurate, for 1930s historical fiction - Heyer and Mitchell, as far as I know, were the only authors at this time who really bothered to research in depth for their "lightweight" historical fiction writing.) Gone With The Wind is a masterpiece. It must not be read with modern eyes, but as an amazing study of how people behaved, lived, and survived throughout the Civil War in America on the losing side.

Reading Gone With The Wind is indeed an experience. It is able to change the opinion on romance stories for someone who does not like to read romance, it made me unable to put down the book even though I was busy.The story basically tells how the beautiful Southern belle Scarlett O Hara hardened during the American Civil War and her ruthless ways of making money even it means to marry someone whom she did not love as well as engaging the convicts to run the mills. The story also talks about the unusual love between Scarlett and Rhett Butler whom Scarlett hated intially and also the patriotism of the American Southerners. One could feel the different emotions of Human when reading the story such as jealousy, anger, honour between people and the country, love and so on. It is one unforgettable reading experience and Margaret Mitchell is indeed a talented writer whom I should say that it was regrettable that she was not the one who was writing the sequel to this story. Gone With The Wind is a highly recommended story.

This book gives a fairly comprehensive overview of the most popular programming language ever employed. The C language still dominates the programming scene, even though at times it appears to be dying out. Compilers, embedded systems, scientific programming, and myriads of other applications use C extensively.

After a brief historical background and a discussion on how to compile programs in C, the author discusses the basic data types and character strings in C. The author emphasizes the lean nature of the C language, and gives an elementary discussion on debugging in C. A good discussion is given on integer and floating-point underflow and overflow and also the mechanics of argument passing via the stack.

The author then discusses the operators and control statements in C. He includes a discussion of Lvalues and Rvalues, and this is helpful since many books on C gloss over this. Good examples of the ability of C to do multiple assignment are given. Side effects, which are modifications of data objects, and sequence points, which are points in program execution at which side effects are evaluated before proceeding to the next step in the program, are briefly discussed. An understanding of side effects is crucial to programming effectively in C. Type conversion, forbidden in some other languages, can be done in C, and the author gives a fairly good discussion of type conversion and the cast operator. Nine examples are given that effectively illustrate the different uses of "for" loops. Unfortunately, the author includes a discussion of the "goto" statement, but does admonish against its use.

The author then moves into more about input and output and how to use buffered versus unbuffered input. Some of the discussion on how to create user interfaces is antiquated given the current state of graphical tools to do this.

C functions are defined and their use encouraged as building blocks. A program ideally should be written as a collection of function calls, and the author is sympathetic with this approach. The importance of function prototyping is discussed, along with a detailed discussion of recursion. The &operator is covered in the context of function calls the modify a value in the calling function without using a return value. This peculiarity of C is a sticking point to mathematicians when they attempt to program in C. The author explains fairly effectively the reasons for doing this in C, giving examples of what can happen when one adheres to a practice of never producing side effects in function calls.

The most difficult feature of C for newcomers is the existence of pointer variables. These are first discussed in the context of function calls and then in terms of the creation and initialization of arrays. Pointer arithmetic, an anathema to some programmers is given a fine treatment, along with how pointers are used to manipulate character strings and string functions.

The file communication capability of C is given a lengthy treatment in the book via standard I/O functions. The ability of C to support both global and local variables is discussed, with the important concepts of file, block, and function prototype given detailed treatment. The volatile, const, and restrict keywords are discussed also.

Data structures, the tour de force of C programming, is discussed in great detail by the author. He shows how to create nested structures, and most importantly how to define and use pointers to structures. This is one of the most powerful features of C, and is responsible for its continued use in performance-intensive applications.

Readers interested in the more "low-level" features of C will appreciate the discussion on bit fiddling. Indeed in embedded systems and cryptography an understanding of this is crucial for designing effective programs.

The important technique of conditional compilation, using the ifdef, else, endif, and ifndef directives are discussed with many helpful examples. Memory allocation, with malloc(), free(), and calloc() functions is given ample treatment. Anyone who has done any type of debugging of C applications will realize the importance of a complete understanding of this topic. Memory leaks and dangling pointers can cause great distress in applications written in C. The author should have spent more time here on dynamic memory allocation in C.

Some discussion is given on the more advanced data structures in C, such as linked lists, abstract data types, and binary trees.

I have an eight year-old copy, and when getting back into C programming after a long layoff (don't ever take a promotion to project leader if you can't keep coding), I pulled this one off my shelf (skipping K&R's book, Herb Schildt's book, and three others in my library).

It got me right back into the mindset quickly (I started with the pointers chapter, where all the action is), and helped me get the rust knocked off quick. The examples are well-explained, small and easy to test, and the progression of the book is logical and sane. Buy it and you can wait a year before needing another book on C.

I have read "C Primer Plus" and want to recommend it to everyone who has an interest in learning a computer programming language. It is written with a touch that takes away all the fears and respect concerning difficulties a beginner might have. Prata's humourous style and pedagogic approach makes it easy to get a hold of programming techniques. Until chapter 6 the style pace is moderate but then quickens. By then you have been given the means to cope with all the terms and foreign commands and you read on, eager to learn more. The Appendix-section also makes it a rather good reference as long as you keep your programming on "the home front". I strongly recommend this book. Buy it if you want to extend your knowledge!

While staying respectfully close to the traditional story outlines, Mitchell has embroidered within that tale a marvelous meditation on difference, desire, trust, and transformation. The section on what it means to "promise" alone is worth the price of the book. By changing perspectives, the author allows us to examine the many facets of the Frog Prince in a way that satisfies our modern interest in multi-perspective tellings while calling us back to our most profound needs and desires. A beautiful achievement.

Seems that there has not been enough romance in our busy lives lately... so Mr. Mitchell decided to give you something to fall in love with. This story is a pure delight from the first page to the last. I'm sure you'd enjoy playful historical insights and delicate language (the story takes place in France - the motherland of true romance). But this is all the shell - the pearl is the love story itself. We all know the actual tale, Stephen Mitchell, however, makes it unfold along with two strong and complex characters. Both lonely and proud princess and ugly frog have to overcome their fears to finally fall in love with each other. It's not easy for a frog to become human, it's never easy for a princess to find her prince. Stephen Mitchell describes the romance not as the love is born, but as it makes its way through to change them both. - No matter where you are in your relationship with somebody, this book is sure to make you kinder to that somebody.

To my mind this is one of Stephen Mitchell's best works. It's an excellent example of the sort of thing he does best: he "listens" his way into a traditional text or story, and then says what it "wants" to say in lucid, liquid English prose-poetry.

In this case his story is the traditional "Condensed Version" of the story of the princess and the frog prince. Mitchell has remarked somewhere that the characters in this old Grimm's fairy tale were crying out to be deepened -- and so his retelling of the story deepens them into, respectively, a self-possessed Tao-Te-Ching-quoting princess and a meditative but seriously lovestruck frog.

The tale itself is transformed into a parable of love and spiritual transformation -- or were Mitchell's insights already present in the original tale just waiting for someone to bring them out? (Does it even make sense to suggest that these meanings were "in" the story _rather than_ "in" Mitchell's elaboration of it?)

Be that as it may, Mitchell's interpretive rendering is as lovely and captivating as anything he's ever written. I won't spoil anything, but Mitchell reminds the reader very early on about a point we often forget about the original tale: the frog doesn't turn into a prince when the princess kisses him, but only when she hurls him into a wall.

(The lesson here is not, of course, that if you don't like your lover as he is, you should throw him really hard against a load-bearing structural member and hope he changes into something you like better! It's that real love requires an unwillingness to settle for less than each other's best, together with a complemetary willingness to undergo difficult-but-necessary transformations oneself. But you'd probably figured that out already.)

The tale is notable as much for its style as for its substance (if these two aspects of Mitchell's work can be clearly differentiated at all). The narrative is filled with little frame-breaking devices, excursions into spiritual insight (and sometimes into just plain fun), and small touches that add texture to the physical and "historical" background of the story. As the events in question take place in Renaissance-period France, Mitchell works in not only some fine detail about e.g. the exquisite trappings of the royal palace but also some gentle twitting of French culture.

The insights themselves are, as is usual with Mitchell, the narrative center of gravity. I won't spoil these either, but they come from sources as diverse (or are they?) as the _Tao Te Ching_ and Spinoza, Japanese haiku and Rainer Maria Rilke. The sources will be no surprise to any readers familiar with the rest of Mitchell's ever-growing oeuvre, but they're worked into the story remarkably well.

Oh, and if you like this, see whether you can find a used copy of Mitchell's 1990 book _Parabales and Portraits_. It's currently out of print, but it's excellent in general and in particular it contains a one-page prose poem entitled "The Frog Prince" with which the present work is thematically unified.

As far as learning C++ goes, this book is excellent. Prata has a very readable style of writing, and this book covers a lot of terminology and material, from variables and functions to exception handling and the STL. I agree with a previous reviewer about reading Bruce Eckel's "Thinking in C++" after this one, or (as I did) alongside it. Eckel's book is much more technical and detailed, and it covers the more advanced topics that "C++ Primer Plus" doesn't.

The big problem with this book is the typos. I swear I've never seen so many in a single book! Even the cover has a typo (on the back, near the bottom): "Covers: ANSI/IOS C++". "IOS" should be "ISO". Just thumbing through the first several chapters, I found at least a dozen or more typos. I found three typos in a single diagram, and three more on the facing page. And this is the third edition?

If Sams and Prata would just proofread this book and correct some of the dozens of typos, "C++ Primer Plus" would definitely become one of my favorite introductory C++ books.

Wow! This book is one of the best books I've ever read on any computer language! This is a definite book for beginners. It is very well written with a lot of very good examples and review questions at the end of each chapter. This book is quite large and covers many topics in detail from if statements to function overloading. Also, there is a chapter at the end of the book on STL.

I learned C++ from the Second Edition of this book, back when I was in high school. I would go so far as to say it was the single most useful reference I had...the examples were clear and concise; while the book is not as detailed and will not take you to an expert level of C++ programming, it gives you a very solid grounding in Object Oriented concepts, and is an invaluable base to begin from. I've seen friends try to learn C++ from other books, and then look through my Second Edition of this and simply gush about how much easier to understand it is.

Concepts I learned in this book, I've used as a video game programmer (working with DirectX and C++ under Windows), and even as a Java programmer; the grounding in object-oriented design you get from this book is solid enough to carry to things other than C++ quite well.

I cannot recommend this book highly enough; it is NOT the only book you will want for learning C++, but it is definitely one of the first and most valuable!

This novel by Rainer Maria Rilke is an excellent novel that encourages the idea of following one's dreams. This book provides an inspirational message that motivates society to fulfill their life long goals and ambitions.

Rilke presents a collection of remarkable responses that he wrote to a young would-be poet, on poetry and on surviving as an insightful observer in an insensitive world. Rilke's simple style of writing within his letters reveal clear and positive messages that open the reader's mind up to a more thoughtful and fulfilling world. Rilke uses many similes within his letters to compare certain aspects of life with other objects. This gives his receiver a more hopeful view on the world. The author also uses imagery within his letters by his selective wording and phrasing. The reader is given the ability to draw a picture of either the place or event in which Rilke discusses. Rilke also uses many metaphors or inspirational sayings or quotes to interpret life to his reader. This provides his audience with a new sense of hope for their future goals and present difficulties.

Rilke's overall message throughout this novel is that one can become anything they want to become as long as they do not give up and have confidence in what they do. If one cannot think of anything else to do in the morning but sing, then they are a singer. If one cannot think of anything else to do in the morning but write poems, then they are a poet. Rilke's concept of life displays a great enthusiasm that encourages his audience to go for their goals, and I believe this is the greatest message any author can ever send out to an audience.

This book first came to my attention when a good friend of mine sent me a quote from it, which has since become my life quote ("Be patient toward everything unresolved in your heart and try to love the questions themselves..Do not search for the answers which could not be given to you now because you would not be able to live them. And the point is to live everything...Live the questions now")

Since I heard this quote, I tracked down a copy of the book after searching a half dozen bookstores and libraries, and it was worth every minute of work to find it. This book has been put on the highest level of appreciation in my mind, up there with Richard Bach's 'Illusion' and 'One'; my two other favorite books. Rilke's book was written for the artist; the person who wants to live life to its fullest and explore both the inner and outer world and their connections.

Although, as another reviewer said, this book will not be fully appreciated by all readers, it is a must read for everyone, especially those who appreciate spirituality, art and living.

The letters to a young poet are a piece of advise for everybody who is dissatisfied with his life or who maybe just wants to widen its horizon. It is a book that you should read in a period of your life, where you are able to have time for solitude. This book is the embodiement of impressionistic ideas. It is a very personal book and therefore I do not feel able to give a general recommendation and I would also not say that it is a book full of great wisdoms( there are very few of those) but it is a book that shows possible ways of reaching a deeper feeling of life. And it is a book which is full of the wonderfully chosen words of this great great poet: Rainer Maria Rilke

This is the only novel written by Rilke. It is a difficult text, often vaguely referencing obscure Medieval history. It has endnotes to help you through it though. It is entirely worth the effort to read this book (too many books don't make you try these days) because it is unlike anything I have ever read. Rilke places you in the mind of Malte, an unusual, beautiful and intensely profound universe. This novel is, I believe, an epic poem under the guise of a journal, and it's one of the best poems written.

This proto-existentialist novel features a main character (Malte) that is frightened by the possibility of faceless-ness; that is, he is terrified by the collapse of a coherent subject/identity in modernity. This work is highly critical of the traditional narrative where everything occurs in a logical and temporal order that is coherent and teleological. Through the character of Malte, Rilke illustrates the decay of such an understanding of one's self and the chaos that results.

Rilke read a lot of Nietzsche prior to writing this book, and many of the same themes Nietzsche contemplated in The Gay Science and Thus Spake Zarathustra are reworked by Rilke in this novel. It is my interpretation that Rilke was trying to work out a theory of modern, fragmented, existential subjectivity and then offer some way to make such a life livable. Rilke explores such themes as memory's transience, unpredictability, and instability, the role of a God in a world after the "death of God", and a dissolving of the conceptual categories between the self and the other, or the inside and the outside, all play into this fascinating book.

The book is written in notebook form, which plays into the notion of fragmentary identity and problematic narrative. Entries jump from the past to the present to imagined futures in an often random and chaotic order. There is no "plot" to speak of, although there are bits and pieces of narratives, but nothing sufficient enough to create a comprehensible 'Malte'. All the while, you are in the mind of a character that is trying and failing to make sense of it all (to 'impose' a narrative).

The later Martin Heidegger always lauded Rilke (despite Rilke's being too metaphysical) for being able to express ways of interacting with the world that were non-humanist. He was especially interested, and wrote significantly about, a passage (p. 46 in the Vintage paperback edition) where Malte imagines a house and its inhabitants from a single mutilated wall that is left remaining. I'm not too sure what his relation to the text as a whole was, so I'll leave it at that.

This book is an intellectual paradise and is rich in treasures as long as you are willing to look for them.

If you read this at the right time of life no other book will ever be more important to you. I read it when I was 19 and for me that was the right age. Rilke's Notebooks contain what amounts to the crisis of modern existence. For Rilke the solution was writing some of the best poetry ever written. If you want proof read it. For Malte it was not so clear yet and his struggles will be very familiar to any student of the arts. As a time piece this also has much value. It records the change over from the old Europe to the new. For Malte, as it was for many of Mann's, Musil's, Broch's... characters, this proves devastating. Identity threatening. The second half of this book is not as good as the first half but I'll take that first half and disregard the rest. Read this while reading Rilke's greatest contribution to our world, his poetry.

How many times have you perhaps thought, and also heard that the press are really bad folks? The press has an agenda? The press is biased? Well, this great book reminds us all how truly wonderful the men and women of broadcast journalism covered the horrible events of September 11th. I will never forget how I saw Tom Brokaw, lower his head at one point and choke up. After a second or two he acknowledged to us all that he had an emotional moment. At one point, Peter Jennings, who had just received word that his kids were safe, looked at the camera and told the audience that we all should call our children. I dearly loved reading of the human sides of these men and women. Also, it was astonishing to see how radio and TV covered the story not knowing from moment to moment where the story was going. Local New York area radio and TV are covered as well as that of national TV networks.I really don't want to give anything more away. Buy this book and read it. This will be one that you will want to include in your home library for years to come. You won't want to be selling this one to a used book store or in a garage sale. It's a keeper.

Listening to Robyn Walensky's eloquent retelling of the events of that fateful day at a booksigning in Washington, DC, and reading the minute-by-minute reconstruction of what it was like to cover these events, this book brings back all of the emotion and impact of September 11th, but from the vantage point of the working broadcast journalists who brought the story into the living rooms of the country and the world. Ms. Walensky and her co-editors and contributors have done an historical service to all future generations by putting their experiences collectively into the permanent record. If time ever can dull the memory of what happened that day, take this book down from the shelf and it will all come back, with clarity and purpose. Hopefully, a similar book will be assembled on what the print reporters experienced that day. A superb recounting of the working reporter's craft.

If you only buy one book about September 11th - this is the one to buy. There are several books out but this is the best for a moment to moment account from broadcast journalists who experienced that day from a news point of view. Everyone, from news program producers, sound techs, camera people, radio people are included in this excellent compilation of who saw what, when, how and what they felt as participants in the biggest story of this century. I'm a history nut and stayed home the day of the attack to watch TV coverage all day from all the different networks and I wanted a book that would really convey the events, the victims and the feelings and impressions of those who responded to the catasrophe of 9/11 in an accurate fashion for my children to read and, hopefully, my grandchildren to read in this one book and have some idea of what living this historical day was like. I consider this to be the most valuable book I have bought all year (and I buy lots of books).