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Basic instructions on what materials to use and how to construct frames are discussed on the first part. The author then goes on to the projects section, which is split in two: wood and non-wooden frames. Decorating techniques include, but are not limited to, decoupaging, papiermâché, and stencilling. Each project is accompanied with step-by-step photographs which guide the crafter throughout, PLUS color photos showing variations of each frame. In effect, there are more than 20 project ideas in the book.
An added bonus: The gallery sections, which are just so inspiring! Now, there is only one more thing to do: Go ahead and start framing!
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The true judge is my daughter. It is on her "greatest hits" list. She loves it. So, whenever we read "That Stupid Book", Mommy reads it. We leave Goodnight Moon for Daddy.
What to do?!?? Although the lady verges on panic, she gets it together, assembles the ingredients for a lovely (vegetarian) meal, and everyone is seated at the end to enjoy the steaming vegetable soup she's made.
Miranda's humorous text is greatly aided by the illustrations of the talented Janet Stevens. Stevens combines actual black-and-white photographs with acrylic, pastel, and colored pencil illustrations. The result is a series of pictures with an up-to-the-minute feeling and a great deal of interest. Lots of fun for very young kids--and, luckily, for their parents as well.
As you can imagine, the animals run loose and create havoc in the kitchen while the overwhelmed woman goes back to the market for more things. Finally in desperation, she buys a bunch of vegetables and makes them all soup!
It's an artsy little story that you can read over and over again without getting bored. The illustrations are witty and creative throughout. I appreciate inventive touches in this book, like the black and white background juxtaposed against the color foreground. Also, I like the way the market background is reminiscient of an earlier time period, perhaps the 50's or 60's?
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If your child is a fan of all things that "GO" they will enjoy this little book, it is short, and fun to read again and again (without you, the parent/caregiver going insane).
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Cute idea, but I would think that this would be for a more mature toddler or the preschool set.
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In Jarrett's story, Sara Blake, brought up in India, has been reduced to being the governess to an eight year old child (Clarissa) who is an incredulous character to say the least! She behaves neither like an eight year old nor like a child of the early 19th century. Yeech! Lord Revell Claremont, younger son of a Duke, had the Great Misunderstanding with Sara many years ago and, over a Christmas house party, everything is sorted out. Sorry - I could not bring myself to care about the characters or their dilemma; they did not attract me at all and the story line was tired and not especially interesting.
Lyn Stone's story of a marraige of convenience, mystery children, mistaken identities, etc (every trite and well used theme you can think of) was played out in a stiff and what appeared to me to be a hastily written format. The prose never seemed to lift or sparkle as one might reasonably expect in a Regency Christmas story. Again, Bethany and Jack are not people I could get interested in; too one-dimensional for me.
Anne Gracie's story was at least better written. Again, a case of mistaken identity through the means of amnesia, this is the story of a man set upon and near death rescued by a penurious widow and her small daughter. Although the story was simplistic and credulous at times, at least Gracie has the manifest talent of writing prose that holds one's attention. I didn't think this was her best effort but at least one could care about the characters and one can at least be cheered when poor Ellie snags her Lord Rothbury.
I think Harlequin failed with this anthology. I love Christmas Regency short stories but this volume was flat, sometimes turgid and sadly filled with uninteresting characters trapped in uninspiring stories. Don't bother.