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My cousins have add/adhd as so do i so i think that her book is great. Go out and buy it today.
Keep up the great job Aunt Janie. I love you Love your neice Jenn.
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Granted, by this point she is rather old, so at least Christie keeps her doing things within her capabilities!
The description of the hotel are great, and the premise of the plot had some nice possibilities but I don't think this was as well mapped out as some of the other Agatha Christie mysteries. If you are a long time reader, you are going to guess whodunit fairly quickly.
Overall, it's ok, but not one of the best. The Miss Marple short stories (ex: Thirteen Problems) are better.
However, something is not quite right at Bertram's. The police turn up checking out a clue that a series of well-planned robberies in the city is somehow connected to the stately hotel. Chief Inspector Davy is the detective in this one and he welcomes Miss Marple's keen acumen. We are introduced to an assortment of English ladies and gentlemen staying at the hotel which serves as a gathering place for suspects much as the country estates did in Christie's earlier works.
Although this is slower than many of her other works and has a rather complicated conclusion, it is a good look at the changing times in English society and another wonderful visit with Miss Marple.
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It reads more like a compendium of valuable snippets and insights rather than as a continuous narrative. Brassai as a photographer met Picasso in Paris and was invited by the painter to take some photographs of his work. Most of these photographs were actually of Picasso's small (and not so small) recent sculptures. It was common practice for all sorts of artists at that time(and earlier) to have professional photographs taken of their output so they could see their creations from a different, more removed perspective (vanity?). Picasso was certainly no different.
Picasso himself was an avid amateur photographer and as John Richardson has pointed out in his excellent Picasso Bio. he was not merely content to paint the paintings he also tried to somehow install himself in his pictures via self portaits with various paintings as backgrounds. The camera had become an instrument of magic tele-kinesis.
Brassai's notes show us how enthusiastic Picasso was about his new friend's talents in portraying Picasso's sculptures as if new. Brassai goes on to render much detail of the retinue of followers and sycophants that daily alighted on Picasso's doorstep in Rue Grand Augustin during those mostly war years. One sees completely how it was none other than Picasso himself who craved such fawning even if he did ignore most of their attentions.
It is obvious that Brassai wished to cause no offence with this publication as he discounts all of Picasso's nasty foibles as necessary bohemian artistic exigencies.
The book is full of wonderful photographs of the characters that came into contact with the great man as well as various photos of Picasso's studio, output and abundant clutter.
There is even a complete listing of Picasso's paint requirements. I found that fascinating. One is reminded of Marcel Duchamp's comments that all paintings are really the same in as much as they all start out as a given colour range of tubes of oil paint.
There is little humanity in the observations and maybe that is no bad thing. Picasso and Sabartes are portrayed as two scheming nuncios whose Catalan dialect was the spoken code of choice. Much is given to calcuation of Picasso's position with Byzantine nuance and deliberation. Should he sign this picture? Should he see that dealer?
Overall, a valuable addition to the ouevre on Picasso and a book that can easily be dipped into from time to time.
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I think that the best part of the book was when Margy was moving. The reason I think that is because that was the most interesting part of the story, and that was where the conflict began. The worst part of the story was the conclusion. They did not really explain what happened and i think that they could of done a better job on that.
Two of the things that the auther explained the best was the setting, and the theme. The theme explained how all frindships do not always work, and sometimes it is for the best. The setting was in or near the city. The auther always explained how many different places they went and where they went. He also did a good job on letting you know what the surroundings were. That is why I think that the auther did the best on the setting, and the theme.
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