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by Elizabeth Miller (Author), A fine bibliography that will need the meet of both accomplished scholars and beginning students alike will find this bibliography instructive whether for quick reference or for extended reading. Highly Recomended.
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I'd have to admit (and this is hard for a hardcore fan of Myst and everything D'ni) this has to be the worst Myst book in the series. And that's not bad; the other two were the best books I've ever read. And this is a good book in its own right, but overall it does not live up to the high standards the other two put upon it. The beginning was a bit 'disorienting' as one of these fellow reviewers put it, and you had to read it over again to actually let it sink it where the characters were and who the characters were. The middle was absolutely wonderful, with its descriptiveness of the Terahnee culture, and it moved on quite well from there. But...
The ending, although a great one, was incredibly succinct, almost to the point of completely killing the story. It was almost as though the authors, who have taken monthes before to do the extensive plot, took a week to rap it all up. I felt as though I was gypped, and after reading all of the series, the hundreds of pages, building up to a point...I was angry. The ending was good, but it could have been written better. And, hopefully, the authors know this. I'm not going to even blame the analytical Atrus stepping out of character. And I still love the series. And I have read worse books, believe ME on that. But this book could have been better. And that's kind of sad.
On another note, even after all of this bad press, this book is still worth buying, if only to finish off your Myst collection.
Finally, in this book, Atrus has found survivors of the accident wich happend in D'Ni 70 years ago and with them he's trying to rebuild the city. It's not an easy task, but he has more and more helpers each day, and, as always, there is Catherine at his side. During the repairs of the city, they have found an old chamber filled with books and writings on some ancient language, different and familiar at the same time. As they link to explore that age, the adventure begins...
A book you shouldn't miss, and it's even better if you have read 'Book Of Atrus' and a 'Book Of Ti'anna'.
Traveling form one age to another, Atrus and Catherine were looking for survivors, who were willing to go back and help rebuilt the D'ni. Every age differ from each other and not in every age Atrus were able to find survivors, but every survivor took the offer and moved back from the ages they once escaped for survivor. One of the ages that Atrus and his helpers visited was an age of Terahnee - the world of utopia were everything is perfect, the world they only could imagine, with spectacular waterfalls, lush fields, rich music, and astonishing architecture. But is the world as Atrus and others saw was real or what they though it was? Finding out the truth about Terahnee made change Atrus and his helpers mind.
I enjoyed reading this book. It was intriguing and easy to read.
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enlightening as much of it exposes schizophrenia from the perspective of those who have the disease. It shows the disease
as it filters through a variety of personalities. It also aims
to help patients cope with their problems by offering much
helpful advice about dealing with their medical as well as everyday lfe problems. It was very easy to read and has broken down many stereotypes I had about schizophrenia.
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Calder's art is BIG TIME fun, on every scale from immense graceful outdoor sculptures to strikingly elegant necklaces and pins. The book shows the variety of his creations...tapestry motifs, silver and brass cutlery, campaign posters. Check out his clever pull toy for a toddler.
Mobiles is probably Calder's most familiar category of work, but his playful menagerie, including a kangaroo, an elephant, a giraffe, a big bird and a flock of origami-size birds is his most endearing.
Photos and narrative, together, convey the wit and warmth of the sculptor. They offer opportunity to meet Calder, his wife, and their circle of friends.
Calder, by fine example, inspires one to lighten up and love it. This book is written permission to do exactly that, be it, high brow, low brow or no-brow.
It is well laid out with a section on how to use the book. Most of the pictures are black and white with special designated sections called "Colour Review". There is a periods and styles chart. And lots of advertisements with phone numbers. Various disciplines are covered; some are Irish antiques, carousel animals, Poole pottery, majolica, and ceramics, and French provincial furniture.
I actually obtained it for the section on glass. There are several good descriptions and trademark displays. It mostly targets 18th and 19th century glass. I would like it more if this book had described production methods. However it does cover what it promised "Prices"