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Doris Weatherford
Executive Editor, WOMEN'S ALMANAC
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Anita Roddick exposes the myths about mangement. She illustrates pefectly that to be successful we need a vision. Her vision was simple. Employ people who care, employ people who are proud, employ people who will question, employ people who will rattle the cage from within. She perfectly illustrates, in her story about borrowing money, how fickle the typical bank manager was in the 1970's - how we would like to think things have changed.
She is also a realist - she pulls no punches she says.... "Im in this for me!" - yes sure she has an ego to satisfy .... dont we all? - her great quality is that she admits it. Most people do not have the honesty to say it.
I just love how she roots her beleifs about business success in common sense ...... like welcoming new ideas and original thought, trusting your staff and listening to your customers - and then change things.
She also has values that are explicit and wants people who work with her to! also work from a values base
Thank you Anita for a wonderful read - here's to the next edition!!
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Warner's novel is fantastic--its rhythms are slow but musical, and it takes quite a while to determine what awaits Laura in Great Mop. A very, very funny book that also comments movingly on the condition of "odd women" in the generation before Suffrage... I couldn't put this down!
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Haasse captures it perfectly. I couldn't put the book down, couldn't sleep. History books, even eloquent ones like Gibbon and Mommsen, can't give you the LIVING flavor of the time. But that's Haasse's specialty, I just learned. Enjoy! Oh -- and don't ask me to give you my free copy of her book (from years ago). I will take it to my grave!
The ONLY reason I didn't give it 5 Stars is that I wanted the novel to be longer. But, given it's about Rome, like with Greek plays the action has to take place over a day (or two). Alas...
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A terrific read for something written in 1908.
Briefly, to say what has already been said before, The Old Wives Tale is exactly that - a tale of three women who marry in very different circumstances. Mrs. Baines, the mother, is a life who is only briefly touched upon. However, the seperate lives of the two sisters, Sophia and Constance, are the crux of the book. Each life takes its' turn. We are first told about Constance, then about Sophia, and finally, about their reunion. Constance, whose name is not a coincidence, lives a simple provincial life, and Sophia, whose name also matches her persona, chooses romance and adventure. There is only one villain, and yet, he is perhaps the most powerful and chilling of all villains, Time. His grasping, clutching, suffocating presence is ever felt throughout the book, and looms even larger once that final page is turned. In the end, Sophia and Constance each pay the price for their choices, and the true cost of those choices is left for the reader to decide. As unique as we are, we will each believe something different about Sophia and Constance in the end, and that is precisely the point.
To sum up the experience of The Old Wives Tale, a tale of three women living their lives, and their lives changing them (or perhaps not changing them, is that it is the most honest approach to human psychology I have ever read. The lives we read about, Mrs. Baines, Sophia, Constance, and even those who surround them, could be anyone's. In fact, most of us can find someone in this book we could point to and say "that's me". No character, no matter how brief their exit or entrance into this story, is insignificant. Each person gives us a fresh perspective on the human response to events and to, of course, other humans. The three main characters are presented with sheer, unsympathetic, yet respectful honesty. We are not introduced to inhuman, perfect, idealistic souls in this book. Nor are we looking through the eyes of the wicked. Instead, we are searching the souls of ordinary people and in the end, are left with a question about our own existence.
In fact, it should be a large clue to readers when they see that the title of the fourth section is, What Life Is. It is here that something occurred which I totally unexpected, and it left me quite shaken - in fact, desperate. I found that I had been brought from the comfortable vantage point of observing these fictional lives, which are at times inexplicably amusing and heroic, to a sudden uncomfortable sensation that the characters were real and had turned toward me - the reader - begging the question "What of your life? What have you done with it? What have you accomplished?"
That subtle change of vantage point was shocking, and ingenious. Without criticizing his own creation, the author was able to communicate the importance of living our lives to the fullest without telling us how. This fact alone shows great wisdom. Sophia and Constance experience remarkable things, no more remarkable than most people, but remarkable just the same. Each reacts differently because they are different, and each has a different idea about how to find happiness and how to deal with life's disappointments. Both are frequently of the opinion that they could improve someone else's life, yet have not found real satisfaction in their own. Each makes mistakes, and each perform the heroic. The author will on the same page be blunt about their faults and tender with their plight. He tells their story without judgement, and yet in the end, you feel you have read a very wise judgement on the nature of the human race. Here, reader, you will find no prescription for life, but a question that begs a diagnosis. The author makes it starkly clear that the remedy, or whether a remedy is even required, is up to you.
The Old Wives Tale is not a dark story. It is not a comedy. It is not high adventure or mystery. In fact, it is many of these things put together to create something REAL. And it has shaken me to the core.
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IN A DARK WOOD WANDERING is the story of Charles, Duke of Orleans, grandson of a king, nephew of a king, cousin of the French dauphine saved by Joan of Arc, and father of the man who followed Louis the Spider king to the throne. Most importantly, Charles, Duke of Orleans was a great French poet of the Middle Ages. Some think he is comparable to Dante in Italy or Chaucer in England.
It's easy to become tangled in Louises and Charleses, but here goes: Charles (our hero) had a father, Louis, Duke of Orleans, who was the brother of Charles VI--one of the kings of France during the 100 Years War between England and France. Charles VI was the French king who was bested by Henry V the English king at the battle of Agincourt. When we see Shakespeare's play 'Henry the V' we see the English version of events at Agincourt. Few of us think about the dreadful day from the perspective of the French who saw many of their finest young men killed or captured.
Charles, Duke of Orleans, was captured at Agincourt. Owing to the politics at home (the sympathy of the House of Orleans for the young Dauphin--Charles VI's son), the Duke of Orleans was not ransomed by the Duke of Burgundy, as was the custom in those days, but allowed to languish as a prisoner in England for most of his adult life. Charles younger half-brother continued the Orleans struggle on behalf of the dauphine who would become Charles VII in 1427.
In 1422, when Charles VI died, his young son was prevented from assuming the throne by the Duke of Burgundy. About this time, a young woman had a vision that instructed her to leave her small village and travel to Orleans and help the Dauphin. She persuaded the House of Orleans she could help their cause. Joan the Maid of Orleans bested the English and the Duke of Burgundy, and suceeded in taking the Dauphin to Paris where he was crowned Charles VII. Later, Joan was captured by the English and burned as a witch by the Duke of Burgundy.
While he was a prisoner in England, from 1415 to 1450, Charles, Duke of Orleans was aware of the events back home in France and his family's continued struggles with the Duke of Burgundy. He knew of the association of Jeanne d'Arc and the House of Orleans. As a manifestation of his appreciation of this connection and his growing spirituality, Charles, Duke of Orleans produced some of the most beautiful poetry ever written in French.
In addition to the story of Charles, Duke of Orleans' life, IN A DARK WOOD WANDERING contains excerpts of his beautiful poetry (in French and English). The title of this book refers to the topic of his poetry, the long journey of the soul which until it is united with the object of it's love is lost, in a dark wood, and wandering.
The storytelling here is wonderful and spellbinding! I found myself within the pages and deeply involved within the characters lives. After finishing the book I wanted to learn more and actually researched online some of the main characters (since so much of the book is based on fact).
Definitely give this story a chance, give your brain a challenge and keep a dictionary nearby if need be, but do it. I believe you won't regret it!
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