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The way Mr. Michener is able to weave his tapestry of Poland over the course of thousands of years, keeping his reader glued to the pages, is a blessing to us all. I am so happy I was able to discover even an over-view of what my past family had been through. After understanding how the Polish political system worked for so long, I also think I begin to understand where all of those Polish jokes probably came from through the years :)
It is an often-times sad story, of a strong people set upon at all points of the compass, used by Nation's over and over again, yet still they survive today. The families that Michener allows us to follow throughout the novel will at times have you in awe, at other times have you in ire, but unfailingly, they will have your interest.
Throughout the many novels of Michener's I have read, I have yet to be unappreciative of the opportunity to visit with the many Lands and Peoples he brings to life in his books. I eagerly await the next novel I will pick up of his, as yet again, I know I will be transported back in time to visit other people and places, with the sheer brilliance of the undisputed master of the factual/fictional historical novel leading the way.
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In the mid-1950's Michener was living in Austria, along the border with Hungary. From this unique vantage point, he was able to observe the large exodus of Hungarians fleeing their communist nation. His observations and discussions with these refugees brought many aspects of the communist regime to light.
He was able to bring the reader into a communist state and to reveal its inner workings, including how the government controlled the masses. At the time, this was no easy task, as the Iron Curtain was nearly impenetrable to Westerners. Nevertheless, Michener was able to piece together countless interviews with these refugees and create an accurate picture of life under the red flag.
He discussed nearly every facet of the politics of the Hungarian people. He told of intellectuals beginning their theoretical revolution, and he told of the students who were the first to pick up arms against the police forces and Soviet army. Michener also spoke of the workers, the bones of communism, and how they turned their back on the system and tried to destroy it.
Unfortunately, the revolution failed and the Hungarians were forced to flee or face dire repercussions. And Michener was there to chronicle their tales.
The Bridge at Andau is a fascinating book and a document of Cold War history. It is definitely worth reading.
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But in Covenant Mitchener fails to maintain the coherence. At times the story breaks down completely and becomes a pure history book, or subjective narrative. He captures all the complexity of the situation in South Africa in the apartheid era, and if you know nothing of the political history it is a useful read, but in the end it is not a great novel.
Michener's efforts to see the unfolding South African history through many different sets of eyes (of multiple colours) remind us that it is not only South African blacks who have many cultures, but whites also: French, Dutch, English and Germans all took root. The book does not minimize the historical origins and impacts of segregationism, but it has the breadth to see that not every European has always supported the apartheid system. We see that some have bucked it, and paid the price.
A weakness, in my view, was the lack of much real cultural depth on the widely varied African tribes. On two or three, we get depth; on the rest, little. The other is debatable, not really a weakness but a caveat to the reader: there are major events depicted in the book (such as the Mfecane, a sort of mass self-destructive movement supposedly sweeping through the tribes and depopulating them) that are now asserted not to have occurred. Certainly, when Michener wrote, whites were telling most of the history; however, by itself that does not validate or invalidate any of the history--it simply means it's open to question and should be investigated further. In that light, before allowing Michener's take on major events to plant itself as definite historical truth, one should take care to seek multiple viewpoints and deeper evidence than what is presented in this novel.
Recommended to Michener fans, those interested in South African history, and those desiring to see how religion can shape the very core of a society.
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CENTENNIAL is about a fictitious town of the same name in Colorado. The town is not nestled in the majestic Rockies, as one might expect, but instead is located out on the vast, open, treeless, windswept plains that run down from the eastern slopes of the mountains. It is here, at the nexus of two radically diverse land masses, that Michener gives the reader a comprehensive history of the area, from the formation of the land and its rivers, to its prehistoric inhabitants, to its early settlers, to its subsequent clash of various cultures. The plains Indians, fur trappers, pioneer settlers, soldiers, ranchers, dry land and irrigation farmers, and the hearty descendents of these diverse groups--all are depicted vividly and weaved into an engrossing story by an author with a keen eye for detail.
CENTENNIAL furnishes an impressive assortment of powerful, unforgettable characters: Lame Beaver, an Arapaho chieftan; Pasquinel, a French fur trapper; pioneer Levi Zendt; trail boss R.J. Poteet; ranchers Jim and Charlotte Lloyd; and many more. Through these characters the reader is given an epic tale of the American West, a tale that is beautiful, compelling, profound, and often tragic. CENTENNIAL is higly recommended to any student of the American West, or to any lover of epic literature.
(If you want, though, you can skip the second chapter about the land forming and dinosaurs wandering over the earth... It's pretty dull and has little bearing on the rest of the book.)
It tells the history of Texas, including notable events like first exploration of that area by Cabeza de Vaca, the Texas Rebellion (the story of the Alamo is told) during which brave soldiers like Sam Houston fought the Mexican dictator Santa Anna, and the first discoveries of oil in that region.
This book will teach you some things about Texas. For instance: I, for one, did not know that for a brief period of time Texas was an independant nation recognized by, among others, the United States.
Don't confuse this for an impassive history lesson, because it is not. Michener makes it come alive with vivid characters and historical events.
The book is long and a bit slow to read. But it is one of those things you invest time on and it really gives you a lot of return.
I would recommend it and look forward to reading it again some day.
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Despite the interesting information about Afghanistan Michener wrote about, I thought his pace was extremely slow. Most of the first 200 pages focused on other things besides the missing woman. Miller had too many events occurring on the side. It is an easy read, but the reader must have an ample amount of patience, because it takes time for the information to sink in. I wouldn't recommend this book to anyone under high school age, because younger people have little or no patience for such an in-depth book. If you are ready to sit down for awhile and find out if Miller ever finds this woman, read Caravans, by John Michener.
Caravans is the story of an American woman, Ellen Jaspar, lost in Afghanistan after marrying an Afghan engineer. The novel is told through the cooperation of American officials and Afghani leaders to find the missing woman at the pressure of a U.S. Senator. Michener touches upon various aspects of Afghanistan, including women's rights, religious fanaticism, foreign perceptions, and the character of the Afghani people.
James A. Michener found his inspiration for the novel in his personal experiences and travels through Afghanistan. He in fact met many European women who struggled for freedom from the confines of their marriage and Afghanistan. Michener is extremely well-traveled in the region, and furthermore has much diplomatic expertise lending to credible portrayals of Afghani leaders and people in the novel. Hence, his portrayal of the many facets of Afghani culture and politics are credible and well-researched.
The motive of Michener in writing this novel seems unclear at times, as it's adventure-style narrative can obscure the reader's vision of it as more than just a story. Yet, there is some hint of the author's desire to enlighten the world on the deeper character of Afghanistan. Michener strives to shed light on such a perplexing people and culture, that more often than not are judged solely by the negative qualities that appear on the surface (i.e. fanatical mullahs and repressed women). And, by incorporating both Afghani and foreign perceptions of Afghani people and culture continuously throughout the novel, Michener achieves this goal.
Although the novel was written in the 1950's, and Afghanistan did make many advances in human rights in the decades following its composition, the subject matter is sadly more pertinent today than ever. In a time when terrorism lends the outside world to focus only on the evils of Afghanistan, this novel could be extremely useful in explaining the development and perspectives behind such evils. When Americans look at Afghanistan, what comes to mind is terrorism, religious fanatics, and atrocious women's rights abuses. This solely negative view of Afghani culture causes people to view the entire nation and people of Afghanistan to be judged in this light. Michener helps to end this attitude and truly depict the majority of the Afghani population rather than let the minority represent them.
Overall, this book is not only very helpful on giving a reader an insightful look into Afghani culture and mindsets, but is also both politically relevant and useful. Now, more than ever, a true understanding of Afghanistan is need in order to stop the violence and pave the way towards cooperation and mutual acceptance between Afghanistan and the rest of the world. Yet, the reader must be mindful to not just focus on the story-level aspects of the novel and its trite subject matter, but rather delve deeper into Michener's depiction of the character and desires of the Afghani population.
Shirin Raza (002788950)
The story is simple: An American girl who married an Afghani man is missing in Afghanistan. Her family is frantic, and a military man stationed in Afghanistan in 1946 is assigned to find out what happened to her. The story veers into some unexpected territory, and Michener delivers a TON of Historical perspective on the people and places of Afghanistan without ever making you feel like you're back in History class. (This is a VERY illuminating book to read after September 11th...)
The characters are interesting, and the book just zooms along: I finished it in no time flat. My only complaint is the map in the beginning of the book: It's printed so dark that it's totally useless.
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This is not a chronicle of the war itself. It is not a military history, although it is full of military anecdotes. It's a series of loosely connected stories of the prolonged island-hopping campaign across the Pacific, related through the personal experiences of a variety of characters. Michener's emphasis is on the individuality, humor, valor, and idiosyncrasies of the men and women who populated the bases and combat units of the Pacific campaign.
As anyone who has seen the musical "South Pacific" (based on a part of this book) knows, it includes the island natives and expatriates who happened to live in the places where the war was taking place. In reading these stories, you may come to understand why many of the armed forces veterans of the Pacific war were drawn to go back to the islands in later years.
If I were limited to one sentence, I'd say that this book is about everyday Americans doing unusual jobs in exotic places. I like it well enough that I've read it multiple times and consider it a favorite. It's a lot easier reading than many of Michener's later epics, and in my opinion it's as good as anything he's ever written and better than most.
That said, reading this book gave me the feeling I have when my father and I rummage through his collection of black and white war photos, postcards, and 78 RPM disks from his days as a Chief Petty Officer in the US Navy in and around the South Pacific. Each artifact stimulates a story, many of which are linked to another, and another. Sometimes the stories are about the war theater in Europe or Africa or home in the states. Most often, they are simply about friendships, loss and the discoveries of an eighteen year old doing a man's work in the first few months away from his parents' farm.
Like my father's stories, Michener's Tales of the South Pacific could be set anywhere, but they are about being somewhere other than where one comes from. They are about finding belonging in new surroundings and accepting that great people are rarely 100 percent great. Michener's heroes are the very human people who were decent to one another, believed in the value of their nation's cause and the people around them, demonstrated leadership, but didn't take the trappings of the navy or rank very seriously. His nemeses were not just the Japanese, but American biggots, mean SOBs and phonies. Like Hersey's, Bell for Adano, the stories were practically current events when they were published, and Michener's perspective on sex and the races were shocking material for many Americans who had been fed years of propaganda about their boys (and girls) overseas and who only after 1945 could truly emerge from the depression of 1930s to enter a new, modern and more aggressively democratic age. Tales of the South Pacific foreshadowed the new world to come while honoring the great people who helped to make it possible. At the end of the book, the reader is glad to be among the survivors, standing in the graveyard among heroes, but worried that the supply of greatness might someday be used up.
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I last read Michener a long time ago. His writing has not aged well.
Caribbean is a very long book, telling almost a millenium of history of one of the most enchanting places on Earth. Michener is able, through sixteen short stories, to narrate what happened on the various islands and main parts of the continent (like northern Colombia and eastern Mexico) since the time of the pre-colombian indians, passing through spanish domination, the attacks of english and french pirates and buccaneers, the abuse of the black people turned into slaves, till comunism in the form of Castro in Cuba. More, he is able to relate all what was happening in the Caribbean related to what was happening in the foremost countries in Europe, and the rising participation of the United States in the international scenario.
One thing I think it's really important when an author wishes to blend various real facts with his immagination efforts is to inform his readers what is fact and what is fiction, and in Caribbean Michener has a list of actual facts of each chapter and a bibliography of each subject for readers who want to learn further. This kind of attention to the reader is something we don't see too often, and everyone who likes a well written book should mourn Michener's passing away, as well as be glad he was so prolific and intense while writing.
This book is as colorful as the place of its name.
Grade 8.8/10