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The second and third stories are beauties as well. The Girl Who Heard Dragons is one of my Mother's favorites. A sweet story with a predicitable, but still sweet ending. The Runner of Pern is wonderful because it explores a totally new aspect of our beloved Pern, with Ms. McCaffrey's characteristic, opposites- attract romance thrown in. A story that left me smiling like I had just seen an old friend.
Finally, the last story in the book did not sit well with me at all. It was just too cozy and sweet. This may sound hypocritical of me, after all, K'van's story is awfully sweet too, I just couldn't really believe this one. (I won't spoil it for you, but it's extremely predictable) Maybe the horrible event that I have been dreading has happened. Perhaps like so many fantasy readers before me I have become disillusioned with the Dragonlady. Everyone told be the day would come, but I swore it would not happen to me. Ah, who knows? All I can do is cling to my fondness of The White Dragon and hope that I can hold out a little longer.
Anyway, I say buy it, or at least check it out from the library and read the first three if you haven't already. As for the new one, which I am assuming most of you veterens of Pern are looking for in this book, I'd skip it and read any wannabe's story from one of the hundreds of fan weyrs on the web, it'll be the same thing.
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I thought the writing in this book was really weak for the most part. Problem number 1: The plot was very basic and was stretched too thin. It may have worked as a short story or novella, but not as a 350+ page novel. Thus, in order to fill up the pages, we get lots of repetition (after reading the fifteenth detailed description of Joey's "urges," I was ready to throw the book across the room) and development of useless characters whose ONLY purpose in the story was to be killed in a gory fashion. I read the restored version of THE STAND right before this, and although THE STAND is 1200 pages long it contains far less useless/boring material than GUARDIAN.
Problem Number 2: The prose reeks of false drama. Nearly every chapter or section ended with an over-the-top dramatic sentence fragment. In addition, by the end of the book, most of the paragraphs were one-sentence dramatic statements. This is a great device to use once in a while to trigger a response in the reader, but it kills the tension when practically the entire book reads that way. I was actually laughing by the end of the book because it was getting so ridiculous.
Problem Number 3: This book is predictable! I guessed the two major "surprise" plot elements before the book was a quarter of the way through, and I am usually terrible at figuring out mysteries. Once you figure out what is going on, the story becomes a series of mindless death scenes. Again, I think this is the result of trying to stretch a perfectly good idea for a SHORT piece into an entire novel. The suspense for such a simple (and I don't mean "bad") idea just can't be credibly kept up for so long.
Problem Number 4: The end is unsatisfying, cliched, and an obvious set-up for a needless sequel. Come on John, we know you can do better than this!
I hope I'm not offending any John Saul fans out there, but I really think this novel needed more work before it was ready for primetime. The feeling I got reading this was that he was churning out a formulaic thriller simply for the sake of the dollar$ he would make. It felt like he was hardly trying. I guess that's okay, if you don't mind reading the same thing over and over from the same author, but now I'm scared to pick up any of his more recent stuff. Saul appears to have been stricken with the dreaded John Grisham Syndrome. Here's hoping he'll snap out of it soon.
I was so upset by this book at the end that I swore I would never read another book by Mr. Saul.
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As with most of Saul's novels, the characters are under-developed, the plot is straightforward, the action often intense but the outcome predictable. Manhattan Hunt Club is a simple novel yet the plot is interesting enough to draw readers in. I personally thought that Saul could have introduced a little more background about the NYC underground world. Additionally, as other reviews have pointed out, the coincidences in the novel were ridiculous. While the novel wasn't at all plausible, these coincidences made it seem even more ridiculous.
Overall, Manhattan Hunt Club is a fun read. Its not a fabulous novel, nor is it horrible. Just entertaining.
There are some surprises in these pages, and a feeling of justice that sometimes does not find its way into Saul's fiction. The makeup of the Manhattan Hunt Club and the ideas behind its formation are disturbing yet frighteningly plausible. Saul does an admirably fine job of humanizing the homeless in all of their guises; the characters we meet underneath the subway tunnels are not all bad or shiftless, yet even some of the best of them, through their mute cooperation with "the game," cause one to face some troubling propositions and wonder if, in their shoes, he might do the same thing. The most enlightening character here is Jinx, a young girl who found a home beneath the city after running away from her mother's abusive boyfriend; despite the bad luck life has sent her way, she retains her dignity and bravely seeks to do the right thing when she does not have to get involved at all.
One is struck by the fact that much of this story could in fact be true to life. There are people living the kind of life described herein, but John Saul would seem to have done such unfortunate folks a great service. He brings out the humanity of these people, making the point that they are not all druggies and addicts but are all too often very human characters forced to live as best they can. Perhaps the motivation fueling some of the true villains here, the members of "the club," is not strongly enough developed, and the character of Jeff's deeply religious mother is somehow forgotten along the way, but The Manhattan Hunt Club is an increasingly compelling read that will take you into the filthy subterranean tunnels alongside its characters and very likely change you in some way by the time you finally manage to find the light at the end of the tunnel.
Jeff Converse's fate is one of those "I Can't believe these idiots think this man is guilty." Once the seemingly impossible plot emerges (sort of a twisted "The Deadliest Game"), we follow Jeff's horrifying entrapment in the massive tunnels of New York. Add some really strong supporting characters such as his estranged parents, his undoubting girlfriend, and a heinous bunch of villains, you have quite a story here. Jagger, the ruthless killer, who becomes a friend to Jeff, is also a great character---couldn't help seeing Vin Diesel in the movie role. The real stars though are the homeless people. Particularly, the teenage Jinx. She's a really well-developed, fleshed-out character, whose bravery and perseverance, help Jeff immensely.
This, undoubtedly, is Saul's best book yet. His departure from a true "horror" novel to psychological suspense is welcoming, and one can only hope he keeps up the good work. HIGHLY RECOMMENDED.
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It's not bad. Luckily, Saul goes into more of the gorier, disgusting scenes he was so good at in 'Second Child'. The storyline, though, was much the same; the family falling apart at the seams, the distrust and suspicion of everyone in town, the old family "secret", the slow loss of sanity of one of the main characters...nothing ever seems to change much in his plots. The names and locations may change, but the basic story remains the same.
Given that, this was much better than his recent efforts. I didn't find myself as bored with the story; in fact, I sped through it in two days to get to the end. If you are a previous Saul fan, you should and probably will read this one. I'll keep reading as long as he keeps writing. Hopefully soon he can come up with a slightly different story.
Let's start with the Hapgood house, we've Matt Moore, his mom Joan, his stepdad Bill Hapgood and his grandmom Emily Moore.
Life looks great and sweet but it starts turning to nightmare when Emily (she has Alzheimer's Disease, a brain disease that impairs mental and emotional functions) accidentally burns down her own house and moves in with the Hapgoods. Then Emily claimed Cynthia (who is Joan's sister and dead) has returned. Moreover, Matt starts to have erotic dreams that Cynthia satisfies herself on him and leaving behind the pungent scent of her Nightshade perfume. Then one day Bill is killed while hunting with Matt and no doubt Matt is then accused to be the killer. Finally, Joan is trying to find the real killer and the story continues...
The author weaves a fascinating prose with dark family incidents. Trepidation, dread, doom all gathering. It's a enjoyable read of horror and suspense.
Saul hits a home run with this novel. Whatever suspicions the reader entertains, the truth is never truly known in spite of its foreshadowing, not until the ultimate conclusion. As the plot progresses, Saul slowly but surely increases the tension, drawing the reader further and further into this fascinating story. One is never really sure what to think about the action as it unfolds. Even when the true source of the horror is revealed a couple of chapters before the end, the heightened sense of expectation and worry for the characters so well-presented and seemingly real continues unabated. To some degree this is a ghost story, but it is better described as psychological horror. Madness makes for a much more compelling villain than outside entities, and that is why Nightshade stands as one of John Saul's most compelling novels. Filled with insanity, ghostly impressions, terror, murder, a bit of blood and gore, and a surprise or two at the end, Nightshade reveals the true talent that resides in the mind of an author too little appreciated by the horror community.
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Once you read the book you will really enjoy it. You will also want to read more of his books because his style is really cool. I have read a couple of John Saul's books and I have really understood what type of style he has and I really enjoy reading it. This book is some what like the book "Whispers" By: Dean Koontz.They are both kind talking about presences in a different way. If I were to choose which book would have a higher rate I would choose " The Presence" because it is a better, just how it slowly starts coming together than telling you the whole thing at once. If I rated this "Whispers" I would give it about a 3.5.The reason why is because at first the book really starts off at a fast pace. I really recomend "The Presence" to all of my friends and family members because it is a really great choice of book for anyone into mystery and horror types of books.
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The story is one that, sadly, has been done over and over again in print AND on film. Anne Jeffers, ace reporter, watches serial killer Richard Kraven, whom she helped convict, die in the electric chair. At almost the same time, thousands of miles away, Anne's husband suffers a massive heart attack. Dead for over two minutes, Glen Jeffers recovers, but his personality is just never the same.
The gruesome murders attributed to Richard Kraven start all over again - four years after his incarceration. Who can be the killer? Is there an accomplice? Are these copy cat murders? Who can say?
Unfortunately, anyone who's ever seen the movie "Fallen" or an old 1980's horror film (the name of which escapes me now), knows what has happened.
Saul throws a few mugafins our way, but to anyone experienced in reading a variety of books can see right through the fluff.
The most disappointing aspect of the book is that the ending feels thrown together. It's as if Saul had a specific number of pages that he had to supply to his publisher, and he didn't want to go below or above that number. In short, the book just sort of ends. It's not satisfying.
The police in this book are more bumbling than the team that investigated the Jean Benet Ramsay case in Colorado. They haven't investigated all their leads and the proof that Kraven was the serial killer is never really fleshed out. The central characters don't act believably and the trains of thought displayed don't follow a logical flow.
And when was the last time you heard of a convicted murderer on death row being executed within four years of his incarceration? Four decades maybe - four years - never!
I wanted to like this book, because the writing wasn't bad as a whole. Sure, it was a pulp novel - I knew it would be - but it wasn't poorly written - just poorly thought out and executed.
The novel begins with the execution of serial killer Richard Kraven. Journalist Anne Jeffers, who worked diligently to assure the killer's conviction, is there to witness the event. While Kraven is being electrocuted, Anne's husband is suffering a near-fatal heart attack. The doctors don't seem to really do anything at all for Glen Jeffers, but he is soon back home resuming a fairly normal life. Warned by the doctor that her husband's behavior may be changed as a result of the heart attack, Anne and eventually her children become increasingly disturbed by Glen's behavior. They would really have worried had Glen told them he was having blackouts; he continually finds himself having to explain actions he has no conscious memory of having performed. Meanwhile, a new killer is on the loose, committing murders eerily similar to Kraven's handiwork. Soon the killer begins entering Anne's home secretly and leaving her messages. When cops begin finding Kraven's "signature" on fresh murder victims, a signature that no one besides the deceased Kraven and the cops could possibly know about, things go from bad to worse. When the killer finally turns his eyes toward his nemesis Anne Jeffers, things get worse still. This is no average serial killer, as Anne soon discovers when he strikes truly close to home.
The basis of this novel winds up seeming a little hokey. Midway through the novel, the story switched directions on me a little bit, which is not necessarily a bad thing, but by the time I reached the conclusion, this potentially impressive plot really started sputtering. At times, incidents and dramas last a little longer than they should, and this drags down an otherwise fairly brisk story. I can't address the paranormal aspects of the tale without divulging too much information, but it is not quite original and pushes the limits of credulity in the context of the novel Saul constructed around it. There are also a few subplots that seem important early on but sort of fade into obscurity, such as the relationship between Anne and the lead detective. Sometimes riveting, sometimes a little drawn-out, Black Lightning is a perfectly satisfactory horror novel. It makes a good change of pace for Saul, who sometimes seems to get in a rut of old curses and young teenagers. The effort is undeniably there, but unfortunately the book seems to shoot itself in the foot at the very end.
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