Most sequels stink. A lot. George MacDonald, the first fantasy master, managed to buck that trend with the sequel to "The Princess and the Goblin," with "The Princess and Curdie." If anything, this book is even better than the first -- a bit more mature, a little bit darker, but with the same haunting prose and likeable characters.

In the time since the defeat of the goblins, Curdie has gone back to his life as a miner. Unfortunately he also begins to stray from the pure actions he showed in the first book, pushing aside thoughts of Princess Irene's grandmother and trying to convince himself that the more supernatural events of "Goblin" were just imagination. Until he needlessly wounds a pigeon with his bow and arrow, and takes it to the stately, mysterious Grandmother.

As Curdie regains his innocence and his faith, the Lady sends him on a quest, with a weird doglike creature called Lina who was once a human. She also (by having him stick his hands into burning roses) makes his hands able to feel a person's soul when he touches them, if a person is "growing into a beast" on the inside. Now Curdie and Lina set off for the capital, where Irene's father is physically ill, and falling prey to the scheming of his sinister officials.

If the first book was Irene's, then this book is undeniably Curdie's. The focus is on him almost constantly through the book, and it's his internal struggles that we are fascinated by. Every person (well, most of them, anyway) eventually loses their childlike faith and innocence, as Curdie has begun to do at the beginning. He's naturally a more skeptical person than Irene, and so time begins to fade whatever he thought he saw; also, being "one of the guys" in the mine requires a seemingly more mature attitude. But with the loss of innocence also goes some of the faith and internal beauty, and so MacDonald brings Curdie back to the gentle, trusting kid he was in the first book.

The Lady (also known as Irene's great-great-great-grandmother, Lady of the Silver Moon, and Mother Wotherwop -- don't ask about the last one) is also a more prominent figure. She's still both maternal and supernaturally distant, very warm while also seeming to know everything. Precisely who and what she is remains a mystery, but we see more of her subtle, awe-inspiring powers here.

The writing is, as the first book was, immensely dreamy and haunting. MacDonald let rip with the surreally beautiful descriptions of the Lady's room and appearances, and of scenes like Curdie sticking his hands into the rose petals. Like in "Princess and the Goblin," the plot takes awhile to get moving, but it's so well-written that you probably won't notice.

"The Princess and Curdie" is currently harder to find than the first book, which strikes me as a little odd. (Especially since this duology is just screaming to be compiled in one book) But anyone who enjoyed the first book, or even just enjoys a gorgeously-written fantasy, will definitely want to get this sequel.

'The Princess and Curdie' is a superb sequel to the brilliant children's fantasy 'The Princess and the Goblin'. In both books, MacDonald displays his incredible talent as a story-teller for children, by crafting a tale that makes great reading aloud material for children. Curdie, a miner's son, is sent by a magical princess on an urgent quest to save the king and his kingdom. His companion is Lina, an ugly monster of a dog who proves to be a steadfast, powerful and courageous companion. Curdie discovers that evil and wickedness threaten to overthrow the good kingdom of the king and his daughter Irene, and it is only when Curdie and Lina escape perils and dangers and marshal together the forces of good that the dangers can be overcome.

In the process of telling the story, MacDonald entertains a few curious notions rather surprising for a Christian. Especially surprising are the ideas of a mountain being bubbles of heat thrust from the center of the earth (p.2), and the earth being a cooled body that flew off the sun (p.3) ' ideas more akin to evolutionary thinking than Christian faith in the Biblical teaching about creation. This book is also somewhat different from 'The Princess and the Goblin' on a literary level, because in this book MacDonald's story-telling at times employs vocabulary and sentence structure that is overly complex for children, and at times he waxes overly philosophical.

But those weaknesses aside, it's a thrilling and captivating story of an exciting quest, enhanced by deeper underlying Christian themes. MacDonald describes the king as 'a real king ' that is, one who ruled for the good of his people and not to please himself.' (p.5). True citizens of this kingdom, such as Curdie's parents, are those who 'always loved what was fair and true and right better, not than anything else, but than everything else put together.' (p.35) In contrast there are many false citizens who have open doors but closed hearts, and who live a life of wickedness, chiefly characterized by lying, drinking, stealing and unkindness. These seeds of corruption also contain the seeds of destruction, and threaten to overthrow the kingdom. The morality is clear and solidly Christian.

Particularly fascinating is the concept that all humans are either noble human beings, or else slowly turning into animals on the inside. By putting his hands into a magical fire, Curdie is given the ability to perceive the inner layer of man by means of a handshake: 'you will henceforth be able to know at once the hand of a man who is growing into a beast.' (p.73) One cannot help but wonder if MacDonald has too much faith in human nature, since he does not spell out that it is only the regenerating Spirit that makes a heart true and noble. But the underlying truth is valid: all men's hearts are inclined to be beastly because of sin, but by the grace of God some hearts are changed to be noble and truly human. It echoes the truth of the teaching of Jesus Christ: where your heart is, there your treasure is, and ultimately you cannot serve both God and Mammon. Those who are overwhelmed by wickedness and by love of Mammon, are eventually destroyed, whereas those with a pure heart and love of God establish the kingdom of righteousness. The pessimism of the final ending raises many questions, but perhaps can be best explained as a growing wickedness among men leading to a complete and final judgment, similar to the flood and the end of the world. MacDonald's tale is in the end very reminiscent of the Biblical pattern of the Judges and Kings: in times of wickedness, God raised up judges and kings to ensure the establishment of a kingdom where justice and righteousness reigned.

Just as in the 'The Princess and the Goblin', Irene's great-great-grandmother plays a central and decisive role. She is also known as 'The Mother of Light', 'the Lady of the Silver Moon' and less affectionately as 'Old Mother Wotherwop'. MacDonald attributes to her both omniscience ' 'I am always about' ' and a measure of omnipotence (p.53). She is the Light that guides the way in darkness (p.50), and she it is who commissions Curdie for his quest and ensures its success.

These timeless tales contain enduring truths, as well as delightful stories. What they've done for over 100 years is something that they are still doing today - pleasing imaginative children and adults with a tale of lasting significance.

George MacDonald has the gift of expressing a deep theological idea through the form of a story.I grew up with his fairy stories,as a Adult,I am still affected by the skillful and beautiful portrayal of the quest for wisdom of a pure heart.The Princess and Curdie,is a story of just that.Curdies own journey is a story of the Christian walk and if one wishes can learn much from it.Do not get the idea that The Princess and Curdie is dull however!This book pays tribute to George MacDonalds fantastic imagination,as a child and as an "grownup" once picked up this book is difficult to put down.Perhaps the deepest things are also the most interesting.

Out of all the books we have read in honor of President's Day, this one stands head and shoulders above the pack. The story is superbly written and the illustrations by Michael Dooling are gorgeous. Giblin weaves from facts a story that is entertaining and educational. His writing personalizes the life of George Washington without getting too mushy for adults or too bogged down in language that children don't understand. He even debunks the myth of the cherry tree in a separate section entitled "More about George Washington". I originally borrowed this book from the library but purchased it here on Amazon to add to our personal collection. It's THAT good!

Enjoy,
Cris

For all students, this book could be helpful in learning about George Washington, but for second language learners of any age the pictures assist in making connections so that the story can be told and understood. I appreciate this book very much!

Beautifully told!Even more beautifully illustrated! Buy It!

If health is your field of practice this book will increase you awareness on the importance of holistic approach to health care. If you are researching in the area of religion and spirituality, then this is a must read for your literature review.

This is the most comprehensive collection of studies in the field of religion, spirituality and healthcare. Extremely easy to read and nicely organized for easy use. As a researcher myself in the field of spirituality and healthcare, I have found this book to be a "must have" resource for our own work. I would strongly recommend this book wihtout reservation!

As a scientist with great faith---and a survivor of three separate cancers---I came to this book with a lot of faith and treatment experience. This is an amazing summary of the literature relating religion and health. There are many, many associations between religious commitment and practice and health, with major implications for crafting healthful lifestyles and treatment of illness. This book is scientifically credible, inspirational from a religious perspective, and interesting throughout. 5 stars only because that is the top star value!!

A wonderfully-written, powerful approach to self-realization. Two main resources have been helping me transform my consciousness and habits into a life of fullness and joy: this book and Pema Chodron's audiotape series, "Awakening Compassion." I recommend both unhesitatingly.

People have been writing manuals for transformation for millenia. One only needs to pick up a copy of the Dhammapada or the Yoga Sutras of Patanjali to find instructions for self-transformation that go back as far as civilized man. A trip to the bookstore can show you that this certainly hasn't changed- self-help books on the shelves today range from the practical ("Achieve Optimal Health in Eight Weeks!") to the unlikely ("Pick Winning Lotto Numbers Every Time!") to the downright wacky ("Awaken your Gerbil's Psychic Powers!"). Many of these books promise change and transformation in a short period of time... a few days or weeks. Instant enlightenment.

Michael Murphy and George Leonard have been watching and inspiring the human potential movement (the fountainhead for the "instant enlightenment" approach) for decades- in fact, they gave the movement it's name. And, in the four decades that have passed since Murphy founded his world-famous Esalen Institute, they've learned an important lesson: there is no quick fix. No instant moksha, no express nirvana, no overnight transformation. Real change takes years or decades of intensive work. To this end, they have founded a new kind of practice for a real new age: Integral Transformational Practice, or ITP- which is introduced in "The Life We Are Given".

ITP is not a seminar, it's not a weekend retreat. You have to be willing to give up, evolve, and let the chips fall where they may. Moreover, you have to be willing to engage in intensive practice over long periods of time- years, at least. Combining a set of physical exercises based upon akaido, tai chi, and yoga, an aerobic and weightlifting regimen, a simple vegetarian diet, meditation, affirmations, visualization, philosophical and spiritual study, and community work, ITP practitioners can make changes in their lives that they never thought possible. Physical changes, improvements in health and fitness, reversing diseases and age-related ailments, improving emotional health and learning ability, and attaining spiritual states of mind are all possible for a practitioner who is willing to work dilligently and intelligently at the practice. Whole new worlds of opportunity are availiable by living the balanced yet aggressively evolutionary lifestyle proposed in "The Life We Are Given".

Recommended as companion volumes to tLwaG are Ken Wilber's "Sex, Ecology, Spirituality" (an important text on evolutionary psychology and philosophy with a focus on transformation), George Leonard's "Mastery", and Michael Murphy's "The Future of the Body". They are all excellent guides to the integral paradigm.

Good luck, and good journeys!

There are lots of books out there that offer hope for genuine transformation. This is one that actually works, because it doesn't pretend that transformation is instantaneous, easy, or without some physical and mental work. However, by applying some discipline, the changes that are possible by following the methods described in "The Life We Are Given" are truly astounding. One way to confirm this without reading anything is simply by being in Leonard's presence. He radiates an extraordinary, palpable vitality that just can't be faked.

I enjoy reading Kurzweil because he's an adventurous thinker. This book is particularly fun because some other fine minds take him to task. Ray holds up well because he's a reasonable thinker. Although some of his predicitions seem outlandish, they may not be. You can't read this book without engaging in a lot of interesting visualization about the future. Some of it is frightening, but there is hope as well. Will the future runaway on it's own or will we be in charge? I don't know, but I'm sure thinking about it, now.

This is Ray Kurzweil's third book concerning the future of reductionist artificial intelligence design and it's possible effects on us in the decades yet to come. In THE AGE OF SPIRITUAL MACHINES, Kurzweil's previous book, which I enjoyed also, and this volume, he uses technological trends, including Moore's law and other tools, to show that a desktop computer will have achieved human level computational ability around the year 2020. Also, Kurzweil envisions that we will be able, sometime in the next few decades, to scan human brains and download that 'software' into these advanced computers to give them human level reasoning abilities, with the speed of computer neural nets, leaving humans behind, so to speak. Accordingly, it may also be possible to scan individual brains and load that information into an advanced computer (attached to a body of some kind), giving that person a sort of immortality. This is the gist of Kurzweil's argument, I hope I got it essentially correct.

What Kuzweil means by computers someday becoming 'spiritual' is that they may become conscious, and 'strong A.I.' is the view that "any computational process sufficiently capable of altering or organizing itself can produce consciousness." The first part of this book is an introduction to all of the above views by Kurzweil, followed by criticisms by four authors, followed in turn by Kurzweil as he refutes these criticisms.

Personally, I found most of the views expounded by the critics here to be either non-sensical, or 'beside the point'. One critic says that the life support functions of the brain cannot be separated from it's information processing function. Of course it can be, even the effects of hormones can be programmed into a downloaded brain, as well as other chemicals used by brains. Another critic states that possibly evolution is in error, and yet another criticism is that our machines will not be able to contact a divine entity and would thus be inferior.... give me a break, well...perhaps this is all true and maybe pigs will one day fly over the moon unassisted. I could go on and on, but this is the job of Ray Kurzweil and he defends himself admirably in the final chapters of this volume. Kurzweil does mention in this book that brain scanning machines are improving their resolution with each new generation, and eventually will reach a point where they should be able to image individual neurons and synapses in large areas, and allow the brain 'software' to be transferred to a suitable non-biological computing medium, my only criticism of Kurzweil here is that I think he should discuss this technology more, and where it is headed, his next book would be a great place for this.

One final point, it seems to me that when a new idea appears to be difficult and complicated to achieve, the pessimist says: "This is difficult and complicated, and may not work", whereas the optimist says: "This is difficult and complicated, but may work". Only time will tell for sure.

The work, inventions, and opinions of Ray Kurzweil in the field of artificial intelligence have captured media attention and the attention of philosophers and researchers in artificial intelligence. But not only is Kurzweil one of the most brilliant and controversial of all the individuals working in artificial intelligence, he is also the most optimistic. This optimism holds not only for the future technology of artificial intelligence, predicted by Kurzweil to give independent thinking machines in the next three decades, but also for its social impact. Kurzweil believes that artificial intelligence will work for the benefit of humankind, but that this benefit will depend to a great degree on his belief that humans will take on technology that will effectively make them cybernetic.

The controversy behind Kurzweil stems from his recent book "The Age of Spirtual Machines", which is a detailed accounting of his predictions and beliefs regarding artificial intelligence. Many individuals objected to his visions and predictions, and he answers a few of them in this book. In particular, he attempts to counter the arguments against him by the philosopher John Searle, the molecular biologist Michael Denton, the philosopher William A. Dembski, and zoologist Thomas Ray. With only a few minor exceptions, Kurzweil is successful in his refutation of their assertions.

But even if Kurzweil completely refutes the arguments of these individuals, and possibly many more against him, the countering of arguments will not by itself solve the problems in artificial intelligence research. The fact remains that much work still needs to be done before we are priveleged to see the rise of intelligent machines. Kurzweil is well-aware of this, for he acknowledges this many times in this book. He points to reverse engineering of the human brain as one of the most promising strategies to bring in the robotic presence. The success or failure of this strategy will take the mind-body problem out of purely academic circles and bring it to the forefront of practical research in artificial intelligence. The 21st century will thus see the rise of the "industrial philosopher", who works in the laboratory beside the programmers, cognitive scientists, robot engineers, and neurologists.

Each reader of this book will of course have their own opinions on Kurzweil's degree of success in countering the arguments of Searle, Denton, Dembski, and Ray. But one thing is very clear: Kurzweil is no arm-chair philosopher engaging in purely academic debates on the mind-body problem. He is right in the thick of the research and development of artificial intelligence, and if the future turns out as he predicts, he will certainly be one of the individuals contributing to it. He and many others currently working in artificial intelligence are responsible for major advances in this field in just the last few years. Their ingenuity and discipline is admirable in a field that has experienced a roller coaster ride of confidence and disappointment in the preceding decades. All of these individuals have proved themselves to be superb thinking machines.

Any successful series tends to spawn a Guide and most of the time they add minimal value to the original series. Not so here. Farr and Remi have collaborated to produce a companion to Tintin that actually enhances the comic strip and makes you re-read them with a new awareness. The layout of the book makes it easy for you to focus on individual adventures, providing a four to six page commentary on the development, accuracy and major plot points. There is an opening section on Herge himself and how Tintin developed over forty-odd years.
It is only after reading this I have realised how accurate Herge was with his subject matter. Again and again you suddenly realise that all the backing images, all the characters are founded on intricate real detail and people to create authenticity.
Quite simply, any fan of Tintin must read this book. It supplies answers to questions you'd never think of and opens you to a whole new side of the hero and his creator.

Well, now that you have hungrily read and collected all the titles of Herge, the marvelous artist & story teller, this book completes your appetite, as a slurping dessert!.

Contains detailed background on each and every title that Herge published upto the unfinished 'Alph Art'. Contains several sketches and reference photographs the artist used. You live through the mind of Herge, the times and his efforts. How carefully he chooses realism, timely topics and authenticity to spin those wonderful tales of Tintin! It is fascinating to go behind the scenes of the favourite stories. contains tons of information.

This ought to serve as a wonderful reference for artists.

If you are a diehard fan of Tintin & Herge, this book is a must! Great paper quality & print too!

If you are even mildly interested to know how Herge choose his name or those of his characters, if you are kind of interested in the historical background to your favorite adventure or if you are a crazy Tintin fan and hunger for anything you can get your hands on, this book is for you!

I have enjoyed it a great deal and I know you will too!

If you're looking for the definative guide to Six Sigma, you've just found it. From fundamentals to advanced program management, its all here. I first read Pande and Holpp's little 87-page book "What is Six Sigma." The impressive guide convinced me that I needed to pick up a copy of their "The Six Sigma Way." I'm really glad that I did. As a management consultant, I can say without reservation that the ideas expressed in this book are applicable to almost every manager -- regardless of whether or not they are currently involved in a formal Six Sigma program. In addition to enhancing quality, the Six Sigma framework is very useful in identifying and removing irrelevant processes from your product or service operations. Saving your Company both time and money... and freeing up your employees for more value-added work. In addition, I would also recommend Hammer and Champy's "Reengineering the Corporation" and Ashkenas, Kerr, and Ulrich's "The GE Work-Out." Overall Grade: B+/A.

Over the years, I have worked with dozens of small-to-midsize companies, all of which were in dire need of improving one or more of the following: cost reduction, culture change, customer retention, cycle-time reduction, defect reduction, market-share growth, productivity improvement, and product-service development. You can thus understand why I was curious to know to what extent (if any) Six Sigma could be helpful to small-to-midsize companies.

By now we have become well aware of the success of Six Sigma initiatives at major international corporations such as ABB, Allied Signal/Honeywell, Black & Decker, Dow Chemical, Dupont, Federal Express, General Electric, Johnson and Johnson, Kodak, Motorola, SONY, and Toshiba. Once having read this book, I am convinced that -- with certain modifications -- Six Sigma could perhaps be even more valuable to small-to-midsize companies which, obviously, have fewer resources. What exactly is Six Sigma? The authors provide this definition: "A comprehensive and flexible system for achieving, sustaining, and maximizing business success. Six Sigma is uniquely driven by close understanding of consumer needs, disciplined use of facts, data, and statistical analysis, and diligent attention to managing, improving, and reinventing business processes."

The authors identify what they call "hidden truths" about Six Sigma:

1. You can apply Six Sigma to many different business activities and challenges -- from strategic planning to operations to customer service -- and maximize the impact of your efforts.

2. The benefits of Six Sigma will be accessible whether you lead an entire organization or a department. Moreover, you'll be able to scale your efforts, from tackling specific problems to renewing the entire business.

3. You'll be prepared to achieve breakthroughs in these untapped gold mines of opportunity -- and to broaden Six Sigma beyond the realm of the engineering community.

4. You'll gain insights into how to strike the balance between push and pull -- accommodating people and demanding performance. That balance is where real sustained improvement is found. On either side -- being "too nice" or forcing people beyond their understanding and readiness -- lie merely short-term goals or no results at all.

5. The good news is, Six Sigma is a lot more fun than root canal. Seriously, the significant financial gains from Six Sigma may be exceeded in value by the intangible benefits. In fact, the changes in attitude and enthusiasm that come from improved processes and better-informed people are often easier to observe, and more emotionally rewarding than dollar savings.

The authors organize their material as follows: Part One: An Executive Summary of Six Sigma; Part Two: Gearing Up and Adapting Six Sigma to Your Organization; Part Three: Implementing Six Sigma -- The Roadmap and Tools; and finally, The Appendices: Practical Support. According to Jack Welch, "The best Six Sigma projects begin not inside the business but outside it, focused on answering the question -- how can we make the customer more competitive? What is critical to the customer's success?...One thing we have discovered with certainty is that anything we do that makes the customer more successful inevitably results in a financial return for us."

If anything, it is even more important for small-to-midsize companies (than it is for the GEs of the world) to answer these two questions correctly and then track and compare their performance in terms of what their customers require. The well-publicized objective of Six Sigma is to achieve practically-perfect quality of performance (ie 3.4 defects for every million activities or "opportunities") and this is indeed an ambitious objective. Collins and Porras, authors of Built to Last, would probably view it as the biggest of Big Hairy Audacious Goals (BHAGs). In that book, they assert that the most successful and admired companies have the ability -- and willingness -- to simultaneously adopt two seemingly contrary objectives at the same time. Stability and renewal, Big Picture and minute detail, creativity and rational analysis -- these forces, working together,, make organizations great. This "we can do it all" approach they call the "Genius of the And."

Pande, Neuman, and Cavanagh suggest that all manner of specific benefits can result from following "the Six Sigma way." For example, Six Sigma generates sustained success, sets a performance goal for everyone, enhances value to customers, accelerates the rate of improvement, promotes learning and "cross-pollination", and executes strategic change. All organizations (regardless of their size or nature) need to avoid or escape what the authors refer to as the "Tyranny of Or." Here in a single volume is about all they need to seek "practically-perfect quality of performance." Whether or not they ultimately reach that destination, their journey en route is certain to achieve improvement which would otherwise not be possible.

I found the book to be clearly written and even fun in places. It provides a solid and practical overview of the principles of Six Sigma. It explains Six Sigma as a flexible system to help manage processes in companies. It addressed all the questions I had in trying to decide whether Six Sigma is appropriate for my company. It provides much practical and non-dogmatic advice about how to implement. I bought the book to prepare my self to fight against the six sigma way. After reading it, I am very enthusiatic and am planning to propose this approach for my company. I highly recommend the book for anyone needing an overview of the topic from a management perspective.

Somewhere in France, Michel Montaigne was working on his immortal "Essays." Gibbon described him as the only man of liberality in the 16th century, aside from Henry IV. His honesty, his good will, and his probing nature have recieved the acclaim of posterity.

Somewhere in Italy, the same time, a more representative portrait was being painted -- the Autobiography of Cellini. While it has the same honesty, it lacks the grace (written in a colloquial style), the liberality, and the meditation of Montaigne. It is probably more represantative of the Renaissance man, and of modern man altogether. Reading Cellini, one comes to understand what Camus meant by the "culture of death" at work in Western history.

Written as a novel (seen, in fact, as a progenitor of the Romantic novel), the Life of Cellini is a remarkable glimpse into the Italy and France in the times of Michelangelo and the Medici. Characters like Francis I of France, Duke Cosimo, Pope Clement VII, and artists like Michelangelo and Titian come to life in brilliant colors. But one shouldn't mistake the intent of Cellini's book as painting a portrait of his times -- no man on earth was ever so in love with himself, and HE is the subject of this book (I had to cringe every time Cellini, about to describe something fantastic, stops and declares "... that is the work of historians. I am only concerned with my affairs..." and leaves off).

I can't say for sure, but the veracity of this book must be almost incontestable, for the most part. Cellini was simply too shameless to be too much of a liar. A few times he tests our credulity: "mistakenly" leaving France with the King's silver, an arbesque "accidentally" firing and killing a man, etc. For the most part, however, we get the whole truth, and in fact more than we wanted to know.

Despite the fame and prestige Cellini comes to, he is little more than a common street rogue and villian. In the course of the book, he murders three people in cold blood, each murder worse than the last (the third time he shoots a man in the throat over a saddle dispute... on Good Friday). He delights in describing his violence ("...I meant to get him the face, but he turned and I stabbed him under the ear."), and he revels in warfare, brawling, and the misfortune of his enemies. Aside from the three murders, there are innumerable foiled and aborted murder attempts. Cellini's sadism reaches new heights when he forces one of his laborers to marry a whore, then pays the woman for sex to humiliate the man. In his descriptions of his crimes, his many run-ins with the law, and his violent disposition, Cellini seems completely unaware of himself and without shame. In fact, the intent of the book is to show him as the virtu -- a hero of divine virtue in a world of lies and deceit.

The portrayal of King Francis alone makes this book worthwhile. He is everything historical events point him out to be. Generous, jovial, and shrewd. The descriptions of the years Cellini spent as Paul III's personal prisoner are another high point, unfortunately capped by the lengthy and horribly tedious poem, "Capitolo," where Cellini clumsily elaborates on his suffering.

As a history and an autobiography, there are few greater works. But aside from its historical and literary value, the Autobiography of Cellini was just fun to read. The audacity and conceit of this horrible man is almost comical, and the loose and efficient prose makes it a smooth read.

Cellini's story reads better than a novel. He is the quintessential Renaissance man. In his service to popes, kings and a slew of dukes he was a goldsmith, painter, sculptor, soldier and he may have had more near death experiences than any other that I have ever read about. Of course, his tale leaves himself always and forever blameless in each conflict, betrayal or other unfortunate episode that he finds himself in, which is tremendously entertaining. At first, the reader is seduced into believing that this man has been wronged countless times by a world full of the most slippery types of people. By the middle of the book, however, it dawns on the reader that Cellini must have played some part in creating the misfortune and danger that he is constantly in. Cellini's writing evokes vivid images of the places and people that he meets. One of the most engrossing stories in the book is Cellini's imprisonment and later escape from the Castel Sant'Angelo in Rome, where he was confined by order of the Pope (who, according to Cellini, was bent on having him killed in order to prevent his own embarrasement). His escape from the place is a mix of (apparently) classic methods (he climbs down the side of the building using knotted bed sheets!) and terrible misfortune (he breaks his leg, is nearly killed, and is also attacked by mastiffs while crawling away for his life!). Very soon after having escaped the prison, though, he was again imprisoned by the Pope in a wretched and dank little cave in the Pope's own garden (where Cellini claims to have had mystical visions). Cellini has many other adventures in Italy and France (and on his journeys back and forth). Each tale is centered on how he creates his artworks in the service of some nobleman, how the nobleman is always astonished at the work, how Cellini is then betrayed by someone he was kind to (which, through no fault of his own, often puts him in the bad books of the patron). Cellini frequently ends up in a fight where he either wounds or kills the person, and then goes on his happy way. There is a great deal that one could say about this book and its author. It will suffice to state here that the book is a wonderful read, it offers excellent insights into life in the 16th century, and (as is true on my part) it makes the reader crave just half the adventure that this fellow has had.

This book covers the eventful life of a passionate craftsman who lived through major events of the Renaissance. In Florence, Rome, and Paris, Cellini managed to gravitate to the most powerful political and artistic personalities, but his relationships with them were always bumpy. Cellini had an artist's temperament and more - his passionate temper and sense of righteousness, combined with the unscrupulous nature of many he encountered, caused constant friction and turmoil which make the book a nonstop and occasionally violent thriller. The book's one disappointment for those interested in history is the lack of extensive description of the places where he worked and travelled. It's centered on Cellini, his relationships and activities, and his craft. He does however have a great description of the defense of Rome in 1527, in which he was firing artillery from the top of Castel St.-Angelo. George Bull rates five stars for a great translation which captures the spirit of the original, its passion, wit, sarcasm, bitterness and insight. Given the work was written with Florentine colloquialisms, this is an achievement. Highly recommended.

Thank goodness this classic tale is still available for readers of all ages. The timeless nature of this tale endures. A satisfying tale and delightful ending for everyone.

Author of historical fiction.

This book is a treasure for your library. It brings endless pleasure, and is the kind of story that spans all ages.

It is the tale of a boy and his dragon who lives up on the Downs. In spite of the bad reputation dragons have, the boy and he become quick friends. Saint George shows up to do battle with the reluctant lizard, and the boy arranges a mock battle, unbeknown to the villagers that pleases everyone.

(...) THE BOOK IS ABOUT THIS BOY WHO MEETS THIS DRAGON AND THEY
BEACOME FRIENDS THE DRAGON TELLS THE BOY STORY AND NONE ARE
TRUE. BUT ONE IS TRUE THE DRAGONS FAUTHER DIED WHEN A KNIGHT
FOUND OUT ABOUT HIM WHEN THE DRAGON WAS LITTLE. THE KID
HEARS ABOUT A KNIGHT NAMED ST. GEORGE HE TELLS ST. GEORGE
ABOUT THE DRAGON. THE NEXT DAY THE KID SHOWS ST. GEORGE THE
THE DRAGON THE DRAGON DID NOT WHANT TO FIGHT. THE NEXT DAY
ST. GEORGE TOLD SOME OF THE DRAGONS TALES TO THE VILLAGE.
THE TALES WHERE ABOUT KNIGHTS AND DRAGONS FIGHTING. THAT
AFTER NOON THE DRAGON HID IN THE CAVE AND ST. GEORGE FAKED
TO KILL THE DRAGON AND WAS FAMOUS.

(...)

Everything you need to know about sound is in this book. Understand sound, then you can manipulate it, according to your ear's preference. And it shows you how important it is to develop several styles of recording for different music. The recurring theme is "there's no right way". Instead, every technique is analysed, and explained, in plain enough English (with some SPF's, and dB's which are also explained anyway), and it shows that what determines the mic positioning, is what YOU want from the sound. Vague, I know, but you'll understand once you get this book.

The night before a major recording, this is the book I read through to recap on a few mic positioning techniques for the different instruments. It shows you the kind of techniques from the harmonica and accordion, through to the modern rock drum-kit.

There is also a list of microphones with some of its data, though a small comment on each would be appreciated. Still, it's a good start for the engineer who is starting from scratch.

Nothing has been exaggerated above, it truly is a great book, well worth its price.

I have been around music as a musician for years and knew a thing or two about the recording process...but, I knew very little about mics, mic placement, etc.

This book really opened up a world for me that I was always fascinated with...how did those guys get such great sound on their album??? The most important thing is the mics and where and how you use them. This book gives you the basics and then some.

With this book I was able to record my first band with near professional studio quality sound...

I would recommend this book to anyone interested in recording or for bands going into the studio to give you input as to what you want...

A terrific book that we rely on here at Mercy College.

Basically the book is broken up into three sections: In the first, Alldrin talks about microphone operational principles. You'll find lots of useful information about microphone design, how directional mics work, how to understand micropone specifications, an so forth.

In the second section, he covers issues regarding Microphone Apllications, such as placement techniques and stereo miking. There are several short 2-4 page "chapters" that focus on miking particular instruments in various ways. As with all of the sections of the book, these chapters are well-illustrated and easy to follow.

The final section discusses the characteristics of specific common microphones. A "buyer's guide" groups mics into price categories such as Mics under $500, Mics from $500 to $1000, etc.. Each mic is featured with a photo and specifications, making this section a great way for a beginner to become acquainted with what's out there.

My students have responded positively to this book as a text. It's also a good model of HOW a music technology book should be written. If you are interested in learning about microphones, you won't regret picking this book up.

Stephen B. Ward
Mercy College, White Plains, NY