The more i liked: A amnesiac man interacting with unknown robots who can not lie and with a attractive girl.
Te murder resolution is not so good like in asimov books.
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Character has never been Kube-McDowell's greatest strength, and this book is no exception. Thackery doesn't grab your attention or, for most of the book, engage your emotions. I found myself wanting *someone* to solve the huge, multi-faceted mystery at the center of the story . . . but not caring a bit whether it was him or someone else.
Then, about the halfway point in the plot, _Enigma_ begins to pick up speed. The Mystery (and the solving of it) takes center stage, and Kube-McDowell ratchets the pace up to the headlong rush that he sustained throughout _Emprise_. By the end of the book, the Mystery has been satisfyingly solved (revealing a very clear but even bigger Problem to be worked out in _Empery_), and (glory be!) Merrit Thackery has become an interesting character.
My overall judgement of _Emprise_ goes for this one, too: It's similar in flavor and tone to the works of Arthur C. Clarke, and well worth a look for those who like Clarke's cool, austere, galaxy-spanning style of storytelling.
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Oddly enough, this structure works in the book's favor: Each of the three stories works well at 100 pages or so, and none of them (I think) could carry a full-length novel. The interwoven characters and contrasting textures add interest--it is (for you fellow SF fans in the audience) a little like reading condensed versions of _The Andromeda Strain_, _Foundation_, and _Childhood's End_ in rapid succession. Kube-McDowell keeps the ideas flowing thick and fast . . . fast enough, for the most part, to cover the flatness of most of the major characters. I kept reading less because I cared about the people than because I wanted to see what rabbit was coming out of the hat next.
_Emprise_, at its best, is good enough to stand next to middle-of-the-pack novels by Arthur C. Clarke (say, _The Fountains of Paradise_ and _Imperial Earth_). It's worth a try for SF fans who like Clarke's austere, idea-heavy, emotion-light style of storytelling. [Kube-McDowell, by the way, improved markedly in later works: his _The Quiet Pools_ is as good as Clarke's best.]
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The basic premise is that a group of scientists accidentally discovers a way to disable all conventional explosives. Even though the gun lobby has been portrayed fairly negatively and the gun debate is a little lopsided as a result, people with an open mind and any intelligence whatsoever should be able to appreciate the brilliance of the way in which the debate has been presented and to see both sides of the coin equally well. It is a mind-expanding discussion indeed. Of course, because of the strongly political nature of the debate, your reaction to the book might vary from disgust to ecstasy, but it is nevertheless a great book. The ending is classic Clarke: brilliant and open-ended. And again very mind-expanding.
The non-scientifically inclined reader will also enjoy the book's extensive examination of the issues around gun control and ownership - the prime target of the authors. Using the Columbine High shootings as a case in point, they repeatedly engage with the many arguments put forward by proponents of the 2nd Amendment to prevent arms control initiatives.
But the scientific jewels hidden along the way are what make this a real delight. First, there is the Trigger - a wave-emitting device that automatically detonates any kind of explosive material, rendering any conventional arms and munitions more dangerous to the user than to their intended victims. The resulting reversion of security forces to pre-gunpowder weapons such as crossbows and maces may sound amusing, but certainly worth more than a passing thought.
Then comes the intellectual high point of the book - the concept that everything can be defined in terms of energy and information. This is totally mind blowing - if you take the concept of zooming in and out for more or less detail on a subject and couple it with the Heisenberg Uncertainty principle, that's what the guru is postulating. To quote " Information organizes and differentiates energy". The kick is in the converse - if you can remove information from a subject, you destabilize it - it ceases to exist! From this exquisitely neat hypothesis arises the Jammer - the antithesis of the Trigger - instead of blowing up arms and ammunition, it simply makes them cease to exist!
Just these alone would have been more than enough for any Arthur C. Clarke fan - but the authors leave the reader salivating for more right at the end - the discovery of a biological Trigger that can zero in on any specific DNA pattern and vaporise it - the Killer.
Overall, a taut thriller-class read with some elegant physics for those so inclined - what more can one ask for ?
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Examples: Coruscant is portrayed as a Garden planet? Lucas Arts clearly indicated that Coruscant was one big city, long, long ago in it's X-Wing series. This book was written recently enough to have gotten this right. This is one minor example of lack of continuity in this book.
The other aspect of this book that killed it for me was how the main cast was mischaracterized. I thought Leia's portrayal was especially bad. A very strong female character was completely weakened.
To close, I was so disappointed with this book I am seriously considering not reading the rest of the trilogy. What really surprises me is that Lucas Film let this book be written with all of the cannon errors.
It's been about 5 yrs since I read this book but those were the parts that I do remember about this trilogy.
Bottom line: if you are a confirmed atheist you will like the book. If you are a confirmed theist you will hate (and dismiss) the book. If you are interested in an unbiased presentation of the arguments for and against theism, you've come to the wrong place.
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Anyway, the Black Fleet Crisis, and more specifically this final, climatic chapter of the trilogy, are one of the better Star Wars books I've read so far.
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