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The adventure begins, with nice space opera touches, including the trademark McDevitt alien ruins. All the while, Academy bureaucrats take credit or hand out blame for events they had no control over. With the FTL radio, conversations have long gaps, and clever characters use them to be deliberately unhelpful to the meddling bureaucrats.
Speaking of clever characters, there's Hutch, the practical and competent Academy captain whose professional life is better than her personal life; Tor, a famous artist and an ex-lover of Hutch's; Bill, the ship's AI, who changes personality to fit the situation; and Alyx, a famous actress/spokesperson for the Contact Society. However, some expedition members never focused for me.
I do like how the same characters act intelligently sometimes, and foolishly at other times. One character talks about all-female space ship crews: all male crews are too competitive and mixed crews have women raising men's testosterone levels into doing something stupid, an idea I found amusing and believable.
Recommended.
Chindi actually marks Hutch's third appearance in McDevitt's novels, a fact which I did not discover before I was well into the story. It is not necessary to know the story of Hutch's earlier missions in order to read and enjoy this particular novel, though. The cast of characters is interesting but improbable-the Contact Society team members are not scientists. They include an actress/producer, an artist, a funeral home director, and similarly unscientific men and women. One is, of course, a former love interest of Hutch, and that adds a little more flavor to the pot. These people make mistakes, and some of them pay with their lives, yet they all emerge as truly heroic souls who want nothing more than to answer the cosmic questions man has been posing as long as he has looked at the stars and wondered if he was alone in the universe. The science of McDevitt's science fiction works pretty well, although I have a problem with a couple of things that happened. I found McDevitt's characters to be vibrant, real, and interesting, although I understand some readers apparently do not find them as interesting as I do. We don't get to the essence of them all, and Hutch's future is left quite unresolved at the end, but I came to know and like everyone in this novel, despite their blunders and often childlike enthusiasm. There is a whole lot of action in these pages, particularly in the latter half of the novel, and I was flat-out riveted by it. Hutch in particular is almost unbelievably heroic yet constantly vulnerable and afraid (i.e., real). I heartily recommend Chindi to fans of great science fiction. It is one of the most memorable science fiction novels I have ever read.
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The 2 series were novelised and are fairly easy to find 2nd hand or in a library, so judge for yourself.
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McDevitt continues his hard science approach to his books along with his apparent interest in archaeology and archaeologists. All of these elements are combined with his central theme of "are we alone?" to give the reader a thoroughly enjoyable reading experience. Reading Deepsix prior to reading Chindi is not absolutely necessary, but might help the reader better understand Hutch and some of the references to Deepsix made in Chindi.