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Not After saying that much I'm in danger of repeating what I wrote in my review of the authors'"FRENCH Wine for Dummies," published One thing I should add: these books aren't really for dummies. I keep them at hand and I know several other pros who do too. -----------
simultaneously, so you should scamper right over to my review of that book for more details. Then you'll have the complete rundown on both.
Bill Marsano is a contributing editor of Hemispheres, United Airlines' in-flight magazine, for which he frequently writes on wine and spirits. One of his Hemisphere articles won a James Beard medal in 1999.
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This book is excellent for a first semester college introduction to academic life. It deals with the issues students need to address for academic success such as critical thinking, time management, active learning, learning styles, reading, writing, listening and speaking, test taking, library use, computer use, academic resources, advisors, relationships, diversity, stress management, finances, alcohol, drugs, and sex. The book has six parts: 1. Strategies for success, 2. Plan ahead, 3. Take charge of learning, 4. Hone your skills, 5. Get connected, and 6. Know yourself. There are one to four chapters in each part totaling fourteen chapters, about one per week for a semester. There are exercises and guiding questions for a personal journal at the end of each chapter. A highlight is the interactivity provided by the CD-ROM packaged with each textbook. Each chapter has a self-assessment, has exercises from the book formatted to use on the computer and refers to textbook pages, has additional exercises not in the textbook, quizzes, crossword puzzles, and journal assignments that can be done on the computer. The CD-ROM links to many Internet sites for additional information and self-assessments. The book comes with a free four month subscription to InfoTrac, an online library. This book is good for the visual learner, the CD-ROM is particularly good for the kinesthetic learner, and the discussion exercises are good for the auditory learner. There are also supportive materials for faculty who adopt the book, and the CD-ROM is available on Blackboard and WebCT as online course management tools. .
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The writing is clear and concise. The authors do not take a snobby attitude towards tasting; throughout the book, they emphasize that good wine is primarily determined by personal choice. They give you the tools to learn to taste and enjoy wine.
I read at an average rate. In about 2 hours, I was able to talk intelligently about the wine making process, understand how to taste wines, and navigate around wine shops. This book should be read over a period of several weeks so that you can actually practice what you've read. The only drawback with this book is that there are no colorful pictures and they weren't very explicit about which flavors to concentrate on while drinking different wine varieties.
Overall, this book is excellent for beginners. After reading the first few chapters, you'll go from beginner to an intermediate wine buff. I even purhased several of these books for my friends as Christmas gifts!
I found that it was easiest to concentrate on one section at a time, rather than to try to read and understand everything at once. Also, it was kind of fun reading one section, then trying some of the wines suggested by the authors, or simply trying the different kinds of wine in the section. The authors really know their wines.
This book will easily become the one you refer to most. It is concise, well-organized and easy to follow.
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"The Group" follows eight Vassar graduates from the class of 1933 and chronicles their diverse lives. The reader first meets them one week after graduation at the wedding of one of the girls and follows them for over 400 pages until they are all reunited seven years later at the funeral of one of the group. Along the way we are given a lesson in social history as we share their courtships and marriages and take a hard look at the social mores of the 30's. Mental illness, virginity, the breast v. bottle debate, and political upheaval all come up for examination as the girls reach the conclusion that an education, even the very best one, does not guarantee emotional balance. This is a sometimes profound, sometimes hard-biting satirical look at American women in the important period between the two World Wars.
In 1966 the novel was transferred to the big screen with an all-star cast featuring Candice Bergen as Elinor Eastlake, the group leader. Though much of the book's and the movie's shock value (the lesbian issue) has been lost in the 21st century, this still remains a viable novel on women and the bonds they forge.
Dottie, Lakey, and the other members of The Group--eight Vassar graduates trying to make their way after college--all find out plenty about the roughness and beauty of living through the course of the book. Yet it is impossible to say that this is a superficial work, because McCarthy never treats her characters lightly. Yes, they act a little flighty at times, but there is always a human edge to their stories. When Dottie takes a lover she shouldn't, according to The Group, the entire affair is treated with remarkable sensitivity and candor. Therein lies the charm of this particular work.
McCarthy has a knack for getting a lot out of her characters. She peopled this novel with plenty of personalities, but they never simply read as sketches or caricatures. Even Kay and Harald, the queen and king of the over-dramatic (an ironic and clever connection to the theater they both love so much) are amazingly well-written and well-thought out. Sure there are moments when the reader may roll his or her eyes in annoyance at some of the more pandering moments, but there is always the next page, ready to lead the audience back into the charmingly fragile relationships that make this book so lovely.
While this may not be the epitome of McCarthy's writing, it is certainly a novel worth the read, and well worth the thought it should generate afterwords.
I have finally read Mary McCarthy's book and found it absolutely wonderful. Having completed it, I feel I understand my mother and aunts a little better. They were of the same genertion as Polly, Libby, Lakey, Kay, and the other eight Vasser graduates who are the protagonists of the book. Although my relatives attended state colleges in Wisconsin, I was exposed to "thinking" women who for the most part lived lives comparable to the women depicted in THE GROUP. All but one of my aunts married, and she became an "old maid school teacher." Some of my uncles were more liberal than others, but all of the men including my father had expectations about how their wives should conduct themselves after marriage and motherhood. I came of age at the tail end of this oppressive period when women were still called girls.
As we read about the oppression of women in other parts of the world today, I cannot help but wonder if younger men and women can fully appreciate how recently civil rights have been extended to U.S. and European women. It's so easy to discount feminists but without the resumption of the Woman's Movement in the late 1950s and 1960s, a husband like Harald might still be able to have his wife Kay committed to a psychiatric hospital if she defended herself from his drunken attack.
THE GROUP covers the years 1933 to 1940--it begins just after the stock market crash and the beginning of the Great Depression and ends with England on the verge of invasion from the Nazis. The book was described as a "gem of American social history" by 'The Nation' but it is also a very good read. (Supposedly, McCarthy based her characters on friends from her Vassar days, so one never knows how much is really fiction.)
Reading this book, I found myself outraged and sad and laughing out loud. The discussions about child rearing are enough to make you hoot -- especially if you have been exposed to the "bottle versus breast" battle. As the victim of parents like Priss and Sloan who read entirely too much literature, I went onto subject my children to the techniques of Dr. Spock, and am now am amused by the current thinking of my daughter and daughter-in-law who also read child-rearing literature and attend discussions and are struggling with potty-training and aggressive behaviour. If you have ever raised children or are trying to raise children you will enjoy the exchanges between parents and spouses and friends in this book.
The passages describing mental illness caused me react with everything from laughter to impotent rage. Polly's father is resentful because his melancholia has been rediagnosed as manic-depression -- only he's never had the manic experience. Polly's obsession with her psychoanalysis is familiar. Kay's incarceration in the "looney bin" and description of the several floors of the mental hospital dedicated to recovery--from the seventh floor lock-up with padded cells to the fourth floor "just like a college dorm" from whence the cured patient depart--is frightful. This is a great book. Don't let its publication date fool you, it's as salient today as it was the day it was written.
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Emma Bovary is a character you will either despise for her actions or sympathise with and understand. It is true, her actions bring misfortune to her family, especially her husband Charles. Although he is weak and unambitious, lacking the gallantry of her image of a lover, his sentiments for her are genuine and she fails to see it. Moreover, he so trusts and admires her and never sees through her deception. I find that he is the character, if not most interesting, then most tragic and worthy of sympathy, as he becomes the true victim. As for Emma, like her or hate her, she is one who many will relate to.
This is not an exciting read, not fast paced or action-packed. Still, the messages in the book will reward your efforts. I'm no expert on Romantic novels but I think it's quite unlike other novels of it's time. Flaubert's descriptions and use of language are very moving, sometimes disturbing, especially when describing the ravages of sickness or pain. Those who like to contemplate on moral ideas in a literary work, or who love the beauty of language for the sake of it will enjoy this book very much.
Flaubert's controversial novel is the first of the great "fallen women" novels that were written during the Realism period ("Anna Karenina" and "The Awakening" being two other classic examples). It is hard to appreciate that this was one of the first novels to offer an unadorned, unromantic portrayal of everyday life and people. For some people it is difficult to enjoy a novel in which they find the "heroine" to be such an unsympathetic figure; certainly the events in Emma Bovary's life have been done to death in soap operas. Still, along with Scarlett O'Hara, you have to consider Emma Bovary one of the archetypal female characters created in the last 200 years of literature. "Madame Bovary" is one of the greatest and most important novels, right up there with "Don Quixote" and "Ulysses." I just wish I was able to read in it French.