To get the sull feeling of this book, make sure that you have read Dragonsdawn, as the events go together. What is nice about this story, is that there is no need to feel in the background information, as that is what Dragonsdawn is for. The story starts right where it needs to and continues on. It is really nice that we get to know Jim Tillek more. Anne did a wonderful job and the story flows rather smoothly.
A must read for Pern fans, as this gives us all more detail and more background information. A nice short story, that is wonderfully written.
List price: $6.95 (that's 20% off!)
(Elizabeth Moon's Sporting Chance and Once a Hero series' are a good read and very similar world too)
It should be noted that this book is part of series which is aimed at teens, and this is evident as the book stops to explain terms such as magna cum laude. But I think that McCaffrey fans of all ages will find it a very good read, just as they enjoy her own books that were aimed at a younger audience.
It's also handy for those of us who do roleplaying on the Pern-based worlds; there are details within its pages not seen elsewhere. In my years of playing apprentices, holders, and dragonriders, I have often called on it for more information. I highly recommend it and the DragonLover's Guide to Pern to all Pern fans.
List price: $6.95 (that's 20% off!)
Acorna showed more personality in the first book, and the other unicorn people were simply two-dimensional snobs.
I loved the second chapter... Markel Illart, the brilliant 16-year-old space cadet, was resolutely heroic and I found the newly introduced subplot engaging. He was slighted and pushed into the background for the rest of the tale, though. The boy deserved a LOT more character development. Markel is too fascinating to let go; he could've starred in a sci-fi novel all by himself. I like to imagine him wearing a Jedi master costume.
Yeah... Markel is cool. I'll bet Starship Captain Andreziana made him an officer.
No hyperbole here, but not since Anne of Green Gables have I come across as enchanting a young girl as Menolly (her name is just perfect too). The similarity is certainly palatable, what with a young woman who is told to deny her talents because she is but a girl. But Menolly has a gift and it is impossible for her not to use it, even if it must be in secret, and what makes her so endearing is that she really has no idea how talented she is, a trait that becomes even more precocious in "Dragonsinger" and "Dragondrums." My only real complaint with Anne McCaffrey's recent novels is that Menolly has been reduced to only a minor supporting character.
Historically accurate, Black Horses is a fast read, and an emminetly exciting story. Despite the lack of the mystical turn of the normal King Arthur tale, or perhaps because of it, Black Horses for the King takes the reader into a realm of fantasy both thrilling and moving. A highly satisfying story aimed at the young adult, Black Horses is a treat for all readers, young and old alike. King Arthur fans will enjoy this unique look at their favorite hero, and those who like more realism in their stories will like this likely view of a piece of history.
In "Moreta Dragonlady of Pern" I first met Nerilka or Rill for short. "Nerilka's Story" is a slightly different novel, it is talks about a hold girl, a ordinary holder, not a dragonrider. Anne McCaffery really emphasize on how plain and physically unattractive Nerilka is. She never recieved many affections or attention. She decided to run away to start a new life. She ends up in Ruatha where she meets Lord Holder Alessan. As you might remember from the previous novel in the serious, Alessan is deeply in love with Moreta. This novel goes through the plague and how Alessan deals with Moreta's death.
I think that Alessan was really mean when he marries Nerilka when he doesn't realy love her. He says that as soon as Nerilka bears his child, he would kill himself. Nerilka is a really tough person because she goes through such a hard relationship with Alessan.
This novel is more of a subtle, not-so-moving plot. Yet it is a important part of the Pern series and it is worth reading. Think of it as a light read but it isn't a very romantic novel, so don't expect too much romantic parts.
This book gives us a feel for what the average citizen of Pern must endure; privation, sickness, a medieval culture governed by far-from-enlightened nobles, and the desperation of facing endless drudgery with little hope of ever improving one's lot in life.
The entire Pernese series is greatly enriched by the grass roots knowledge revealed in this story. Nerilka faces daunting challenges from a variety of sources, eventually proving that both tragedy and triumph are the domain of all people, and that indomitable spirits are not limited to those whose lives are spent in the Weyrs.
Ms McCaffrey goes to great lengths, including illustrations, to emphasize how physically plain and unappealing Nerilka is. Regardless, nothing can keep the beauty of her spirit and personality from bursting through. She is as true a heroine as any who ever rode a dragon.
Nerilka's Story may be a saphire in a world of diamonds, but it is still a jewel in the crown of the Pernese Saga. Without this volume, the tale of the Dragonriders of Pern is incomplete.
That said, THE SHIP WHO SANG is marvelous on many levels. Ms. McCaffrey has said that what she does best are love stories and Helva is as heroic yet soft-hearted as anyone could wish. As a silly little escape from the realities of the working world, this book succeeds. As a homage to her father, she overwhelms.
In a purely sci/fi vein, McCaffrey took the concept of cyborgs to a great extreme at a time when artificial heart valves and kidney transplants were in their infancy. The first functional pace maker didn't debut until 1960. The first of the Helva stories that make up this book came out in 1961. THE SIX MILLION DOLLAR MAN didn't appear until twelve years later, when Helva and her peers (shell people) were already the elite of space exploration, single-handed managers of major metropolis's and coordinators of space mining platforms. STAR TREK didn't boldly go here until 1966! While it's not Jules Verne, this ain't too shabby!
I see the Helva stories as perfect to spark high school discussions. McCaffrey's unified galaxy, Central Worlds presaged our current move to a global economy by forty years. Her social consciousness emphasizes the need for the arts in a civilized society and serious issues like euthanasia, drug use and civic responsibility are all major themes. The entire concept of social protestors evolving into 'Dylanists' should set the stage for historical discussions of the Viet Nam Era and extrapolating Shakespearean universality into alien societies should do the same. Her use of language has also greatly improved my vocabulary! (I won't even start on the military's way of honoring its members with parades and such and hypocritical senators who fight for NEA cuts. Attending a Memorial Day parade should be enough to convince ANY of them!)
I greatly enjoy the way the author took short stories and incorporated them into one book. I like her characters, their intelligence, their strength, their firmness of conviction, especially her women. Yes there are stereotypes, yes there's implied sex but the only 'graphic' passage has to do with overcoming one's baser instincts, a positive in my opinion. I also greatly admire the way McCaffrey's works overlap. Helva turns up briefly in the Crystal Singer series, where other brain ships play a major role, which I think is great fun. Look at this book from any view point, and it should turn out to be enjoyable. I give 4 stars, because, written as it was in the 60's it's slang seems dated now!
See also "Honeymoon" in McCaffrey's _Get Off the Unicorn_ for the tale of one of Helva's missions to Beta Corvi that didn't make it into this book.
"The Ship Who Sang" - Helva is unusual in that she developed her particular hobby while quite young: moving from a passion for Shakespeare, to grand opera, to overcome the technical difficulties in learning to sing. But there's a reason shellpeople don't consider themselves handicapped in any way...
"The Ship Who Mourned" - Helva has just endured the funeral of her beloved brawn partner; only to be expected, given the difference in their lifespans, but that doesn't help the sharp edge of her grief. MedServ's usual lack of sensitivity has sent her straight back out to carry physiotherapist Theoda to treat the survivors of a plague that left the few surviving victims paralyzed. And Helva sees more mourning than her own...
"The Ship Who Killed" - MedServ has assigned Helva a 3-year mission and a new brawn (temporary, but for the duration of the mission) with an unusual twist. Nekkar's entire population has been left sterile by a radiation flare from their star, and Helva and Kira now have Assignment Stork: delivering thousands of embryos to Nekkar from worlds all over known space. Something about the mission seems to be troubling Helva's new brawn, whose service record has some interesting gaps...
"Dramatic Mission" - The Beta Corviki have a great knowledge of physics, and can give humanity the ability to build starships with a far greater range - but they want something unusual in exchange after sampling the archives of the survey ship that made first contact. Helva is to carry a company of Shakespearean actors to Beta Corvi, to perform _Romeo and Juliet_. Will the company manage to satisfy their alien audience, given the personal strife between the stars of the show? (This mission marks Helva's first face-to-face meeting with her supervisor Parollan, incidentally.)
"The Ship Who Dissembled" - Helva is fed up with her current brawn, and is finally frustrated enough to face not only the financial penalties for breaking up the partnership, but the inevitable I-told-you-so from her supervisor, the abrasive Niall Parollan. But just as Helva is about to initiate formal proceedings over an open communication channel, hijackers strike, who know the vulnerabilities of a shellperson all too well.
"The Partnered Ship" - In only ten years of service, Helva has paid off the huge debt of her early medical care and ship construction, and can now be a free agent. Central Worlds, particularly her supervisor Niall Parollan, are crafting an offer to tempt her to stay, while Broley (a fellow shellperson, though a city manager) wheels and deals to line up job offers. Who (if anybody) will get their just desserts?