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exercises in subtle brevity. Matheson's prose is beautiful,and this only adds to the horror. The brilliant "Red" is here,as well
as "Shutterbugs" "Region Of The Flesh" and a few pieces that
aren't actually stories but are worth reading anyway,like
"Things To Get" and the strong-stomachs-only-need-apply grue of
"Mutilator." There are a lot of stories in this book,so you're
getting your money's worth and then some.
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I never thought a 170 page book could enthrall me so. I read this book in about 3 hrs, but it has been with me for much longer. Richard becomes so realistic you start to forget he is not real. The realism with which Matheson weaves his tale is uncanny. I have read many vampire books and i think "I Am Legend" is by far the best i have read to date. Do yourself a favor and get a copy of this book, I can't recommend it more.
The idea of the book alone is enough to make you try reading it. A plague has turned the Earth's humans into vampires, and there is only one man left.
After hearing this idea some readers may be thinking that it sounds silly, or has been done before, but belive me; nothing like this has ever been done before. For many vampire novels, the author simply gives the vampires the traditional powers and weaknesses, (crosses, garlic, etc.) but Richard Matheson goes so far as to explain why all this is true. The explanations he gives, though they may seem far-fetched, are extremely plausible when Matheson describes them. It seems as if Matheson did a lot of scientific research for this novel, because his explanations of DNA are terrific.
Finally, don't read this novel if you're just looking for a normal horror novel. Read it if you're looking for an intelligent, suspenseful tale of a world overtaken by vampires.
After finishing it and discussing it with her, I came to this conclusion: while the book was more intellectually satisfying, it was a failure as a romance. I never believed Elise's emotions, but maybe I can't really connect to a 1896 mind. Intellectually it's a better conundrum; the mystery and the mechanics of the time travel are explored more fully but at the sacrifice of the emotional story.
I have read books with a much more engaging, endearing romance portrayed than Elise and Richard's quiet desperation. Somehow in the process of making the time travel more believable, for me at least, Matheson lost the emotional truth. The characters seemed confined and two-dimensional. I think the book and movie together are a beautiful complete picture, but the romance for me will always be in the movie.
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I picked up "Hell House" because I loved "I Am Legend" so much i thought I'd give Matheson another try. I can't say I did'nt enjoy the book but i was dissapointed. The book is very well writen and keeps you reading page after page with anticipation. The one and only complaint I have about "Hell House" is the ending. I agree with another reviewer that it feels as though Matheson simply ran out of ideas and scrapped something together. Despite the bad ending i recommend this book to anyone who is not easily offended, as there are parts involving graphic sexual descriptions and a rather sick afront of christianity and the crucifix.
Fan-freaking-tastic is all I have to say. Now I'm not rating this as how it compares to Shakespeare, but rather judging it on what it is: pulp. And as pulp horror goes this is a fun jaunt through scary house land. All the requisite elements are here: creepy fog, seance gone wrong, spirit-sensitive cat, sole survivor of previous attempted exorcism, and the paranormally clueless character that gives the author a reason to explain everything to you. Plus, it being the seventies and all, you get the added sex and open perversion earlier books of this kind had to leave out.
I know most horror connouseurs consider 'The Shining' as the book by which all other haunted house tales are judged but I never liked that novel much anyway ('Blasphemy!' The review readers cry. 'Burn the heretic!'). When I pick up a horror novel I want to be scared or uncomfortable or made to feel at least *something* and when you pick up a hefty Stephen King you have to break it into pieces which ruins any suspense you might get. With Hell House you can just dive in, get your scares, and crawl out again all in the space of a single sitting. No fuss, no muss, and the intended impact stays intact.
So four stars for Hell House and all its' campy, seventies pulp-porn glory. It might not make anyone's top horror list (myself included) but it will give you a few hours of rainy-day/snowed in/beach weekend entertainment and for that you will be grateful.
To summarize, the story encircles the excursion of a skeptical doctor, his wife, a devout religious medium, and a survivor of the Hell House and their personal pursuits within the walls of Belasco's playpen. The house itself has had a terrible history involving everything from sexual immorality, twisted menageries, disease, torture, suicide, and the occult. Our four heroes enter the house with little intrusions and are introduced to the typical haunts: rocking chairs, jangling lights, closing windows, and cryptic words. However, Belasco is a far more sophiscated ghost and, eventually, tears the the characters' confidence into shreds via psychological corruption and manipulation, leaving them open to self-destruction.
A thrill to read, but one finds little time to relate to characters in the pace Matheson has set, and the momentum the author starts off with dies out far too quickly near the end, almost making the suspense before not worth it. As a side note, this book is not for the faint of heart or light of stomach.