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The grandest ballroom in Chicago has been rented for the ceremony with a multi-denominational band of clergymen and women set to officiate and all the family, friends, political and sports elite and a multitude of irate and uninvited protesters in attendance. Unfortunately, one of the unexpected guests is Tom's first gay lover, Ethan Gahain, who says he has to talk with Tom. Their affair had taken place when they were both seventeen, and before Ethan dumped him two years later.
The ceremony itself went without a hitch other than the intended one. But before Tom can talk to Ethan and the planned indoor fireworks can take place, fireworks of another sort go off in the men's room when Ethan is found brutally murdered. As you night expect, Tom is the one to discover the body and in the process he get properly bloodied. Everyone knows Tom couldn't be the murderer, and Ethan's parents ask Tom and Scott to investigate the murder.
Along way Scott's teenaged delinquent nephew gets involved, as well as hidden camera pornography and blackmail. Tangled webs have been woven and Tom and Scott have to unravel them.
Though the series is growing a little old and the book is lacking in the surprises of the earlier episodes, Zubro still has a great way with words and his wit and realistic style get you through the book in a totally interesting manner. But it might be time to put more emphasis on his Paul Turner series, or to explore possibilities of a new series.
One of the features of this book is a trip Tom and Scott make to Saint Louis. I always enjoy rating authors on their ability to plot their action through the local streets and landmarks. Zubro scored a 9.8 with only two minor errors. Hey, that's better than what a local mystery writer scored on his last book.
I love the books that I have read by Mark R. Zubro. Anything he writes is entertaining, interesting, and a GREAT READ!
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But his strength remains crafting plausible plot lines that hold you and tease you enough to wonder if you really know who did it. I thoroughly enjoyed this book and will continue to acquire and read his others.
The problem with Tom and Scott is that I can't tell Tom from Scott. Oh, I know one of them (narrator Tom) is a Viet Nam vet who now teaches highschool, and one of them (guess who) is a highly paid professional athlete. Scott is Southern-born, starts out a little closeted (a potentially interesting conflict never explored), and Tom is...not. Unlike in Joseph Hansen's Brandstetter series, or Richard Stevenson's Strachey novels, I'm never lured into believing Tom and Scott are real people. They are a gay fantasy--not even an interesting gay fantasy. They are too perfect, too plastic. Barbie's Ken without Barbie.
Another thing. No sense of humor. Scott and Tom have the most painful repartee I've heard outside of a kung fu movie.
But as serious a handicap as having cartoons for lead characters is, Zubro does have his strengths. He concocts a crafty, clever mystery here about murder and drug rings in highschool, and he paints a realistic picture of highschool (minus the drugs and murder), as well as unflattering portraits of administrators, fellow teachers and students.
It wouldn't take a lot to turn this series into something delicious and satisfying. Until then I'll keep munching away, knowing I should be doing something better with my brain.
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This is a good book for a book report for school (5th grade).
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As for the technical content, the book did a decent job. There are a few areas, such as ISDN (a large portion of the Support 2.0 exam), which were not covered in-depth enough. Being such an important study area, I expected better coverage here. As a result, I needed to bolster my studies from my BCRAN materials.
My last gripe is the CD. While I love to get a CD with my book, this one was entirely too frustrating to use. The book had numerous errors but the CD had a substantially higher percentage. The questions on the CD are the same as those included at the end of each chapter, so I preferred to use the paper form rather than the CD.
Overall, the book was decent. I felt reasonably well prepared with the exception of a couple of areas. I would have given this book 4 stars had it not been for the high number of errors and the very poor quality of the CD.
Rik
The book is detailed in every topic. The authors have taken their expertise and put in a book that will have you troubleshooting Cisco networks in no time flat. Over 650 pages of examples to learn from along with questions, case studies and helpful hints are roiled neatly into one book.
The topics of methodology, tools and commands, diagnostic commands, LAN troubleshooting, Cisco Switches, WAN and WAN protocols, extensive coverage of TCP/IP, IPX, SPX and routing protocols along with ISDN and advanced trouble techniques makes this a great exam companion as well as a great desk reference.
Also there is a 30-page appendix covering the OSI model, which is great for other exams as well. The book has a cd-rom with over 200 practice questions as a companion for test taking. Overall the book exceeded my every expectation and is surely one for the technical library.
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What a bitter disappointment. This book is as wide as the horizon and as deep as a backyard puddle.
I wish I could give this title a negative number, but I'm forced to be polite and post a "1".
I can't believe any self-respecting CCIE would attach his/her name to such a fluffy, insubstantial work of garbage.
Save your money and buy one of the specific security titles:...
This book is well written and keeps your interest. (Something that is hard to come by in the networking field of books.)
Kudo's to Andrew Mason, and Mark Newcomb for an excellent book.
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Zubro made me feel cheated. I was teased with an engaging read, only to be left unfulfilled by the outcome. When you read a mystery there should at least be enough clues for the reader to make some viable guesses at who the murderer is: that just isn't the case here.
For another thing, the action never stops, the pace never flags. True, the gun battle with Mexican drug lords is a bit much, but it's entertaining. Imagination is not Zubro's weak point. He shows plenty of invention in the fifth excursion of his very own Hardy Boys.
But familiar problems weigh down this novel. Tom and Scott still do not have strong, distinct personalities (Adam Niklewicz's cover says it all), and their relationship continues to seem shallow and unreal. Although they frequently have sex they rarely exchange meaningful dialogue or simple gestures of tenderness. In his effort to stress the manly-man aspects of Tom and Scott, Zubro robs them of personality. They have no interesting flaws or weaknesses. They have no distinguishing marks or characteristics. But to be fair, in ECHO OF DEATH Tom and Scott are their most real. They cry, they bleed, they argue--and I don't remember them working out once. I could get to like these guys
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Tom and Scott begin to openly support gay rights, but soon become symbols and targets of the opponents. Things begin to turn ugly forcing Scott to hire bodyguards. Scott assumed that he, being the more public figure, would be the target if tragedy struck. Instead, while Tom is at the Human Services Clinic, a series of bombs go off destroying a whole block, killing many people. Tom is lucky to survive, but is badly injured. Scott wonders if Tom ultimately was the target. He begins his own investigation that will lead to a dangerous person with a deadly goal who will do anything to attain it.
ONE DEAD DRAG QUEEN is as much a relationship drama as it is an amateur sleuth mystery. The tale stars two heroic, realistic males trying to make the world a better place. Mark Richard Zubro has written a mystery inside the mystery. The technique can slow down a story line, but works extremely well in this plot because the author never loses sight of the main theme and ties the subplot back to it. By providing color and insight, the secondary characters are vital to the beat of the tale and lead to a special treat for readers.
Harriet Klausner
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And yet there is much to be said for Zubro's work. His plotting, though predictable, is crisp and clean, a balance of action and analysis, with all loose ends tidily knotted. Through the (currently) eight books of the series--not even counting the Paul Turner series--Zubro worked out a formula which has served him well, although his characters, ex-Viet Nam vet and high school teacher Tom Mason, and southern baseball star Scott Carpenter, never evolve. When we first meet them they have already been a couple for eight years. Scott, we are given to understand, is initially closeted, but it never puts much strain on their relationship. The differences in their personalities are never explored--possibly because there aren't any. The books are written in a passionless, simplistic style ideal for teaching English in ESL courses.
In ARE YOU NUTS?, the seventh book of the series, Tom echoes his 1989 entrance by finding a body in the school library. (No wonder the PTA is in an uproar; it probably has less to do with Tom's orientation than the fact the man is a walking health hazard, an academic Jessica Fletcher trailing death and disgrace in his wake). As usual one of Tom's closest friends and allies (there's still some alive?) is arrested for the murder, and Tom and Scott (Scott, suffering mild depression--and who could blame the guy) set off in flat-footed pursuit, following the blueprint so successfully laid down eleven years earlier.
That, eleven years after Tom Mason stumbles on his first body, there are still very few gay mystery series' probably explains the relative popularity of Zubro's books. It's interesting that this series is published by the Stonewall Inn imprint and Keith Kahla, who recently asked in "Having Our Say" why so many gays seem to have abandoned the written word? Just a clue, Keith, but possibly if publishers offered something a little more substantial in the way of genre fiction, readers might be more interested.
Tom and Scott begin to openly support gay rights, but soon become symbols and targets of the opponents. Things begin to turn ugly forcing Scott to hire bodyguards. Scott assumed that he, being the more public figure, would be the target if tragedy struck. Instead, while Tom is at the Human Services Clinic, a series of bombs go off destroying a whole block, killing many people. Tom is lucky to survive, but is badly injured. Scott wonders if Tom ultimately was the target. He begins his own investigation that will lead to a dangerous person with a deadly goal who will do anything to attain it.
ONE DEAD DRAG QUEEN is as much a relationship drama as it is an amateur sleuth mystery. The tale stars two heroic, realistic males trying to make the world a better place. Mark Richard Zubro has written a mystery inside the mystery. The technique can slow down a story line, but works extremely well in this plot because the author never loses sight of the main theme and ties the subplot back to it. By providing color and insight, the secondary characters are vital to the beat of the tale and lead to a special treat for readers.
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In the first of the series we meet highschool teacher Tom Mason and his celebrity ball player lover Scott Carpenter. When these two gorgeous hunks are not working out or having sex, they are solving mysteries--call them The Thin Men. Now I give Zubro this, he can construct a decent, fast-paced mystery. In fact, he is better at plotting a mystery than, for example, the much-revered Michael Nava (whose Henry Rios mysteries wouldn't challenge an eleven-year old Nancy Drew fan). But the writing is awkward, often stiff, and Tom and Scott are as lifeless as the mannequins they so resemble. And that's odd, seeing that Zubro is reasonably deft at sketching minor characters.
A SIMPLE SUBURBAN MURDER is for me one of the strongest entries in the Tom and Scott franchise. The mystery is tightly written, the Chicago local realistically drawn, and it's an appealing premise: gay lovers and partners in crime-solving. A sort of Nick and Nick Charles. If we are grading on the Pass/Fail system, than Zubro easily passes
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