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Writing in an easy-going, first-person narrative style, David Mason treats the reader to a comprehensive survey of Korean _San-shin_ (or Mountain spirit) imagery, together with a thorough analysis of its composition, history, development, influences, etc. Mason collected the images first-hand over a period of some fifteen years. While Mason's writing is casual in style, it is at the same time, quite scholarly, given its numerous references, notes, and a substantial bibliography.
San-shin means "Mountain-spirit, Mountain God, or Spirit of the Mountains," Mason explains. It refers to an ancient belief that each mountain is the home of a spirit or mountain-god that can grant protection, healing, and even spiritual gifts. The iconography associated with San-shin is amazingly diverse and rich in symbolism. The essence, though, is nearly always a grandfatherly figure, a tiger, and a gnarly pine tree in the background. The book contains several hundred photographs of various San-shin icons (as well as of other subjects), and Mason offers the reader explanations and analyses of the underlying meanings of the symbols.
Mason explains that mountain worship is both primordial and universal in its oldest form, but at the same time, San-shin has been assimilated and syncretized with other traditions that make it uniquely Korean. For instance, he writes that nearly a century ago, a Christian missionary observed that Korean mountain worship had certain similarities to worship practices he'd found on mountains in the Middle East. Indeed, those instances as well others found in the Himalayas, Greece, among natives of North and South America, and elsewhere, allude to the mythological construct that Joseph Campbell discussed as "the central mountain of the earth." But Mason also shows how San-shin evolved from ancient shamanism and over time blended with Taoism, Neo-Confucianism, Buddhism, and Korean nationalism to form part of the core of the collective Korean psyche. And it's interesting that mountain worship practices have survived and flourished to a far greater extent in Korea than anywhere else on earth.
_Spirit of the Mountains_ is visually dazzling, a worthwhile read, and a fascinating pilgrimage to Korea's sacred sites - one that very few people could ever hope to make in person.
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To give an idea of Ritchie's writing, here is his description of meeting Abraham Lincoln at one of the President's Tuesday evening social events:
I attended the last one and escaped unharmed... I held no conversation with any of the notables except Mr. Lincoln, the main portion of which I can recollect. A man who did not know my name introduced me to the President and he immediately extended his hand, seemed delighted to meet me and remarked with much concern, 'How do you do?' In my blandest tone I responded, 'Very well, thank you, sir' and was about to inquire after Mrs. Lincoln's health when we both dropped the subject and our conversation ceased. As I passed on I noticed that there were two or three hundred others behind me waiting to talk with Mr. Lincoln on the same subject.
The book is an easy read, because it has been well edited from Ritchie's diary, letters written home, and from his reports sent to the Utica Herald, for which he was a correspondent. The book gives a human aspect to the huge machinery of making -- and making ready for -- war. I liked it.
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They are the standard by which gaming books are written and for them to produced this weak mathematical work is a travsitiy.
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This book delves into medicinal practices, which are deeply rooted in the beliefs of the mountain folk. I have enjoyed this book tremendously.