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Otherwise, I loved it. I grew up in Kansas in the 50s and can relate to the pace, small-town values, and lack of danger (except from the "evil Communists" and "the bomb") that Mason portrays as such inherent parts of her roots. Her language, esp in the first part of the book focusing on her own childhood memories, is rich and multi-layered and pulls readers into every scene right along with her. In the rest of the book, she uses the techniques of creative nonfiction to weave a background narrative that spans the lives of three generations of women within the community.
A worthwhile read; it won't change your life, but it might make you think, and it's certainly a pleasant trip to take with this accomplished author.
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Sam lives with her uncle Emmett, whom she suspects is an Agent Orange victim. Fatherless and emotionally lonely, she tries to fit the pieces of her life into a puzzle, but they just don't seem to fit. With a baby stepbrother, a pregnant best friend, a flea-infested cat, and a small chunk of change, Sam shows the reader how to make the best of life's difficulties and tragedies.
Unfortunately, IN COUNTRY tends to drag on with unnecessary details, and my patience was thinned by the time I had reached the middle of the book. I was tempted to skip pages at some parts, but I decided to read the excess details that have absolutely no significance to the plot and theme.
This book teaches that as we go through hard and confusing times, we will always have a way to find truth and justice. Sam's journey to find her truth was almost like Odysseus trying to get back to Ithaca in the Odyssey- Sam had to overcome the obstacles by tying her best, and with a passion. Sam visits the Vietnam Memorial in Washington, D.C. to put the memory of her father at rest inside her soul, and to really feel the impact of the war. Sam learns that life goes on, even is she thinks it won't.
I would reccommend this book for people who like to read about the Vietnam War and the trials young people face in their lives. If you are an impatient person when it comes to books, you may want to avoid this one.
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Early on in this skimpy biography of The King, author Mason recounts Elvis' first taste of success when his early Sun Record recordings began to be played on the radio, "the sounds that came hurtling out of Elvis' unfettered soul were so real and refreshing it was as if some juke joint had opened up and racial harmony were a happy reality."
Oh, yeah! I think we can all relate to that. Who among us, upon hearing Elvis for the first time, didn't say, "man, I feel like racial harmony is a reality."
This short (169 pages), uneven effort is not as bad as that quote would indicate, but the reader would be better served by almost any of the Presley bios available with the exception of Albert Goldman's hack job.
Elvis changed music, performing, and recording more than any artist in history, became more famous in a shorter time than anyone who ever graced the planet, and detonated the social revolution of the 60s, but that is as nothing to Mason who is hell-bent on finding something that SHE considers significant.
As a result, Elvis becomes a poster boy for a long discourse on southern whites and poverty and, in case that is not significant enough, is magically transformed from The King into The Saint, who performs merely as a device to achieve his true purpose, leading the diversity movement.
It is hard to make Elvis Presley boring, but Mason comes close.
This book on Elvis is a WHOOSH WHAT HAPPENED?!?! sort of a quick read. Before I knew it I was turning the final page. Elvis' forty-two years were exhausted in a few hours of reading. The prose is mostly very readable, but early on the author didn't seem to know what to write about Elvis' childhood, so she rhapsodizes on the taste of hamburgers or makes numerous Faulkner references. I almost didn't make it past the first few chapters. Admittedly, there is probably a lack of material on this part of Elvis' life, but that doesn't mean we need a short essay on the lucious taste of hamburgers and how Elvis surely loved them.
Happily, Faulker is never mentioned in subsequent chapters, and the dearth of material vanishes. What follows is a good but all too quick and somewhat one-sided view of the life of Elvis. There is a hint of a 'Poor Elvis' theme as the author continually mentions his "innocence." Even towards the end of his life, when Elvis was literally destroying himself and seemed somewhat nuts, the tone is mostly sympathetic. The author almost blames Elvis' fame more than Elvis himself. It is true that fame can destroy a person. It's happened to too many people (even many who were never famous), but typically there's something else about the person that causes this self-destruction rather than simply the fact that they're famous. Though to be fair, it's a short book so all sides of the story cannot be told.
If you're already versed in the life of Elvis Presley you'll likely find little new information here. I used the book as a starting point. I wanted to know more about Elvis' life, but I wasn't sure to what extent. This book was perfect as a glimpse into what happened to Elvis and the major events of his strange life. As a result of reading this book, I would really like to know more details about his "fall." This book whizzes through his final years by outlining some crazy stories such as Presley's visit with Nixon, his fascination with karate, his bizarre stage shows (to my generation, Elvis' 70's stage shows are strange and almost surreal to watch), the origin of his 70's persona (there's more to it than Captain Marvel), his divorce from Priscilla (good for her!), his becoming a narcotics officer, and his overall increasingly obsessive behavior. There's much more there I'm sure than this book tells, though it's probably not a happy tale, and this book strives to be a happy book.
The book does not mention accusations pointed at Elvis of racism. There are positive quotes from Little Richard, a Black Panthers Leader, and Elvis himself. Right or wrong, many people my age see Elvis as a thief of "black music" and as a symbol of white cultural appropriation and domination. I'm not supporting or denying this view, but the book implicitly takes the stance that this is not an issue or that "everything's okay" on this count. Elvis, along with Sam Phillips, is celebrated as a joiner of the races. This is at best controversial. Nonetheless, the overly positive view the book takes makes me want to learn more about this topic.
The book also goes a little light on Elvis' movies. They are far worse than the book leads on (I've seen all but a couple of them). It's easy to see how his legendary status declined since most people born after Elvis' death experience him first through his movies. It's really very hard to take Elvis seriously when your first exposure to him is "Paradise Hawwaiian Style", "It Happened at The World's Fair", or "Harum Scarum." In the end, his films did far more damage to his name than Elvis could ever imagine. Historically, it's telling that while the Beatles were working on Seargent Pepper, Elvis was working on "Clambake."
The book also doesn't mention what is usually considered Elvis' most critically acclaimed album: "From Elvis in Memphis." Elvis could make some darn good music when he was focused. His music is generally not album-oriented, however, so many of his albums sound merely like collections of songs strung together. "From Elvis in Memphis" is an exception to this, and is enjoyable from beginning to end. It deserves a mention even in a survey.
Overall, the book piqued my interest in Elvis as a cultural icon who took a huge fall for complicated reasons. He is right up there with Marilyn Monroe, Kurt Cobain, and Micheal Jackson in terms of the negative impact fame can have on a life. Concerning the topic of Elvis in general, there's more and less of what you'd think involved. He is a tragic figure and a symbol and a warning of the potential destructive powers of fame and wealth.
But if you want to know more details, you'll have to read another book.
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The best thing about Zigzagging over her other short story collections is it's more recent: Mason's reliance on up-to-the-minute references make her stories dated (though still excellent).
If you've never read Mason's other collections, give them a look first.
There are 11 stories in the collection, and the titles range from, "Tobrah, Thunder Snow, and Charger". "Tobrah", resides at one end of this range of tales, with a daughter traveling to make arrangements for her father who deserted her, only to find that with his final leaving in death he has also left her a half-sister that is younger by decades. Other than her name the child is largely a mystery, and some clues that develop are less than comforting. This story like many that are in the book are left with unfinished issues, the outcome is for the reader to decide. Many of these tales are brought to a conclusion very abruptly, a style that I usually finally annoying. This was not the case with this writer's work, and it may be because the stories themselves are so rich that even left incomplete, the writer has given her audience all they need.
Well-known events like The Gulf War are also modified so that it is the husband who has stayed behind while his wife has gone off to war. Superficially the story appears to contain much of the cliché male thinking one would expect, but pay attention to the detail, and the story is unique and very well done. The character and title of one story, "Charger", is at times humorous, and at others sad as his and his girlfriend's future are all too predictable. The characters of Charger, who is desirous of readjusting his brain via the use of his girlfriend's aunt's Prozac, is someone you will not forget easily. And his girlfriend who wears skintight snakeskin pants, "Like a pair of Boa Constrictors", and defines happiness as having lipstick on, may be the most interesting characters in the book.
Whatever your interests there is a high probability that Bobbie Ann Mason will provide several stories for you to enjoy.