Two Hollywood murder cases wrecked havoc on the lives of those closest to the victims. One was William Desmond Taylor. The second was Paul Bern.

When Paul Bern was found dead one morning, suspicions flew and continued to haunt his young bride Jean Harlow until her own tragic end. Did Paul Bern kill himself? Did Jean Harlow do it? Did he really beat poor Jean to a pulp, pushing her to the edge? Or was another force at work?

Like William Desmond Taylor before him, Paul Bern had a secret life that Hollywood knew little about. A woman, Dorothy Millette had lived with Bern as man and wife before his Hollywood glory days. Could Dorothy have reappeared in Bern's life and pulled the trigger on her former lover/common law spouse before ending her own life mere days later?

The only people who will truly ever know what happened at those in the room the night of Bern's death. But Samuel Marx builds a strong case for Paul Bern being murdered and not at the hands of his young wife. If Dorothy Millette was the real murderer, the rumor mill of 1930s Hollywood and a certain Harlow biographer of the 1960s did Jean Harlow and Paul Bern a great injustice and insult.

Even Hollywood's earliest scandals are frequently raked over today: the infamous Arbuckle trials, the William Desmond Taylor murder case, and the questionable suicide of actress Thelma Todd are but a few examples of 1920 and 1930s scandals still being discussed into the new millenium. One of the most famous of these tales concerns Paul Bern, an MGM producer, who was found dead of a gunshot wound in his Beverly Hills some two months after his marriage to Jean Harlow. Word quickly spread that Bern was sexually inadequate and he had taken his life when even marriage to Hollywood's reigning sex goddess failed to arouse him. His death was quickly ruled a suicide and that was that.

Or rather, that would have been that except for one little thing: the whispered rumor Paul Bern was murdered. Over the decades that whisper has enticed a great many writers, but none approach the subject with such dogged determination as Samuel Marx and Joyce Vanderveen. Making use of Marx's insider connections (he was an MGM story editor), the two piece together a somewhat speculative but extremely credible tale of insanity, bigamy, police corruption, studio power, murder, and suicide to considerable effect. The cast of characters in this 1930s scandal are fascinating in and of themselves, and although the style in which it is written is a bit simplistic DEADLY ILLUSIONS makes for a great rainy-day read; fans of true crime, Hollywood scandal, and Jean Harlow will find it a must have. Recommended.