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Written with flair and never boring, Mr. Jelly Roll is a book that you will read more than once. Its a look at a legend and a glimpse into a world we can only know of through books and music. Get this if you want a good read and a look at Mr. Morton's life. A true classic.
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E. Michael Mendelson writes: The subject of this extremely well written and readable book is Santiago Atitlan, the largest town of the Tzutujil Indians on one of the world's most beautiful volcanic lakes: Lake Atitlan in Guatemala. The town has long been famous with tourists and with anthropologists who have been studying it since at least the Nineteen Twenties. One of the principal deities in the Maya-Christian religious syncretism of Atitlan-the Maximon or Mam-even made Time Magazine coverage when it was attacked by Catholic clergy in the 1950s.
In a sense, the attempted conquest of the Maya and Maya resistance to it have continued from the 16th century Spanish Conquest down to the 20th century Civil War (in most ways a war against the Maya Indians) and Carlsen does a brilliant job of investigating four centuries of both continuity and change. In the last half century, a major crisis has been developing on the lake due to increased population and shortage of land. The move of so many local Maya from agriculture to commerce may be the reason why, Carlsen argues, traditional native religion-agriculture based-is having a hard time surviving against Orthodox and Charismatic Catholicism, militant Evangelical Protestantism, and contemporary media-driven culture. Commerce is not doing sufficiently well to save the town when set in the context of Guatemalan capitalism, itself vulnerable to increasing globalization. Further undermining the situation has been the Civil War, culminating in the December 2nd 1990 massacre of civilians by the Army-though local pride in forcing the Army out the town as a result of the massacre remains strong.
While this is Carlsen's main concern here (one is sure there will be further books), he manages to include a great deal of fresh and resonant information on Atiteco traditions. There is, among much else, a wonderful chapter on the central Tzutujil concept of "Flowering Mountain Earth," linking Sun, Corn, and Humans in an ideology descended straight from the great pre-Spanish classic text Popol Vuh, as well as a condensed but most insightful essay on the continuing cult of Sacred Bundles in Atitlan. Like all good anthropologists, Carlsen achieves a delicate balance between empathetic participation and objective study. His long dedication to the town is evident in the depth and warmth of his vision. The book is blessedly free of jargon and is illustrated with a wealth of excellent photographs. It cannot be too highly recommended.
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Garrow is also unafraid to discuss King's frailties, implicitly positing (and answering) the question: don't a persons public actions and deeds outweigh their private shortcomings? (yes)
This is not only the best book on King that exists, it may very well be the best book on the Southern Civil Rights Movement of the 60's that exists.
This is THE classic on jazz music and writing. Crazy stories, crazy times, with the unbelievable spinner of tales Jelly Roll holding the floor. Lomax could have just printed Jelly's comments verbatim and this would've been great, but he went to the trouble of tracking down a bunch of people who knew Jelly or were otherwise around New Orleans in the early daze, and this added detail spices the pot considerably. Alan Lomax's own commentary and observations are witty, charming, and spot on.
This edition is made definitive by a scholarly afterword bringing the reader fully up-to-date on modern Jelly Roll research. Quite a few pertinent details are now known that weren't when Lomax was writing this.
Up there with Mezz Mezzrow's "Really the Blues" as essential an text in the American music pantheon.