America's post-Civil War years brought a renewed interest in the European scene. Journeys
known as Grand Tours led tourists to take ship to the Continent. They fanned out across the
landscape with the intent to "know Europe." Their return home resulted in a flurry of
published accounts. Twain satirizes both the tourists and their writings with delicious
wit. Ever a man to play with words, his "tramp" refers to both himself and the walking tour
of Europe he purports to have made. By the time you've reached the end of the account of the
"walking tour" incorporating trains, carriages and barges, you realize that the longest "walk"
Twain took occurred in dark hotel room while trying to find his bed. He claims to have
covered 47 miles wandering around the room.

Twain was interested in everything, probing into both well-known and obscure topics. His
judgments are vividly conveyed in this book, standing in marked contrast to his more
reserved approach in Innocents Abroad. A delightful overview of mid-19th Century Europe,
Tramp is also interlaced with entertaining asides. Twain was deeply interested in people, and
various "types" are drawn from his piercing gaze, rendered with acerbic wit. Some of these
are contemporary, while others are dredged from his memories of the California mines and
other journeys. He also relished Nature's marvels, recounting his observations. A favourite
essay is "What Stumped the Blue-jays." A nearly universal bird in North America, Twain's
description of the jay's curiosity and expressive ability stands unmatched. He observes such
humble creatures as ants, Alpine chamois, and the American tourist. Few escape his
perception or his scathing wit. This book remains valuable for its timeless rendering of
characters and the universality of its view. It can be read repeatedly for education or
entertainment.

All these volumes are self-recommending except, perhaps, to those poor, misguided people who continue to pigeon-hole one of the world's great writers. Yes, Twain was a humorist who virtually invented modern American English as a literary language. But the sheer range of his achievement is staggering. And the best way to experience it is altogether. And the best "altogether" is this magnificent 29 volume set from Oxford. Other people can speak with more authority about Twain the author. I want to speak a little about how delicious it is to encounter him in these books. They are reproductions of the original American editions and the facsimiles are beautifully rendered. But this isn't important in itself; we're not about to spend [...] for a little bit of nostalgia. Rather, just open any one of these 29 volumes and see what a difference its admittedly antique printing style makes. White spacing between the printed lines is generous to an unbelievable degree, as are the page margins. Your eyes don't tire. You can savour each page at whatever pace you want to set for yourself. Worlds open and invite. This is how people read books a hundred years ago. This is the way to read books!

I have not read Twain since High School twenty five plus years ago but a friend on a newspapers book forums got me to read him again and A Tramp Abroad is the first book I picked. For the current generation this book may drag but for those of us who grew up reading books instead of playing computer games this is Twain at his best. One has to actually read into his writing to appreciate a lot of the irony but when this book is really on like the mountain climbing near the Matterhorn ,Twain makes Seinfeld seem like he's talking about something. A brilliant travel essay and by the way the Penguin Classics edition of this book in paperback is 411 pages long, not 670 pages .

A long-time fan of Mark Twain, I had still managed to make it past my fortieth birthday never having read this book. But recently, when I needed something to read (you know the kind of days I am talking about), I stumbled across this book and set to laughing.

The story-telling is magnificent. Few writers can take the small things of daily life and make them breathe -- but Twain possessed that gift, and uses it well. How many others went West the same time he did, and never saw the gold dust, sunsets, and taverns the way he wrote them into our consciousness?

And yet, and yet... As much as I loved the stories he told, I see "Roughing It" as important in a different manner. Even when the truth is slightly embellished to make us, his readers (of whom he is always very much aware), laugh out loud, it still truly presents the era and place he put down in black and white. We can be so bombarded with romanticized movies about the gold rush and settlers heading West, that we lose sight of them as genuine people with the same faults and virtues we know in 2001.

But with Mark Twain's keen eye, our history -- our American history -- comes to life. And suddenly, we "get it", we comprehend that all that stuff we had to learn in high school was done by people, not daguerrotypes.

Twain's escapades in the West make fascinating reading. His encounters with the Mormons in Utah are particularly interesting. Anyone afflicted with Mormon missionaries on his or her doorstep ought to bring out a copy of this book and read aloud the chapter in which Twain discusses the absurd Book of Mormon. Nobody can match Twain in skewering foolishness and pomposity dressed up as religion.

There are hundreds, perhaps thousands of travel logs, journals, reports, diaries, etc. that tell about the American West in the mid-nineteenth century. This book by Mark Twain, however, is both unique and one of the best. This is travel writing as it should be. Twain, traveling across the plains from Missouri to Nevada in the early 1860's, and spending seven years loafing about Nevada, California, and Hawaii, collected and compiled his experiences into this extraordinary book. One of the best things about Twain, of course, is his unique view on things. This tale is told in Twain's wry, humorous style, and is very enjoyable.

This book is not quite as pessimistic as Twain's other great travel writing, 'The Innocents Abroad,' but it does include some interesting and unorthodox views which often prove hilarious. Twain spends time as a gold and silver seeker, a speculator, a journalist, and a vagabond (as he himself puts it), and puts a unique spin on each of these occupations. As far as travel writing goes, this book is indispensable, and it also proves quite valuable (odd as it may seem) in any thorough study of frontier life in the American West.

I found this book in a library and read it. I was surprised that Mark Twain wrote such a serious piece -- it did not contain his typical wit or sarcasm, but was a rather sentimental account of Joan of Arc. I wasn't sure when I started or finished it if it was actually a translation he made from a real account or if he had written it himself as a sort of historically based piece of fiction. I gather from what I have seen elsewhere that this is considered fiction -- a novel -- but he was painstaking in his attention to historical details and facts. It was a wonderful book, and I found it inspiring. He persuaded me to believe her story.

Albert Paine's biography, "The Adventures of Mark Twain" says: "It was just at this time [while Clemens was still in Hannibel working for his brother's paper] that an incident occurred which may be looked back upon now as a turning-point in Samuel Clemens's life. Coming home from the office one afternoon, he noticed a square of paper being swept along by the wind. He saw that it was printed . . . . He chased the flying scrap and overtook it. It was a leaf from some old history of Joan of Arc, and pictured the hard lot of the 'maid' in the tower of Rouen . . . . Sam had never heard of Joan before -- he knew nothing of history. He was no reader. . . . But now, as he read, there awoke in him a deep feeling of pity and indignation, and with it a longing to know more of the tragic story. It was an interest that would last his life through, and in the course of time find expression in one of the rarest books ever written. The first result was than Sam began to read. He hunted up everything he could find on the subject of Joan, and from that went into French history in general -- indeed, into history of every kind. Samuel Clemens had suddenly become a reader . . . ."

Mark Twain's best. I couldn't put it down. I was away for the weekend, found it on a book table in the lobby, and bought it for bedtime reading. The rest of the weekend was devoted to living Joan's story. A great weekend. An incredible book.

This book will make you feel like you walked with Joan, knew her, loved her - READ THIS BOOK. Truly one of the greatest reads of my life! A Book that really changed my perspective on a lot of things.

Ok, maybe that is a minor overstatement, but this is one hilarous book, to be read by people who have travelled, who plan to travel, and generally, people who want to laugh. A lot.

The book is also surprising for its timeless points about the journeying of certain upper white, middle class people going on a grand tour of Europe. I frequently had to remind myself that it was written in 1869 because his observations and the behavior of his shipmates is so close to the way people I studied abroad with acted-only a few years ago.

Twain also puts those "cosmopolitan" people who claim to have traveled, but don't know anything about any place they have been but and just like to lord it over everyone else that they have "travelled" and you have not.

Reading this book is like listening to a very wise, old man tell you about his adventures. Its not like a book, more like one long conversation. Twain takes nothing seriously-not himself, his fellow travelers or the places they visit. The words are another adventure-sometimes, you know he is setting you up for something, other times he is serious for a while, then you end up in the middle of a joke.

I know this is against the rules, but the other posters who don't like this book-don't be so serious and p.c. all the time. Twain is making humorous observations, at a time when a different standard was acceptable. Not to mention, he does manage to get a few zingers in there about what people are willing to accept and what they do not.

You will laugh yourself silly and want to book a trip-not to Europe, just to anywhere, after reading this book.

This book, along with Twain's 'Roughing It,' is often considered to be some of the best travel narrative ever put to paper. Certainly it deserves its acclaim. Twain, the irreverent All-American writer, took a trip halfway around the world in a steamer and visited many of the great sites of Europe and the Middle East. This is his account of his experiences, and the experiences of the group of 'Pilgrims' which accompanied him on this 'pleasure excursion.'

One of the best things about Twain is his refusal to romanticize, even in the cases of the greatest places in the world. He does not hesitate to verbally abuse Paris, Florence, Damascus, even Jerusalem. He tells it how it is, refusing to admire the work of the great painters (Raphael, Michael Angelo, and co.) and asserting that everyone who ever wrote of the beauty of the Sea of Galilee was a downright liar. He has some good things to say, too (he seems to have approved of Athens), but mostly he spends his time dispelling the romantic images of the great places of the world. The result is hilarious, and certainly makes one realize that, despite the perfect images that Paris, Pisa, and Rome sometimes have in our minds, they are a far cry from paradise.

Twain's wit, as always, is very sharp, and this book is an excellent example of it. His antics (and descriptions of them) are very funny, and his way of putting things a joy to read. Along the way, he pokes fun of the American "Pilgrims," who deface the sacred relics they visit and call every guide they have 'Ferguson.' This is certainly a classic in American Literature. Anyone interested in travel writing will profit greatly from this book, as will anyone who enjoys Twain's humor or just a good laugh.

In Innocents Abroad, Twain joins a passenger excursion to Europe and the mideast. Along the way, he and his fellow excursionists visit the Azores, Gibraltar, Paris, Venice, Istanbul, Damascus, Cairo and a host of places in between. Twain's acerbic wit is on full display as he offers up what are occasionally laugh-out-loud critiques of the places and people he encounters. Even his fellow passengers receive a ribbing, for which they often deserve, as they "chip" their way through the mideast removing souvenir pieces of religiously historic architecture. Innocents Abroad is not for the easily offended. This is a pre-PC view of the world which, properly judged for it's age, is highly entertaining.

The second book of this volume is Roughing It. Here, Twain takes us on a sojourn to the American west in the company of his older brother. Roughing It is possibly the best contemporaneous account of life in America's 19th century western expanse and beyond. From stagecoach travel to silver mining, exploration and discovery to regional ecomonics, lifestyle, and lawlessness, Twain provides the reader a humorous look at the many facets of Manifest Destiny.

As always, Library of America is a splendid publisher with an quality product priced attractively. I recommend this volume wholeheartedly.

NOTE: Amazon occasionally has difficulty connecting the right edition with the right review. This review is for the Library of America volume containing both Innocents Abroad and Roughing It by Mark Twain.

Mark Twain, the most globally recognised of the greatest American writers, comes closest to autobiography in this odd and fascinating book. This is the story of part of his life at least, and lays out much of his unique moral and political philosophy.

As a book, Life on the Mississippi lacks a truly coherent story line after the half-way point; it tells the story of Twain's training as a Mississippi steamboat pilot, then, when he returns to the river years later as a successful writer, it drops off into anecdotes as Twain travels down the great river, and can be a deadly bore for some readers.

But, oh, what a picture of Twain it draws! There are great tales of characters he meets along the river, told in his inimitably funny style, wonderful bits of his childhood - like the tale of his insomniac guilt and terror when the match he loans a drunk ends up causing the jail to burn down, killing the drunk - and insightful portraits of the towns and villages along the river.

This is a characteristically American book, about progress and independence as well as the greatest American river, written by this most characteristically American writer. It is a true classic (a thing Twain despised! He said, "Classics are books that everybody praises, but nobody reads."), a book that will remain a delight for the foreseeable future.

Life on the Mississippi is by far one of the most wonderful books ever written about the post Civil War era in America. Mark Twain takes the reader on a melancholy look at this period of time in history as you journey into the Mississippi of his youth, adulthood, and the people and the communities he knew so well. He conveys a miraculous picture of this lively river giving it the grandeur and prominence it deserves. He defines the river very much like a living organism with a power and personality all its own. As the book unfolds, he begins in his days when he grew up along the river and became a steam boat pilot, ending that career with the advent of the Civil War. Later he returns to the river after some twenty years and takes a journey as a writer from around St. Louis to New Orleans and back up the river into what is present day Minnesota. You learn about the different cultures along the river, its tributaries, as well as the remarkable people who become part of the forgotten history of our nation. Twain's anecdotes are sheer brilliance, and he has an incredible way of choosing just the right story to illustrate a particular point transporting the reader back into time as if it was the present day and you are standing beside Twain observing what he is seeing. His reflections of his times along the river and his descriptions of the people and places make this a true masterpiece of literature and I highly recommend it. I found myself only able to read short portions at a time, as I personally found the sheer beauty of the entire book was a work to be savored and digested rather than rapidly consumed as you would with any other book. As I poured through the book, I felt often as if I was traveling with Mark Twain as a companion along his charming and magnificent journey during a wonderful period of history.

In Life on the Mississippi, Twain recounts his river experiences from boyhood to riverboat captain and beyond. Encompassing the years surrounding the Civil War, this book is an excellent source of 19th-century Americana as well as an anthology of the mighty river itself. Replete with rascally rivermen, riparian hazards, deluge, catastrophe, and charm, Life on the Mississippi is another of Twain's stellar literary achievements.

Wit and wisdom are expected from Twain and this book does not disappoint. It is equally valuable for it's period descriptions of the larger river cities (New Orleans, St. Louis, St. Paul), as well as the small town people and places ranging the length of America's imposing central watershed.

The advent of railroads signalled the end of the Mississipi's grand age of riverboat traffic, but, never fear, Life on the Mississippi brings it back for the reader as only Samuel Clemens can. Highly recommended.

I was disappointed with this book. Shelley Fisher Fishkin seemed enter with a bias against Hannibal and everything traditional. After reading the book, I traveled to Hannibal and visited with people there about it. They were less than enthusiastic about it and one man claimed the bull whip incident was "completely made up". There are mistakes as well. Fishkin claims that Joe Douglass's name on his grave is misspelled. For example, she says that on his wife's gravestone the name is spelled differently. The stones are next to each other and they are spelled the same. If your goal is to blast small town America then this book is for you, but if you are looking for the whole story, read Twain's autobiography.

Shelley Fisher Fishkin clearly loves her work. She loves Mark Twain and she loves being able to write about him and teach about him. This book, written in an invitingly direct and personal style free of jargon, is best read as a voyage into the life and thought of a fine and creative scholar fully engaged with her chosen subject.

The book is arranged into three chapters. The first, "The Matter of Hannibal," ably juxtaposes Fishkin's experience of a visit to Hannibal, MO, and her reflections on that visit with her investigation of the role of Hannibal, MO, and Twain's youthful experiences on his classic novels THE ADVENTURES OF TOM SAWYER and THE ADVENTURES OF HUCKLEBERRY FINN. The second, EXCAVATIONS, is a quasi-autobiographical account of her research and writing of her most famous book (WAS HUCK BLACK? MARK TWAIN AND AFRICAN-AMERICAN VOICES), blended with her reflections on the controversy surrounding HUCKLEBERRY FINN as an allegedly racist book. The last chapter, RIPPLES AND REVERBERATIONS, is a blend of historical literary criticism and meditations on the uses to which Americans and others have put Mark Twain the writer, "Mark Twain" the self-created character, and Mark Twain the human being.

LIGHTING OUT FOR THE TERRITORY is a lovely book; it's a dream to read, and it's thought-provoking in the best sense. It's a model of how literary critics should write both for one another and for a wider audience, and it's an eye-opening examination of one of the greatest writers this country -- or the human race -- ever produced.

-- R.B. Bernstein, Adjunct Professor of Law, New York Law School

Bear with me for a moment: Sometime around 7th grade, a teacher had my class keep scrapbooks with modern representations of Greek mythology. How quickly the books filled up with examples ranging from cartoons to place names, museum exhibits, sports writing and more! After cataloguing, we were asked, why do the myths live on? Lighting Out For the Territory reminds me of that exercise. It traces how America and Twain reached the point of the conception of Huckleberry Finn and asks how we have since lived with or, in some cases, without its lessons. What have we saved from Twain and his ideas, what have we lost of him and why? Was/is Twain and his work racist? Good questions, explored in the context of the scholar's personal adventures. Our author may not be able to do lunch in Hannibal, MO again soon, but she's welcome at my house any time.

The advetures of tom sawyer was on of the greatest books I've ever read. I recommend this book for anyone who enjoys a mischevios adventurerous kids. This book is good for adults because it could most likely to take you back to your own childhood. For kids it could give some ideas to enjoy your childhood.

Tom sawyer is a mischevios boy who always gets into trouble. tom tricks his friends into doing his chores. He falls in love. He wittnesses a murder scene. he runs away to be a pirate. He attends his own funeral. he finds buried treasure. feeds his cat pain killer. gets lost in a cave with the person he loves. Also gets 6,000 dollars.

I've learned from this book the importance of being young. It also taught me don't rush to grow up because you're only young once. IT also taught me what it was like to be a kid 150 years ago.

The Adventures of Tom Sawyer is one of the best books I have ever read. The language,the thinking,the adventures-all of it was just incredible and enjoyable. The only thing this book needs is more pages! Mark Twain's skill in writing has created a book that all ages should read (or have it read to).Mark Twain reactivates the life and actions of a boy in the mid-1800's,and showed me that kids should be who they are- not what they will be. This is a classic for every generation to read and enjoy.

Mark Twain's,The Adventures of Tom Sawyer, tells about a boy loving and living his life to the fullest. Tom Sawyer is the kid that the world has seemed to forgotten. He is the kid who always get in trouble but continues to have fun with life. In this book, Tom does everything from being engaged, to watching his own funeral, to witnessing a [death] and finding treasure. Twain's creative character finds fun everywhere in his little town in Missouri, as do his friends. The storyline is basic, but it is a piece of the past that everyone should hold on to.

In The Adventures of Tom Sawyer, I learned mainly two things. The first thing I learned was that you can make life fun with just about anything if you use your imagination. Life is too short and precious to be wasted. I also learned that where you least expect it [help or protection], you might just get it. This book was just amazing-filled with unique characters, exciting events, and how a town can pull together to help those in need.

Tom Sawyer is one of the most endearing characters in American fiction. This wonderful book deals with all the challenges that any young person faces, and resolves them in exciting and unusual ways.

Like many young people, Tom would rather be having fun than going to school and church. This is always getting him into trouble, from which he finds unusual solutions. One of the great scenes in this book has Tom persuading his friends to help him whitewash a fence by making them think that nothing could be finer than doing his punishment for playing hooky from school. When I first read this story, it opened up my mind to the potential power of persuasion.

Tom also is given up for dead and has the unusual experience of watching his own funeral and hearing what people really thought of him. That's something we all should be able to do. By imagining what people will say at our funeral, we can help establish the purpose of our own lives. Mark Twain has given us a powerful tool for self-examination in this wonderful sequence.

Tom and Huck Finn also witness a murder, and have to decide how to handle the fact that they were not supposed to be there and their fear of retribution from the murderer, Injun Joe.

Girls are a part of Tom's life, and Becky Thatcher and he have a remarkable adventure in a cave with Injun Joe. Any young person will remember the excitement of being near someone they cared about alone in this vignette.

Tom stands for the freedom that the American frontier offered to everyone. His aunt Polly represents the civilizing influence of adults and towns. Twain sets up a rewarding novel that makes us rethink the advantages of both freedom and civilization. In this day of the Internet frontier, this story can still provide valuable lessons about listening to our inner selves and acting on what they have to say. Enjoy!

"Frankenstein" is a typical novel from the romantic period. The story is based on the conflict of a scientist with the results of his work. But Frankenstein is far more than that: It is the story of two individuals (Frankenstein and his "monster") and their acceptance and behavior in society, and of course, the novel contains a lot of latent psychological information (what would Freud have said about that?). However, it is typical for the age of romanticism that the feelings and thoughts of the individuum are at the center of the plot (see e.g. the works by Byron or by the German authors Eichendorff and Novalis). This holds as well for the music composed during that time (Schubert, Schumann, Chopin, ...). Mary Shelley describes in great detail the innermost feelings of Frankenstein and his "wretch" and how they changed from one minute to the other, and what made them change their moods, and why and how, and who was around etc. This actually - because presented through the entire book - makes the reading of the highly interesting story rather tedious. Story: 5 stars, Fun: 1 star

If you are expecting the novel Frankenstein to be like horror scenes depicted in the movies, you better think again. Instead, Mary Shelly allows the reader to create more images in his or her own mind. Today, we are so brainwashed to violence and gory images on television, that we sometimes forget what "real" horror used to be like. When you read Frankenstein don't forget that Mary Shelly wrote the book in the 1880's in a time of social unrest. The writing style is different, and the pace of the novel is not as up to date as modern books. Her descriptive words allow the reader to create the monster in his or her own mind, without actually seeing it. When Shelly writes, her words give such detailed images of what is going to happen next. For example, when something "bad" is going to happen, Shelly generates a spooky and mysterious setting.
One of the major themes throughout the book is science technology. When Victor creates the monster, he is challenging science, and therefore challenging God. When the creature awakes, Victor realizes that he has just done a "horrible" thing. He is disgusted with the thing he created, which led him to feel extreme guilt and compete rejection of the monster. Is it science that led him to self destruction? Shelly wonders how far will technological advances go before a man becomes too dependent on technology? Science destroys his life because the monster dominates him, and Victor winds up being a slave to his own creation.
What was also interesting about the novel was how Shelly made the reader feel sympathetic for the monster. After all aren't we supposed to hate this thing? She portrayed the creature as a "normal human", showing love and affection. The creature's ugliness deterred anyone from coming close to him, and made him feel like an outsider. This rejection from society made the monster sad and helpless. His only revenge was to engage in destruction. This is when the "real" monster is created. After reading parts of the novel I felt bad for the monster, in a way I never thought I would.
Although slow paced, Mary Shelly's style of writing will allow you to take on different dimensions and force you to develop your own profound ideas about the topics discussed in the novel. I think Frankenstein is a great Romantic classic for anyone who has a imagination.

The Frankenstein monster is truly one of the most tragic characters in classic literature. He is obviously quite brilliant, having learned to speak (rather eloquently, I might add), and to read simply by secretly watching others. He's sensitive, kind, and appreciative of nature's beauty-all of the most admirable characteristics of a wonderful soul. And yet, he is vilified by all who come in contact with him because of his physical repulsiveness.

His longing for love, especially from Victor, was so painful that it became difficult for me to read. I kept hoping he'd find someone to show him the littlest bit of kindness. His turn to violence is entirely understandable, and Victor's irresponsibility toward his creation is despicable. Victor, who is outwardly handsome but cowardly and cruel, is the story's true monster.

In addition to writing a captivating story, Shelley raises many social issues that are still relevant today, nearly 200 years later, and the book provides a superb argument against *ever* cloning a human being.

(Note: I have the edition with the marvelous woodcut illustrations by Barry Moser and the Joyce Carol Oates afterword - superb!)

Want a book with an adventurous twist? Then Huckleberry Finn is the book for you. Not only is Huckleberry Finn an adventurous book, it is also can be comical and light, though the book has a grave meaning, showing the wrongs in society at the time in the late 19th century.
The book The Adventures of Tom Sawyer precedes Huckleberry Finn, where in the beginning of Huckleberry Finn, Huck lives with the widow Douglas, though doesn't like the high class living, and frequently leaves to see his father, who's always drunk, or just hangs out in the woods. While in the woods, Huck meets Jim, a slave who escaped and needs to cross the Mississippi River to the freedom on the other side, in Illinois. Although this book portrays a serious meaning, it can also be funny and witty.
I liked this book because it was witty and comical, though it had an important message at the same time. I really liked this book because of this, though the southern accent complicates the understanding of the book. Overall, I thought this book is definitely a classic and a must read for all age levels.

I wasn't too looking forward to the reading Huck Finn at first, particularly after glancing at the dialect of the first couple pages, but once I got started and more used to how the characters spoke, I loved the tale! Huck Finn is an extremely well-written novel that uses silly situations to explain how living was back then, and how slaves were treated. Jim is in the beginning of the book coming across as the stereotype of a slave, but as the novel continues, you really begin to see the real person, not just how Jim was "supposed" to be... Also, throughout the book, you see Huck mature and begin to get his own mind; among other things, Huck develops his own set of morals different from those of society... The Adventures of Huck Finn is a funny, exciting, and at times sweet book that everyone should have the chance to read... :):)

After reading many of the reviews below, I have come to the conclusion that perhaps this novel should not be taught at the high school level. Personally, when I read "Huckelberry Finn" my junior year, I thought that it was an enjoyable break from reading other early American classics, but judging from some of the reviews, others didn't agree. I don't understand exactly what was considered so "boring" about this novel. This book provides the reader with action, humor, and morals; what any 'classic' should do. For those who think of themselves as highly intellectual and felt that the novel didn't have a point, you may want to check your IQ, because I think your ego is in for a massive let-down. Although Twain clearly states at the beginning of the novel that he doesn't want his readers to try to find a point in his 'coming of age' story, the theme of the novel almost smacks the reader in the face. The 'point' is that friendship is more important than social standards and sometimes you have to put yourself at risk in order to save those that you care about. This classic will remain so as long as those who are forced to read it lighten up a little and actually open their minds to a great piece of literature.

I really didn't know what sort of theme this book would have. Turns out it was pretty much a diary of the "first married couple" It would be a good book for a first anniversary gift. It's not bad, definitely well written. It wouldn't be offensive to anyone who actually read it.

It's impressive how well Mark Twain describes difference between a man and woman. It's sometimes funny and often sentimental to love....

This abridged version has been a very good gift for newly married couples who would like something short and sentimental and a little thought-provoking to read while honeymooning. It provides the literary and emotional essentials of the longer edition. The editing, while at times abrupt, is smooth enough to make the story easy to follow.

This little book manages to evoke more passionate emotions, word for word, than anything else you'll find. You'll be confused, frustrated, awed, elated, broken, and hopeful as Adam and Eve (and Twain) pull you into their thoughts and interpretations of life. This is a great little valentine for your sweetheart or yourself, and has been appreciated by each of the several couples to whom I've given it, and treasured by some. One couple read it to one another as they drove across the country on their honeymoon. Another read it on a sunny tropical beach.

I recommend this version over the unabridged version for most gift recipients, as it's more likely to be read completely. ...And if you buy this wonderful book for wonderful friends, you don't want them to miss the end!