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From the perspective of domestic software developers within the United States, Unicode is essentially 7-bit ASCII in a 16-bit unsigned integer. In the immensely popular C and C++ languages Unicode strings behave like ASCII strings:
. Unicode 0/null terminates C/C++ strings, just like ASCII 0/null.
. Unicode has a type in ANSI Standard C and ISO Standard C++ (and ARM-defined C++): wchar_t. For C/C++ programmers, char=ASCII wchar_t=Unicode.
. Unicode has a plethora of standard string manipulation functions already standardized in ANSI Standard C and ISO Standard C++, usually substitute the str with wcs (e.g., strcpy=wcscpy, strcmp=wcscmp, strcat=wcscat) and substitute the char parameters with wchar_t parameters. Abracadabra, your software is well on its way to being able to have strings in any foreign language as well as English.
. Unicode characters are all the same size (16-bit), just like ASCII (8-bit).
. Unicode's first 127 values are essentially 7-bit ASCII values.
. Unicode completely eliminates all that darned "code page" baloney.
. Unicode completely solves all that "How do we stuff that odd foreign character into the printable characters on screen/paper?" problem.
. Unicode is an ISO standard which came from a defacto United States computer industry standard. It is not ivory tower; it is in common use.
. Unicode was developed with you the software engineer and programmer in mind from day one. Unicode was developed with C++'s/C's wchar_t in mind from day one. It all fits together with Unicode.
. Unicode is used as a supported string technology (or the only string technology) in: Java, C++, C, Windows NT, Novell Netware, Solaris, and numerous other computing environments.
. Unicode supports all alphabets in use in the world today, plus alphabet-less languages such as Chinese, as well as languages whose alphabets are still being formalized.
. Because Unicode characters are all the same size, Unicode characters are random-access in that one can access any character (pick a card, any card) and know by looking at its value what that character is. Other multi-byte character sets must be parsed sequentially from the beginning of the string to assure that one has detected what mode some escape sequence has shifted that portion of the string into.
. Unicode seeks to solve every defect of previous multi-byte character sets. Unicode is the fittest to survive. All other multi-byte character sets should be (and will be) abandoned.
. Unicode = exportable software world wide in the global economy. ASCII = limiting your market to the English-speaking minority of the world.
. Unicode = supporting the information systems of all of the foreign branch offices of your company. ASCII = crippling your information system so that it supports nothing more than the English-only offices.
. ASCII = string equivalent of the Year 2000 Problem. Unicode = the fix to language-crippled software.
(And we won't even discuss the obvious and total superiority of Unicode over EBCDIC!)
In short Unicode is good for the software industry. This book is the official reference for Unicode from the inventor of Unicode: The Unicode Consortium.
The views contained within this feedback is in no way associated with my employer nor any other organization.
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At 1040 large (8.5 x 11) pages it is the ultimate guide to unicode. With information on scripts and glyphs I had no idea even existed.
However if you are just getting started with Unicode I would recomend you get Unicode a Primer written by Tony Graham from M&T books. If you understand or feel you are starting to understand Unicode then The Unicode Standard Version 3.0 is the best comprehensive reference on the subject out today.
This book is essential for software engineers, at least for the next ten years or so. All programmers should understand characters, and UNICODE is the best we have for now. Even if you don't need it in your personal library, you need it in your company or school library.
The standard is flawed, as all real standards are, but it is a functioning standard, and it should be sufficient for many purposes for the near future.
The book itself is fairly well laid out, contains an introduction to character handling problems and methods for most of the major languages in use in our present world as well as tables of basic images for all code points. Be aware that these are _only_ basic images. For most internationalization purposes, be prepared for more research. (And please share your results.)
**** Finally, UNICODE is _not_ a 16 bit code. ****
(This is well explained in the book.) It just turned out that there really are over 50,000 Han characters. (Mojikyo records more than 90,000.) UNICODE can be encoded in an eight-bit or 16-bit expanding method or a 32-bit non-expanding method. The expanding methods can be _cleanly_ parsed, frontwards, backwards, and from the middle, which is a significant improvement over previous methods.
Some of the material in the book is available at the UNICODE consortium's site, but the book is easier to read anyway. One complaint I have about the included CD is that the music track gets in the way of reading the transform files on my iBook.
Central to the book, taking up the larger part of it, are the tables of the characters themselves, printed large with annotations and cross-references. If you enjoy the lure of strange symbols and curious writing systems then browsing these will occupy delightful hours.
For the Latin alphabet alone there are pages of accented letters and extended Latin alphabet characters used in particular languages or places or traditions: Pan-Turkic "oi", African clicks and other African sounds, obsolete letters from Old English and Old Norse, an "ou" digraph used only in Huron/Algonquin languages in Quebec, and many others, particularly those used for phonetic/phonemic transcriptions.
The Greek character set includes archaic letters and additional letters used in Coptic.
Character sets carried over from previous editions with additions and corrections are Cyrillic (with many national characters), Armenian, Georgian, Hebrew, Arabic (again many national and dialect characters), the most common Hindu scripts (Devanagari, Bengali, Gurmukhi, Gujarati, Oriya, Tamil, Telugu, Kannada and Malayalam), Tibetan, Thai, Lao, Hangul, Bopomofo, Japanese Katakana and Hiragana, capped by the enormous Han character set containing over 27,000 of the most commonly used ideographs in Chinese/Japanese/Korean writing. Then there are the symbols: mathematical/logical (including lots of arrows), technical, geometrical, and pictographic. You'll find astrological/zodiacal signs, chess pieces, I-Ching trigrams, Roman numerals not commonly known, and much more.
Scripts appearing for the first time this release are Syriac, Ethiopic, Unified Canadian Aboriginal Syllabics, Cherookee, Runes, Ogham, Yi, Mongolian, Sinhala, Thaana, Khmer, Myanmar, complete Braille patterns, and keyboard character sets. And yes, there are public domain/shareware fonts available on the web that support these with their new Unicode values.
There are very good (and not always brief) descriptions of the various scripts and of the special symbol sets. Rounding out the book are some involved, turgid (necessarily so) technical articles on composition, character properties, implementation guidelines, and combining characters, providing rules to use the character properties tables on the CD that accompanies the book. After all, this is the complete official, definitive Unicode standard.
Of course this version, 3.0, is already out-of-date. But updates and corrections are easily available from the official Unicode website where data for 3.1 Beta appears as I write this. My book bulges with interleaved additions and changes. And that's very good. Many standards have died or been superceded because the organizations behind them did not keep up with users' needs or the information was not easily accessible.
Caveats?
The notes on actual uses of the characters could be more extensive, particularly on Latin extended characters. More variants of some glyphs should be shown, as in previous editions, if only in the notations.
Some character names are clumsy or inaccurate (occasionly noted in the book), because of necessity to be compatible with ISO/IEC 10646 and with earlier versions of the Unicode standard. For example, many character names begin with "LEFT" rather than "OPENING" or "RIGHT" rather than "CLOSING" though the same character code is to be used for a mirrored version of the character in right-to-left scripts where "LEFT" and "RIGHT" then become incorrect. And sample this humorous quotation from page 298: "Despite its name, U+0043 SCRIPT CAPITAL LETTER P is neither script nor capital--it is uniquely the Weierstrass elliptic function derived from a calligraphic lowercase p."
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warrior women. I recommend this collection and "Damsel in the Rough" by Ann M. Tempesta.
The wry sense of humor characteristic of Twain definitely is most in evidence in CT Yankee. All 3 of these works deliver Twain's wide understanding of human nature in different times and sociological conditions, and his admiration of human nobility and greatness of heart in adversity. Joan of Arc unquestionably is the most inspiring of these tales, being the story of the greatest hero (or heroine). The Prince and the Pauper, however, remains a jewel of an adventure story, which any child can identify with, and learn from.
It is a collection to keep forever, and re-read frequently.
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This book will make you feel like you walked with Joan, knew her, loved her - READ THIS BOOK. Truly one of the greatest reads of my life! A Book that really changed my perspective on a lot of things.
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In the novel "The Personal Recollections Of Joan Of Arc" a childhood friend, The Sieur Louis de Conte, tells of her adventures from beginning to end, as he remembers playing with her in childhood, standing by her in adulthood, and watching her in anguish because of his helplessness at the end. This book is one of Mark Twain's novels, and I think is one of his best. "Joan Of Arc" had a lot of action but hardly any gory or really gross bits to sicken a reader or destroy a good story. One example of that is when she speaks to nobles, lords, even the king himself with her passion for France and justice in her quest to free France. the spirtualness and human natures colliding in this story ,like when she was grilled by the church council and jury regarding Christ, war, people, and the miraculous happenings following her, making this a very exciting read, whether you like to skim the surface and just know the story, or if you would rather dive deep into the hidden messages of love, life, and liberty buried deep withen these words. The only thing I can count aginst this book is that 425 pages makes for a long read, but it's worth it. I recommend this book to someone who wouldn't mind being caught up in the wonderful balance of words and thought of "Joan Of Arc" for an afternoon. I really liked this book, and think that everyone should have the chance to enjoy it. Kudos to Mark Twain, I give your book 4 stars and two thumbs up.
Twain, through a ficitional narrator takes us through the story of Joan's simple and modest upbringing to her response to God's command that she save France from the English. We follow her into battle, see her become the teenage commander-in-chief of an army, win victories, struggle with a weak French king, and finally fall victim to the leadership in Burgundy and the corruption within the church. Twain brings us through her entire trial, where we see young Joan withstand grueling questioning and physical and psychological torture for months on end. Through it all she never falls victim to traps deliberately set for her that are solely designed to prove her an idolater, sorcerer and heretic. Ultimately, we walk with her as she takes the last journey of her life, to the stake to die by fire.
This work is based on well preserved information about the experiences of Joan of Arc. Twain makes a point of telling us that "The Official Record of the Trials and Rehabilitation of Joan of Arc is the most remarkable history that exists in any language; A deeply fascinating story.............found in its entirety in the Official Trials and Rehabilitation". We therefore know that his sources are well researched and ones we ourselves can access. Twain beautifully reconstructs Joan's early life based on this information, doing her great honor throughout the novel. We realize, too, that as the story progresses, we are presented her trials in their full, true detail. Twain also tells us that Joan's story was almost one that was lost, having not been very well known for approximately four hundred years after it occurred.
Reading this book is truly to experience the incredible life and achievements of Joan of Arc. I highly recommend it.
Nowhere else does Mark Twain rein in his irreverent spirit as in this work! He allows his sense of humor to emerge only in the stories of Joan's peripheral friends and fellow villagers (the Paladin, most notably, and even the narrator in the story of the love poem.) The sense of the author's genuine respect and admiration for his amazing heroine permeates the book.
The story of Joan of Arc, always a moving tale, takes on greater weight when a man like Mark Twain - a worldly, cultured, highly intelligent, and totally irreverent man - not only gives 12 years of grueling research to it, but then produces a book that is so unequivocally respectful and devoted.
Such a picture he draws! THIS is a character to excite anyone's admiration, and to inspire us all to give our best selves. And throughout the tale, while one recognizes that it is indeed a "story", it rings convincingly true. No matter what construction a religious or non-religious reader may put on the happenings of Joan of Arc's story, it is still a story of an enduringly noble character and amazing intellect. A woman who stood - and still stands - above the remainder of her species.
This is an inspiring and uplifting piece of work.