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Why indeed. This is indispuably one of the best of Balzac's novels, with clearly drawn characters and grim lives in an inexorable descent to self-destruction, which are the classic Balzac themes. It explores the life of a libertine as he ruins himself and his family for the sake of pursuing pretty girls. Unbekonst to him, he gets help from Bette, a cousin full of secret hatreds and bent on vengence. It is very sad to read. One minor character even commits suicide by repeatedly smashing his head into a nail, his only means to finish himself off he could find in his jail cell.
So why read it? Well, again, it is for the wider social portraits that you can find, which are offered almost as an aside. Balzac in one section explains the politics behind the statues you see all over Paris, which is fascinating. You also learn of the career of courtisans, as they use their sex to advance themselves. The book is simply full of these thngs, in addition to the psychology of the many interesting main characters.
Also unusual for Balzac is the coherency of the story, which does not degenerate into ramblings like many of his other novels as they weave the tapestry of his Comedie Humaine like so many threads, that is, as vehicles in his vast project to fully portray an entire society with characters re-appearing in different situations and venues throughout his interrelated novels. The characters stand on their own here and are more clearly drawn. Hence, it is a great intro to Balzac and may get you hooked for more, that is, if you are masochistic enough to subject yourself to it!
Warmly recommended.
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Lisbeth is a peasant girl from Alsace, bitter at her cousin Adeline's preferential treatment during their childhood. Vindictive Bette decides to cut the family from its wealth, as well as to debase her family personally. It's not difficult when Adeline's husband Hector becomes so weak-kneed over a pretty face that he would compromise his family if it came to a choice between sex and relatives. Lisbeth maneuvers skilfully, befriending Madame Marneffe, an unhappily married woman with numerous lovers who only wants to see her sickly husband made a manager of his governmental department. Installed in this household as a spy for hector (who is smitten with Marneffe), Lisbeth works toward an alliance with Marneffe, on one side to destroy the Hulot's, on the other to gain the love of Count Steinbock, to whom Lisbeth is a benefactress.
I saw a feminist agenda in this novel. Consider: Whereas Hector Hulot is not frowned upon for his numerous infidelities, and indeed feels no guilt even though his longsuffering wife turns a blind eye, when Adeline, in trying to save her family, attempts to seduce a wealthy perfumer named Crevel, she fears dishonor for herself, and feels immeasurable guilt over the infidelity she never even commits. Could Balzac be commenting on the fact that both women and men should be allowed their indiscretions? Call it immaterial. Also, the female characters are by and large either intelligent and conniving (Madame Marneffe, Lisbeth), or beautiful and virtuous (Adeline, Hortense). The men are scandalously disloyal (Steinbock, Hector), or inneffectual and dissolute (Monsieur Marneffe, Crevel). A fresh perspective...from a male author. Great in every way, even if quite convoluted.
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The problem with Meade's narrative is that much of what she describes seems debatable. As a previous reviewer noted, this seems as much fiction as fact. hardly a page goes by without the words 'must have' appearing somewhere. Much of the thoughts, plans, and ideas of Eleanor and other characters is pure speculation. Worse yet, often some of the actions and whereabouts of characters are given based on extreme circumstantial evidence.
Meade is also trying to hard to model Eleanor into a modern style feminist. Although she constantly attempts to depict Eleanor as an active, resourceful and wise woman, who rarely if ever makes mistakes, it is quite clear that Eleanor does not fit into that model. In fact, I got the impression you could easily have written the story of Eleanor as an essentially passive bystander in the political dramas involving her parents, husbands and children.
The footnotes, by the way, are complete waste of time for anyone trying to distinguish fact and fiction in Meade's work, unless one is a scholar of the period.
Ultimately 'Eleanor of Aquitaine' is a very good read, but one suspects it is a poor history.
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Born in the 12th century, she married Louis VII of France, divorced him and married Henry II King of England. She bore 10 children, 2 to Louis, and 8 to Henry. Among them Prince John and Richard the lion hearted of Robin Hood fame.
It was a time of great change. The Church was changing. It no longer saw women soley as the spawn of Satan. The cult of the Virgin Mary was taking hold. The politics of monarchy were changing. King Louis VII ruled only a small portion of what is modern day France. King Henry II wasn't even English, but a French nobleman who benefited from the untimely death of William the Conqueror's heir, and Civil War in England. He could "seize the day".(Horace) The second crusade led by Louis, failed miserably; perhaps some of modern day Muslin/Christian conflict has roots here. It appears that Louis did not heed Horace's advice.
And Eleanor, where was she? Well she joined Louis on the Crusade. In fact she was blamed for the outcome of the first disasterous battle. It seems that it is easier to blame the queen and her excessive luggage, than the head of the crusading army. Thousands began the Crusade, only hundreds returned. It is not hard to imagine how Eleanor and the others felt. But, she was stuck with Louis. Or was she? Louis needed a male heir, and Eleanor had not produced one. Divorce was not what Louis wanted, but he did need that male heir, and Eleanor was not getting any younger. And so, he freed Eleanor.
Imagine Louis' surprise at her marrying Henry just 8 weeks later. By the way she forgot to ask his permission. Louis was not happy.
But Henry was. He got Eleanor and Acquitaine, 5 sons of which 4 survived to manhood, 3 daughters who through marriage, could be used to achieve his political ambitions. Everything is going so well. Then what does he do? Well, Henry falls in love. Eleanor moves out, back to Aquitaine. And then? The male children of this estranged couple plot against their father, then seek asylum with Louis Capet, Eleanor's X. Of course, mother Eleanor is easy to blame.
In modern terms we might refer to this family as disfunctional. However, that disfunction had a price, and a payoff. France and England warred on and off over the next 300 years. Eleanor's decendants sat on the thrones of England, France, Jerusalem, and the Holy Roman Empire. We remember her today. And unlike many of the middle ages chroniclers, we think that she was important and we admire her.
It is difficult to write a biography from the distance of eight or nine centuries. There are few reliable, contemporay sources. It is most difficult to write one about the most powerful woman in Europe, since few thought that women were important enough to chronicle except in the blame game. Marion Meade has done such an admirable job. Her biography make Eleanor come alive. That this book, copywrited in 1977, remains in print is a testament to her impecable research and excellent writing.
I highly recommend this book.
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In addition to having boring fictional characters and an uninteresting, unresolved plot line, this poorly-written book was filled with fictional, inaccurate stereotypes of actual people that are no longer alive to defend themselves. Were any of the real people Ms. Hearst wrote about still living today, she would have been liable to lawsuits for slander. Hearst and her co-author paint Marion Davies as a mean, conniving, stupid, ill-mannered floozy who was with Hearst strictly for his money. Every other reference I have ever read about Miss Davies spoke of her generosity and kindness, her fun-loving nature, and her deep admiration for Hearst. None of that appears in this novel. Ms. Hearst doesn't spare her grandfather an ugly treatment either; nor is she at all kind in describing the movie stars that filled San Simeon with gaiety, laughter, and good-natured hijinks. In addition to gratuitously trashing the reputations of the well-known people in this novel, Ms. Hearst and her co-author also get wrong the few well-established facts concerning Tom Ince's death.
Read Marion Davies' own book, "The Times We Had," or any of the numerous biographies of stars of the early motion picture days to get a picture of what Hearst and Davies were really like, and the facts and rumors that circulated after Tom Ince's death. Even the speculative movie "The Cat's Meow" will provide a somewhat more accurate view of the people and circumstances involved.
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If you are going to read only one Balzac in your life, then maybe you wouldn't choose "The Chouans", but then I would wonder why you would ever choose to go through life and read only one Balzac.
I love the 19th century French novel...Balzac, Hugo, Zola, Flaubert. It may be somewhat of an acquired taste, but if you have the taste, "The Chouans" is a deserving member of the club.
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