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If I had only read one book while in university, it would have been this one.
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The plot revolves around the newly found relationship of long-separated sisters who have been reunited; one from the reservation and the other an urban raised attorney. A short play of pathos and humor, the characters are very alive and will remain in the reader's memory
This reader found herself hoping to have an opportunity to see the play performed someday.
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Maracle is experimenting with attempts to combine Native oratory and storyteller oral styles with more conventional ways to invoke the reader's imagination.
Her stories are narratives of individuals -- a little girl who freezes to death after being kept in school detention; a boy abused in one of the forced residential (boarding) schools Indian children were taken away from their families and put into in order to break the culture, the language, the tribes, the people; a fish packing plant worker who dies while on a drunken binge.
The people are not tragic; they are presented -- present themselves -- as tough and stubborn, and even though it is those qualities (coming up against too much power, no-win situations) that kill them, we admire their strength (while wishing they had more survival smarts and slyness).
One story is a knifeblade dripping bitterness, "Worm". This was written at the request of Maracle's 3-year-old son, and is effect is a true story, bitterness transfigured by wit into weapon. "Who's Political Here?" probably comes from Maracle's personal experiences as a young revolutionary/rebel. Her Bobbie Lee, Indian rebel, period. The story's revolutionary-wife decides to leave revolutionary-hubby in jail overnight, so she can get the laundry done and get a good night's sleep for once.
In this strong book -- perhaps Maracle's best mature writing (because her novels are too woodenly didactic, she jerks her characters around too much and makes them speak manifestos) -- Maracle thoroughly engages us in her lifelong struggle against racism and cultural genocide. There is no compromise here, but no strawman targets are set uip for easy knockdown blame, either.
Reviewed by Paula Giese, editor, Native American Books website, http://www.fdl.cc.mn.us/~isk/books/bookmenu.html
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Stacey, the heroine, feels the changes of approching adulthood as she finishes her last year of high school and prepares to attend university. She struggles with a major epidemic in her community, deaths, and the realization of what she has and does not have. She matures throughout the book, learning to take her power for herself.
Canadian Lee Maracle writes from the perspective of a seventeen year old as though she was still there herself. She captures the confusion and excitement, the questions and the fears experienced by everyone who feels their childhood sliping away.
Maracle provides a critical look at the division of white and native cultures. She also examines such issues such as spousal abuse, literacy, lesbianism, predjudice, and the roles of women in a thought provoking way.
My only criticim was the lack of development of Celia, a lesser character in the novel. Celia starts out with great potential that is never fully realized, and infact, she disappears at some points in the story.
Dispite my criticizm, this book illustrates how you can be loved, smart, brave and driven, but that does not change the fact that life is full of questions and is not always easy.
Ravensong is a short, thoroughly enjoyable read.
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