This is an excellent text. I've read it thoroughly. The material , as presented, assumes a robust course in accounting at the college level. This text is for a student desiring a complete rendition in basic finance topics and techniques. The text is replete with many examples and challenging problems of various complexities. The presentation is easy to read. The book is directed to students perhaps majoring in economics or finance. It is not a purely descriptive rendition of finance. A

considerable amount of so called "numbers crunching" is involved in reviewing this text. As such, the book serves the analytic student optimally. The text is devoid of the most complicated analytics inherent in "quantitatively oriented texts". There is a good appendix on the use of financial calculators ,as well as, present value calculations and other useful knowledge supplemental to the study of finance. This book would be most useful to students planning their careers as financial analysts, corporate planners or private entrepreneurs.

This was the best. A very clear and concise book for the serious student being introduced to the subject of Finance. Other books on the subject I've seen are very abstruse or just plain hard to read aside from weighing a ton. I had another book twice as thick to complement this one and my class abandoned it in short order. This book is comparatively light and chalk full of useful ideas and examples laid out in an organized and methodical manner. The generous use of charts and tables was executed well. Probably as simple as finance can possibly be put while still retaining the rigor and teaching the processes necessary for making financial computations.

Topics included are on basic valuation of various securities and projects using discounted cash flows, capital budget management, liquidity management, etc. I'm still learning from it after school. There simply wasn't enough time to fully cover everything in the book that I would have wanted. Now I'm ready to tackle more advanced corporate finance books/materials.

This is an introductory book for someone who may be interested in becoming a financial analyst but is obviously geared to the educational market for use in schools. The academic slant limits its applicability somewhat. Although it may give a stock market player who wants to start understanding the systematic process involved in the valuation of securities on a cash flow basis some insight for example, discussion on valuation by multiples like P/Es is virtually absent.

Nonetheless a great book.

I use this book at the University of Wisconsin Stout. I think this book is excellent. I'm taking a copy with me to London. "A must" if your a Finance major.

When I found out I was pregnant I called my mom to see if she still had this book from my childhood...I HAD TO HAVE IT!! It was a gift to me from my great aunt (a schoolteacher) - and I wanted to have it to read to my child. There are only a couple of books that left lasting impressions on me - this one is at the top of that list. Now I am looking for another copy as the one I have is falling apart!

This was probably my favorite book when I was very little...it has a good message and is very creative, both in writing and illustrations. I have searched endlessly for a copy and finally found one (unbelievably) at an auction. Needless to say, I was completely thrilled. I'm sorry it is out of print..would like to have copies for my grandchildren.

My mother read me this book when I was 2or 3.This book is so creative. the story is about a little lightning bug that has lost his light inthe lattern thathe carries on his backside. He climbs a blade of grass to talk to the moon about giving him some light for his lattern.I will never forget this book.I cannot find it anywhere.Thanks carol

This book is nothing more or less than a series of reprints of what the author deems "important" comics. Each comic story faithfully reprinted, with the page emulating newsprint. (The entire comic is not reproduced, only the highlighted strip.) There is a little one or two page introduction giving a little history about each comic.

What makes this book such a standout, is that the author's taste is singular, and not limited by a single company or genre. Characters from several different companies happily exist side-by-side in this excellent hardcover. The author has a confessed predisposition for "funny" comics, and these take up a large percentage of the book.

This predisposition allows for several comics to be reprinted that are not normally available. There are numerous reprints of Action Comics #1 (The first Superman comic) and Detective Comics #27 (The first Bat-man Comic) but how many other collections include All-American Comics #20 with the first appearence of Ma Hunkle, the original Red Tornado?

A list of comics included: Action Comics #1 (First appearance of Superman); Detective Comics #29 (Origin of Bat-man); All-American Comics #20-#14 (First appearance of the Red Tornado, and other Red Tornado stories); Police Comics #1 and #13 (First appearance of Plastic Man, and Woozy Winks); Captain Marvel Adventures #100 (Captain Marvel Battles the Plot Against the Universe); Sub-Mariner #4 (Dr. Dimwit by Basil Wolverton); Tessie the Typist #8 (Powerhouse Pepper by Basil Wolverton); Jingle Jangle Comics #5, 24#, (The Pie-faced Prince by George Carlson); Little Lulu Four Color 74 and Little Lulu #38, #40, #80; Walt Disney's Christmas Parade #1 (Donald Duck Christmas story by Carl Barks); Animal Comics #1, Pogo Possum #3, #8 (Pogo the Possum and Gang by Walt Kelly); The Spirit supplements August 10, 1941, September 5, 1948, September 11, 1949 (Great Spirit stories by Will Eisner); The EC Collection (Frontline Combat No. #4, Two-Fisted Tales #25, Mad #4 (Superduperman vs. Captain Marbles), Mad # 18, Impact #1)

This book is nothing more or less than a series of reprints of what the author deems "important" comics. Each comic story faithfully reprinted, with the page emulating newsprint. (The entire comic is not reproduced, only the highlighted strip.) There is a little one or two page introduction giving a little history about each comic.

What makes this book such a standout, is that the author's taste is singular, and not limited by a single company or genre. Characters from several different companies happily exist side-by-side in this excellent hardcover. The author has a confessed predisposition for "funny" comics, and these take up a large percentage of the book.

This predisposition allows for several comics to be reprinted that are not normally available. There are numerous reprints of Action Comics #1 (The first Superman comic) and Detective Comics #27 (The first Bat-man Comic) but how many other collections include All-American Comics #20 with the first appearence of Ma Hunkle, the original Red Tornado?

A list of comics included: Action Comics #1 (First appearance of Superman); Detective Comics #29 (Origin of Bat-man); All-American Comics #20-#14 (First appearance of the Red Tornado, and other Red Tornado stories); Police Comics #1 and #13 (First appearance of Plastic Man, and Woozy Winks); Captain Marvel Adventures #100 (Captain Marvel Battles the Plot Against the Universe); Sub-Mariner #4 (Dr. Dimwit by Basil Wolverton); Tessie the Typist #8 (Powerhouse Pepper by Basil Wolverton); Jingle Jangle Comics #5, 24#, (The Pie-faced Prince by George Carlson); Little Lulu Four Color 74 and Little Lulu #38, #40, #80; Walt Disney's Christmas Parade #1 (Donald Duck Christmas story by Carl Barks); Animal Comics #1, Pogo Possum #3, #8 (Pogo the Possum and Gang by Walt Kelly); The Spirit supplements August 10, 1941, September 5, 1948, September 11, 1949 (Great Spirit stories by Will Eisner); The EC Collection (Frontline Combat No. #4, Two-Fisted Tales #25, Mad #4 (Superduperman vs. Captain Marbles), Mad # 18, Impact #1)

I love comic books and books about comic books. I have a collection of comic books in my room in a box. I have alot of iron man comics. I have some fantastic four comics too. My favorite comics and superheroes are Plastic Man, the Fantastic Four, and Iron Man. I love the Smithsonian Book of comic-book comics!

The sonnet is one of the more difficult-to-write forms of poetry, with very strict rules on rhyming and lines, and that makes Shakespeare's collection of sonnets all the more impressive. Shakespeare sprinkled his various plays with poetry and songs, but there is something of a different flavor to these works.

Titleless, identified only by numbers, these poems have vivid metaphors and imagery ("let not winter's ragged hand deface," "gold candles fix'd in heaven's air"). The tone of the poetry varies from one sonnet to the next; sometimes it focuses on old age, to love that "looks upon tempests and is not shaken," and simple expressions that can't really be interpreted any other way. Some of it is pretty well-known ("Shall I compare thee to a summer's day?/Thou art more lovely and more temperate") but most of them you won't have seen before.

Even if you're not normally a fan of poetry, the delicate touch of Shakespeare's words is worth checking into. Fantastic.

This edition of the sonnets is one of the most important and the description on Amazon is misleading - It is actually both volumes 24 and 25 bound together so you get the complete set It's hard to find this book so it is a great find in this version

Shakespeare's amazing Sonnets are compiled here in this wonderful volume, a great addition to anyone's bookshelf. If you love Shakespeare, then this is a must-have book.

This novel is written very well. I didn't want to put the book down at all. If your familar with Hurricane Camille (that actually happened), then you would appreciate the well written story that goes with it. Very entertaining! Can't wait for the next one.

I live in Gulfport,MS. The author has captured the realization of Hurricane Camille into depth. The book brought back memories of that night and the devastation for days afterwards. I personally was impressed on how the author mentioned local sites and locations in 1969, most of which no longer exist. Storm Surge is an exciting, fast-moving murder mystery. Outstanding book.

I read a lot of books and am always looking for a new author. However, I have some trepidation when I buy a new author. This time the money was well spent. Storm Surge is an exciting, gritty book of human nature gone wild and nature gone wild. It is suspensful and riveting. The author knows police procedure and well describes the result of a hurry-cane. I highly recomend this book and am looking forward to more.

I no longer remember where I stumbled across Vessel of Sadness. I recall that I was totally unfamiliar with this book and its author. I was puzzled by the title. But my attention was captured by the literary reviews on the back cover.

"How have you said so much and involved me so deeply with so few words?" Gunnar Myrdahl, Nobel laureate.

"One of the most sensitive and moving books of the war, both authentic and poetic" A.L. Rowse, Elizabethan historian and Shakespearean scholar.

This is a fictional account of the protracted and bloody Allied invasion of Anzio in 1944. The story is told through shifting points of view - an Italian child, a British general, a camp commandant, and Allied and German soldiers. This mosaic is slow to unfold, but a tragic, unrelenting story emerges. Overall the book is subdued and somewhat detached. But its impact is staggering.

This short book is quite remarkable. It has a haunting aspect to it, but it is not a blatant antiwar account. As others have noted, possibly the best comparisons are with The Red Badge of Courage and All Quiet on the Western Front. In a poetic style William Woodruff conveys a frightening sense of realism. High level strategic decisions move down through the chain of command and are translated into battle. Confusion, fear, and pain are pervasive. The focus is on survival.

The author participated in the initial invasion landing at Anzio on January 23, 1944 with the First British Infantry and fought for the next four months on the beachhead, trapped by German forces on the high ground. Woodruff tells the story of war with an emotional impact that ensures that this literary work will become a classic. I highly recommend Vessel of Sadness.

This is a brief, powerful story of life on the front lines in WWII. It is a quick read, but it will touch your soul.

This is a moving and vivid description of the Allies attempt to take Rome during World War II. The novel is brief and concise but reaches a level of greatness comparable to the best World War II literature. Woodruff has make an understanding effor to convey to all readers the stupidity of war and the suffering of those who were persuaded to fight for the betterness of humankind but were uncertain of their personal destinies. As a reader I was very impressed with the quality of the narrative, the interesting dialogues, the sense of inmediacy that the novel brings and the matter of fact approach to war. Woodruff has brought us a magnificient work that will leave an ever-lasting impression on those who read it.

I found this book to be a very interesting accounting of the war in Vietnam through the eyes of airborne advisors and Vietnamese airborne soldiers. Having been there as an advisor to an airborne battalion, the recollections of others reminded me of many events that occurred while performing those duties. I thank Mr. Strode for putting together a book that will preserve some of the history of Americans and Vietnamese.

The best book available in English on the elite of the Republic of Viet Nam Armed Forces. Though it lacks informatio on the last two years of the war like the hard fought battle of Hill 1062 in the First Corp in 1974. Also lacking was the biography of all Airborne Division battalion commanders. Still it deserve high praise for giving credit long overdue to the heroic ARVN paratroop soldiers. The best fighters in the Viet Nam War.

this is an excellent compilation of stories about hippies and their adventures. i highly recommend it.

What was it like in the sixties? Have you ever wondered this? Even if you lived through the sixties. A collection of stories, some sad, some weird, some gross, and some crazy. This book will take you back. The stories are anywhere from a few lines long to a few pages. A truly amazing book, that not only will you enjoy, but will force on your friends to enjoy

Comprehensive view of Wm. de Morgan for the interested person. It covers a huge period in English ceramic art. This book has hundreds of his pieces or designs and tells his chronology as an artist. I will not lend it out; this is the ultimate compliment.

Published in conjunction with an exhibition of de Morgan's work at the Victoria and Albert Museum in 1989, this book contains the complete collection of William de Morgan's original pottery and tile designs and drawings that was given to the museum after his death in 1917. With just about 20 pages of text of the total 256 pages, it is nearly all photographs with over 50 pages in color. De Morgan began working with William Morris in 1862, but after ten years he set up his own studio making tiles, vases, bowls and other domestic ceramics. His designs, inspired by brightly colored Middle-Eastern, Hispanic and Italian Renaissance pottery are beautiful. The forms of his vessels seem, for the most part, somewhat stilted but ocasionally they become organic enough to be satisfying to the modern eye. However his use of decoration is without equal except, perhaps, in some Hopi work. This book will be of interest to ceramic artists in particular, but any artist, art historian, or collector will enjoy it.

These 1929/30 lectures represent a stunning use of phenomenology as it probes into the nature of the philosophical bindingness to nature (as self-arising into presence "ousia"). Philosophy is understood to be the ongoing response to homesickness (as denominated by the poet Novalis). As such a response it is unique in its form of questioning and in the way it receives "answers" from the giving/receding orders of nature and their elusive ground. Philosophy is also infused with an attunement that compels it to return again and again to the questions concerning worldhood, finitude, and solitude; questions that goad it forward and backward simultaneously. The act of philosophy drives us out of our everydayness, "For in it there becomes manifest something essential about all philosophical comprehension, namely that in the philosophical concept, man, and indeed man as a whole is in the grip of an attack--driven out of everydayness and driven back into the ground of things" [Wesentliches alles philosophischen Begreifens, dass der philosophische Begriff ein Angriff ist auf den Menschen und gar auf den Menschen im Ganzen--aufgejagt aus der Alltaglichkeit und zuruckgejagt in den Grund der Dinge]. Boredom, rather than anxiety, is now seen to be the fundamental mood that governs our Dasein (human being in the world). Heidegger unfolds the complex interplay of the modes of boredom and their special ways of illuminating worldhood. Boredom is seen as one of the ways of time's withdrawal into a kind of tarrying that is nowhere and everywhere, but bereft of full worldhood. Animals, while open to their environment [umwelt] do not have a world [welt]. Yet animals live in their own way within a disinhibiting ring that opens them to their release into their species-specific environment. Here Heidegger's descriptions of the animal forms of not-worldness represent a major achievement in helping beings-with-selves become aware of the unique forms of openness of other living beings. As humans we are called to project ourselves into the difference between the various things in being, on the one hand, and the Being of all beings on the other (his reiteration of the ontological difference). This is certainly one of the most important series of lectures in Heidegger's career and the translation is a fair and compelling one. For those who only know "Being and Time" or some of the late essays, this text will come as a surprise because of its masterful and careful phenomenological descriptions of nature and the forms of openness that it contains.

I always see talk of the successor book to Being and Time. Some say the Kantbook, some say Contributions to Philosophy (From Enowning), etc. Let me propose The Fundamental Concepts of Metaphysics. Because it was originally a lecture course, it is much more accesible than Being and Time, but it really continues the preoccupations of that book. In B&T, anxiety was the mood through which Heidegger discovers revelations of the Being of beings. Here Heidegger pushes on to a new "attunement": boredom. We think of boredom as something about which there is almost nothing to say, and it would be easy to joke about someone going for hundreds of pages on boredom fulfilling his own prophecy, but Heidegger's reflections on boredome as revealing aspects of Being and Time is about as profound as you can get. This is a great book. Maybe because it didn't even appear in German until 1983, it hasn't had as much attention as other works, but anyone interested in Heidegger (which ought to be equivalent to saying anyone interested in philosophy at all) should get to know this work.