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If you are going to get into clowning you need this book.
Until now I've focused on juggling and unicycling. The book not only teaches you how to ride a unicycle, -it also provides a lot of amusing variations. Though I knew how to ride before buying this book, it taught me how to ride in a very ridiculous way, seemingly out of control. I've experienced a tremendous effect when acting upon these hints in front of an audience. ...
Just recently I grew interested in the stiltwalking sections and made a pair of wooden tie-on stilts. I'm not exactly an engineer, but following the instructions, all I needed was a saw, some wood, a drill, some glue, some bolts and screws.
Reading the ingenious instructions given sometimes make me laugh out loud, thinking of how it would work in real life. The illustrations are really amusing, and I do enjoy all the hints on starting a clowning business. Lots of detailed information.
Also, the book is packed with numerous jokes and material that can be used for shows. The next stage for me will be learning how to twist balloons into different animal shapes.
I was actually looking for a book on how to put on clowns' make-up for my unicycling. This book is all you need to know about various types of make-up for various clown types, plus so much more. If you're thinking about clowning, either for fun or for money, I highly recommend this book!
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Reviewer: A reader from London, U.K.
Shaun Jeffrey, author of Evilution (Invisible College Press)
If you like conspiracy theories and intellectual thrillers, you cannot afford to miss Dark Protocols. Richard Weber writes with panache and an eye for detail that shows in the meticulous research he must have undertaken to write this book. Taking us from the Vatican to the mean streets of Chicago, the reader is transported on a terrifying odyssey, but is also left with a strange sense of, 'What if ...?'
The characters leap out from the page; they are people you care about or fear: A gritty detective in the form of Sam Goldstein; Josey Schulman, a beautiful Mossad agent, and the terror that is The Other. The author keeps a tight hold of the reins, letting the dark prose run at just the right speed, relinquishing control only to heighten the breathtaking excitement. A cultural excursion through the dark side of life. Read it at your peril.
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Review:
"Secret societies, an ancient book that renders people mad, deadly games of erotica and murder...all are woven together for a page turning journey into the ultimate evil."
"Weber leads his readers down a treacherous path of conspiracy, corruption and seduction with a fim hand and engaging prose."
Reviewer: A reader from CA
I stubbled upon this book, but to my surprise it was a great fast-paced read. I haven't been scared and shocked with true visceral terror since I first discovered the late Dick Laymon's work. This guy knows how to pry under you fingernails and twist until you scream with agony. I've been looking for a new horror writer that could take me to places in my imagination that most fear to tread. This author took me there--and then some. He combined an in-your-face police procedural and euro-thriller with a quiet, brooding horror novel. You've got a ball-busting, femme fatale Mossad agent, a Shape Shifter, a golem, and a cross-dressing villain that makes Hannibal look like a kindergarten teacher.
What more would you want in a cross-genre thriller?
The action ratchets between scenes with one cliffhanger after another. A bit of the DaVinci Code but with rich prose and far more action.
I'm waiting for a sequel ... hopefully not too long!
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If you're going to buy one book on fish keeping this year, make it this one!
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Pessoa wrote under numerous "heteronyms" or alter-egos, and fully fleshed out each character with unique biographies, lifestyles, and philosophies. As represented in the style of writing of each heteronym, Pessoa strikes the heart of our imagination -by both creatively and accuratively conveying the struggles, conflicts, philosophies, and emptiness of each character.
Pessoa did not write for an audience. His audience was the numerous poet-alter-egos he imagined. There have been numerous Pessoa-written criticism among his alter-egos, along with narratives of their meetings. As the reader, I dare ask, is it correct to treat each heteronym as unique poets, or view them in light of the whole?
In Fernando Pessoa & Co., we are introduced to four of his heteronyms: Ricardo Reis, Alberto Caeiro, Alvaro de Campos, and himself, Fernando Pessoa. In a bad nutshell, in terms of content and style, Reis writes like Dickinson, Caiero writes like Frost, Campos writes like Whitman, and Pessoa himself writes in short, compact verses, while presenting explosive subject matters, such as homosexuality, justice, and apathy. Why did he do this?
According to Zenith, Pessoa wrote in heteronyms to achieve sincerity with incomplete insincerity. By relinquishing his identity for other identities, it leads the poet to a higher creative field and a well-justified artistic license, almost like relative minimalism, but not quite.
But on the other hand, Pessoa may also be schizophrenic. But don't draw such fast conclusions. And in any case, it's not psychology that is the complete basis of great poetry; it's the human spirit. So let our poetic responses be the judge.
Grand, grand, grand.
The poetry itself (well, this translation of it) is startling. It's direct and plain-spoken for the most part, even allowing for the personality differences. It may look un-poetic, or even awkward, at first reading. But it sticks. Days after reading, you may find lines and phrases of Pessoa & Co. springing up spontaneously in your head, just because they're so sharp and to the point. Getting to know this multitudinous poet is an invigorating experience. Try it yourself.
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Charles Handy suggests in his chapter that "Margaret Wheatley, in 'Leadership and the New Science,' has written of the danger of believing in Newtonian organization in a quantum age. Newton wasn't wrong. He just wasn't right enough to cope with the dilemmas of science now. Similarly, the old way of looking at organizations wasn't wrong; it just does not capture the real essence of what it means to organize today." On the other hand, Peter F.Drucker notes in his introduction, "...now a totaly different approach is emerging, not replacing the older approaches but being superimposed on them: it says that the purpose of organizations is to get results 'outside,' that is, to achieve performance in the market. The organization is, however, more than a machine...It is more than economic, defined by results in the marketplace. The organization is, above all, 'social.' It is people. Its purpose must therefore be to make the strengths of people effective and their weaknesses irrelevant."
In this context, the editors divide this book into six parts. They write in their preface, "throughout the chapters in this book, the need for organizations is unquestioned. The authors provide a variety of forms and operating plans for organizations today and tomorrow; at the same time, each recognizes the indispensable role of organizations to human accomplishment and achievement."
Highly recommended.
The book covers lots of aspects of clowning, gives great ideas, and is an easy read.
The only downside is that it does not have space to go as in depth in some areas as I would of liked - but there are plenty of speciality books to do so.