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What words and photos don't always express, Rall transfer in cartoons. You'll feel like freezing on the outskirts of Mazar E-Sharif and chased by bandits ...
If you think "Maus : A Survivor's Tale : My Father Bleeds History and Here My Troubles Began by Art Spiegelman, is well done, rush for that one too.
If you didn't read any of them - go for both. Even faster !
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At least hunters and anglers have the courage to confront the animals they encounter. Newkirk's at her outraged best when cataloguing the unspeakable conditions endured by animals most of us never see, and thus never consider. The cheeseburger that looks so harmless in its polystyrene box probably represents a nightmare life of confinement and terror. What others dismiss as "preachy" or "dogmatic" doesn't come off that way in the face of the overwhelming evidence Newkirk presents that animals are consistently treated horribly by the food, fur and medical industries.
Hey, I know from experience that people hate hearing this stuff, and react angrily and defensively from the mere suggestion that they put some thought into their behavior and its consequences. So I don't expect this book to win many friends or convert many carnivores. But that doesn't mean I'm not thrilled and moved and sad and inflamed and delighted and inspired by a book that, I hope, will be better understood and more widely acted on in the future.
Thanks for a great book.
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Some of Maher's more trenchant arguments are:
MAKE SACRIFICES
Wars are won by uniting and making sacrifices, so why not carpool as civilians did during WW II (hence the title of this book) instead of driving alone? Also, why not give up SUVs and other idiotic vanity vehicles in favor of fuel efficient ones that will reduce our dependence on Middle Eastern oil, which is one of Al Quaeda's prime sources of revenue.
PROTECT THE CITIZENS
If the president gets a secret service, why can't we? Put real security in our airports like Israel does.
PERFORM INTELLIGENT SEARCHES
At the risk of being offensive, search likely suspects at airports, not random people including old women and children.
THE 'WAR ON DRUGS' IS REALLY STUPID
Why are we investing billions of dollars and lots of resources making sure cancer victims can't smoke pot when we could be directing all of that money and resources toward protecting civilians at home? Besides, it doesn't work and it simply makes more people hate us.
UNDERSTAND WHY WE ARE HATED
People are attacking us for a reason. Try to understand what that reason is, don't just resort to comfort and clichés.
Maher's book also contains its share of flaws. I completely agree with Maher's criticism of politically correct ideology and agree with him that replacing common sense with sensitivity does not solve any problems. In some cases however, Maher misses the boat not because his arguments are insensitive but simply because they are ignorant. Here are a few examples:
THOSE ...MOSLEMS!
Maher argues that there is nothing wrong with criticizing Islam since among other things it is brutally repressive toward women. What he fails to consider is that there is no monolithic Islam that doles out the same repressive behavior the world over. The Taliban, the Saudi royal family, and Bin Laden are followers of Wahhabism, a virulent, fundamentalist sect in Islam. They have been frequently criticized by high ranking Suni and Shiite clerics who, among other things, condemned their treatment of women as unislamic. To equate all of Islam with the behavior of the Taliban (as Maher does) is to ignore this fact.
IT'S A CLASH OF CIVILIZATIONS
Maher, like Samuel Huntington, argues that we are experiencing a clash of civilizations and that the 'War on Terrorism' is a struggle between two conflicting cultures, the West and Islam. As Tariq Ali, Edward Said, and Howard Zinn aptly point out, religion does play an important ideological role in this conflict, but it is essentially a political one. Sure, the 9/11 terrorist were religiously motivated to sacrifice their lives, but their targets (the centers of finance, military planning and probably of government) were political ones. Similarly, while Bin Laden uses Islam as his rallying cry and justification, his goals are flagrantly political as evidenced by his statement that America would know security at home when the people of the Middle East knew security in Saudi Arabia, Iraq, and Palestine.
TAKE SADDAM OUT
Maher indicates that since Saddam Hussein is developing nuclear weapons and must be stopped this is no time for sensitivity. He would probably do well to read the reports of the highly insensitive and highly informed Scott Ridder, which argue that Iraq was thoroughly disarmed and posses no threat. (Ridder is a marine veteran and former intelligence officer who played a leading role in disarming Iraq after the Gulf War. He is a Republican who voted for George W. Bush in 2000 and believes war with Iraq is unwarranted.)
The strength of this book lies not so much in the fact that it provides all of the right answers but that it asks all of the right questions. Despite its flaws this book is intelligent, wildly funny and definitely worth reading. I strongly recommend however, that you read this book intelligently and skeptically, not with total acceptance. Maher would probably be the first to agree with this suggestion.
Also recommended: "Speaking of Sex: Funny, Wicked & Joyful Remarks About Almost Everybody's Favorite Subject" by John-Paul Sousa. This book is a brilliant send-up of a society where sex is sinful, criminal, scandalous - everything but natural!
A quote from the book about what makes news;
"In his masterful biography of Hearst, David Nasaw explains the famous publisher's guiding principal: "News is not a phenomenon that exists in the real world, waiting to be discovered...An event becomes news only when journalists and the editors decide to record it. More often than not, what determines whether an occurrence is noteworthy or not is the ease with which it can be plotted and narrated so that readers will want to read about it." Thus spin feeds the beast of corporate-driven journalists."
I'll leave you with one example of spin from the book:
Spin: "I'm just an average American who found herself in a situation not of her own making."
--Linda Tripp
Translation: I'm going to get a book deal and I'll rat on my friend to do it.
Recommended
Spin This! has to be one of the funniest, yet most painstakingly researched, books I have ever read. From "spins" dating back to Bibical times, to politics, to show biz, to male-female relationships, SPIN THIS laughingly explores (and exposes) it ALL. Whether you're a Democrat, Republican, Liberal, Conservative...or WHATEVER...you're going to find stuff that you'll LOVE in this book. Even if you don't know anything about politics it is not ALL about political spin.
And there's this bonus: Bill Press is actually a screamingly funny and highly talented writer. And that ain't spin.
If you think you're going to get a diatribe from him, think again. You really don't. And if you love Bill Press' views and expect him to let Democrats or liberals off the hook, think again, too. In reality, he sits back and explores SPECIFIC "spins" in all walks of life -- and comments on them with laugh-out-loud wisecracks.
Still not convinced that this one-of-a-kind book (it is funny but it also can serve as a GREAT reference book due to the truly solid research reflected on each page)can appeal to EVERYONE?
Then consider his Spin Hall of Fame where he lets famous commentators of all persuasions profile THEIR idea of the most outrageous spins. To name a few: Robert Novak (on Al Gore), Kate O'Beirne (Hillary Clinton), Cal Thomas (Satan), Al Franken (Karl Rove), and one of his CNN replacements, Paul Begala on GWB. Clearly his colleagues on the right and left had a lot of fun with this project, too. Painstakingly researched -- and painstakingly hilarious. Gift it to those who agree and disagree with you!
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From the prologue, however, Eszterhas serves notice that at its core the book is ultimately about Eszterhas. At times his ego overwhelms the story and the listener. He refers to himself as, in addition to a Hollywood persona, a Public Figure. His tales of Hollywood, scandalous as they are, all contain one theme: Eszterhaus as a key player. "I created Sharon Stone, I resurrected this director's career, I made that actress, etc., etc." In order to justify long asides from Clinton and politics to talk about Eszterhas, Hollywood, and Eszterhas, the author utilizes the device of "talking" to Clinton, punctuating the narrative with ill-fitting asides ("bet you never had that much trouble with Janet Reno, Bubba") that serve simply to annoy the reader and remind him that the asides are truly misplaced. If you want to write about yourself and Hollywood, go ahead, Joe. Just don't try to convince us that what you have to say is really pertinent to the political side, entertaining though it may be.
Eszterhas himself is an absolutely dreadful reader. Doubtless he insisted on narrating his own book, but he does a poor job. He pauses in all the wrong places and his reading is somewhat wooden.
The characters he introduces throughout the book, however, are an absolute delight. We are treated to John McCain, Ken Starr, Al Gore, Hillary Clinton, George Bush, and Bill himself paraded before us to tell their story. The actors who read these parts are wonderful, and truly sound (in voice and mannerisms) exactly like the character they mimic; the listener can easily believe that it IS Bill Clinton speaking. These monologues are always clever, often hysterical, and actually quite insightful, attempting to truly probe the psyches of the major political players.
On the whole, these tapes are certainly worth a listen. They would have been greatly improved, however, if Eszterhas had been able to resist the temptation of tooting his own horn and instead focused even more on the politicos he parodies so well.
AMERICAN RHAPSODY is a powerful, bawdy, brilliant, full-frontal excoriation of Bill Clinton's almost-personal betrayal of the author's hopes and expectations. Because Bubba lied to America - about sex, his preoccupation with it, and his tawdry affair with the First Bimbo, Monica Lewinsky. Joe claims the bulk of the narrative is based on well-researched facts, though there's no bibliography of primary source material - a key omission, perhaps. Several of the chapters, presented in bold type, are admittedly fictitious monologues ascribed to several key players in this red, white and blue soap opera.
As Eszterhas explores Bubba's promiscuity specifically, and that of Washington and Hollywood in general, the lead roles are reserved for Bill, "Willard", and Monica. The supporting cast is otherwise extensive: Hillary, Bob Dole, John McCain, James Carville, Arianna Huffington (the "Sorceress"), Matt Drudge, Linda Tripp (the "Ratwoman"), Ken Starr, Bob Packwood, Sharon Stone, Warren Beatty, Larry Flynt, and Vernon Jordan, plus cameos by Gennifer Flowers, Paula Jones, Kathleen Willey, Juanita Broaddrick, and a bevy of others. The author ascribes particular significance to the lasting and pernicious influence of his personal bogeyman-under-the-bed, Richard Nixon (the "Night Creature). Why this is apparently so really isn't clear. (Get over it, Joe! Nixon is dead for Chrissakes!) And the reasons for including the Huffingtons, Dole, and McCain on the playbill are particularly hazy, although Eszterhas clearly admires the take-no-prisoners honesty of both McCain and Carville. Prominent utilization is also made of the two infamous props of the piece: The Cigar and the Stained Blue Dress.
Though it could've benefited from tighter editing, AMERICAN RHAPSODY is a ribald, spirited, cheeky and fun read. It may stand as one of the definitive books on the Clinton Presidency. However, don't expect it to appear on your child's high school Political Science reading list anytime soon.
Perhaps the most effective and distressing part of the book is when Eszterhas does a mini retrospective of all the things we didn't want to know,but did over the years, here are a few: Sen. Harkin blowing his nose on CNN without a handkerchief, Bush Sr. throwing up in China, Buchanon saying "Congress is an Israeli occupied territory," Bob Dylan and Elizabeth T., LBJ turning to the side and taking a whizz at an outdoor press conference, Nixon and Kissinger kneeling together and praying, Spiro Agnew, "If you've seen one city slum you've seen them all," Michael Jackson and his chimp, David Bowie and Mick Jagger. (?)
Eszterhas obviously knows more and remembers more than is probably good for him, but his prose is stunning as is the manner by which he weaves the book together- even with some fiction. The author was the screenwriter for Fatal Attraction and had a relationship with Sharon Stone- who also takes some upper cuts and was rumored to have been intimate with Clinton as well. I definitely recommend reading this- for the humor and frankly, The gossip is completely consuming.
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From stories about playing ping-pong in the nude, to acid induced conversations with God, Maher keeps the reader laughing and waiting for the all important next joke. While it may never considered to be a literary masterpiece, Maher has written a book that just plain and simple fun to read, and an absolute must for those who have dreams of becoming a stand-up comic.
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Written down, without the smart-mouthed delivery, Maher's opinions come across as no more than poorly reasoned whining. Plenty of bitterness, but little humor or insight.
I do, however, agree with many of his stances when they are presented in a comprehensible, and occasionally funny way. This book is OK; it's not put together terribly well, and it smacks of a Dennis Miller "Rant" format. What I appreciate the most is that Maher openly criticizes both Republicans *and* Democrats. I don't expect to get very many helpful votes for saying this, but supporting one party over the other seems severely short-sighted. Over the years the party platforms have changed and members of both have committed wrongs against us in the name of Corporate Sponsorship.
Bill Maher's approach may be distasteful, but he isn't just a mouthpiece for a corporation, and that's what people really have a problem with.
Being an incredibly SLOW reader, I was still halfway though this little paperback in under an hour. It's mostly questions that were asked at a show, the occasional comment by Bill, and very rarely sprinkled with guests' answers. There are a few gems in it, but overall, your money is much better spent on "When you Ride Alone you ride with Bin Laden."
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As the title implies, I expected it to help me develop a better sense of humor by providing analysis on why things are funny and instructing how to apply those techniques. It does very little of this. It mainly focusses on the improvisational wordplay techniques that Steve Allen developed and used in his career, which if I used I think people around me would find very annoying. Very little of the information in the book can be applied to everyday life. For example, I had no use for the sections on writing comedic television scripts, being a talk show host, doing stand up comedy, or how to sell jokes to established comedians.
Steve Allen's contribution to students of comedy and wit is a wonderful one indeed. Allen and his co-author have a book-long conversation about what is funny, what isn't, and more importantly *why* some things are funnier than others. Whether you want to write funny, talk, walk, or think funny, Steve Allen includes page after page of examples from his radio and television career. My copy is well-worn --albeit slightly small and tight around the waist -- with passages highlighted and underlined.
If you aren't funny (or funnier) after reading this book, well, then try eating it. That will definitely make you feel funny for a little while.
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