I just finished reading the e-Book. I found it to be one of Ludlum's best books lately. He is back to his old form. The story held my attention and interest with all the twists and turns. The action is great. I highly recomment this book for anyone who has read Ludlum before and for anyone who wouold like to try him for the first time.

Middletown is a very interesting and important work of anthropology, sociology and history. Not just because it's the first time anthropological techniques were applied to a study of a single American city, but also Lynd's findings provide an interesting look at how by the time of his writings in the 1920s, things between then and now haven't changed in certain respects. Lynd reports disputes between parents and children over the use of the family autombile, the children out too late at parties and those parties not breaking up until the wee hours of the morning. All of this is certainly still prevalent today in many American families. Lynd also discusses how many people in "Middletown" did not vote in the 1922 elections and were cynical about politicians in general. This feeling again, is quite prevalent in American politics today.
Lynd's book serves to support the cliche, "The more things change, the more they stay the same."
For anybody who thinks that the problems of American society are new and caused by a decline in morality due to technology and other recent influences, get this book. Lynd will show you that this "decline" is not new nor caused by recent outside influences such as TV, the Internet. movies or music.

When this book was written, it was absolutely revolutionary: it was the first time someone had used anthropological tecniques on a modern American town! The authors studied newspapers, visible trends, and interviews with many of the inhabitants of Muncie, Indiana (which they picked and renamed "Middletown" because it was supposed to be an average American town). What they created was a vibrant picture of modern America.

Now, seventy years later, the book is an incredibly important historical work about the 1920's. Yet it's also a great read: my favorite part was the chapter where all the teenagers complain about how their parents never let them do anything, and the parents complain about how their teenagers have too much freedom and are probably getting into bad things.

I definately reccomend this book to anyone who is interested about the 1920's. Even if you don't like the book, you'll understand why Muncie, Indiana is used in so many pop culture references to average mid-western towns!

The Mystery of the Shrinking House offers up yet another impressive display of young Jupiter Jones' deduction skills. At first, there does not seem to be much of a case at all-a Countess wants to reclaim the items from her dead brother's estate, all of which had recently been purchased by Jupe's Uncle Titus for the Jones Salvage Yard. By the time the Countess arrives to make the request, all of the items have been sold, and the boys take on the task of tracking the items down. They find almost everything except for a strange series of 20 paintings; these paintings all depict a particular house, and the house is drawn progressively smaller on each one. When bad guys show up to interfere with the Three Investigators' budding investigation, Jupiter knows that the strange paintings are the key to something big. It is worth noting that this book features Jupiter's young nemesis Skinny Norris, but Skinny once again proves himself to be no Dr. Moriarty to Jupiter's Sherlock Holmes.

It's a well-told story, complete with a surprise or two at the end. The whole logic of the shrinking house clue ended up feeling slightly contrived, but the path to discovery was an enjoyable one. The boys seem to walk right into one trap after another, but these detectives have never left a mystery unsolved and refuse to do so now, even in the face of danger. There is plenty of action in these pages, but this story really does hinge on the deductive reasoning powers of Jupiter Jones. In this, his fourth Three Investigators mystery (and the eighteenth in the series as a whole), William Arden demonstrates a good feel for the characters, but even he fails to capture all of the nuances that made series creator Robert Arthur's books so gripping and entertaining.

Written in 1923, Robert Lynd's "The Blue Lion" gives the reader an enjoyable insight of life at that time. A delightful book made up of various true life stories of one mans view of every day life. His own fear of the British landlady, his fascination of the microscope and the latest development of wireless "listening in" are just a few subjects on which Robert Lynd has penned his views. His Wit and Wisdom show through in each story including his objectionable views towards walkers, to his observations on how superstitions can effect even the most practical men. A highly recommendable book for an easy and enjoyable read.

Very interesting book for it's historical perspective (it's based on lectures given in 1938). Lynd argues that values must be considered in academics, and that values should guide our choice of research. He also calls on tenured faculty to take the initiative to oppose those forces which would constrain the freedom to work on issues that would improve human lives. Excellent read and still relevant today.

I totally agree with the reviewer who says that Kidnapped has become his/her favorite book of all time and that (s)he still re-reads it several times a year. Not that I re-read it, but I agree when (s)he says that (s)he envies anyone who is about to read 'Kidnapped' for the first time. I am about the same age, and I well remember my first reading - how I smiled when Uncle Ebeneezer served his gruel (porridge) - how I held my breath when David nearly stepped into space on the broken stairs - how I cringed with the injustice of Ebeneezer tried to cheat David out of his inheritance by selling him into slavery in the American colonies.

Stevenson's 'Treasure Island' is reckoned to be his best book but, for sheer descriptive weight, superb characterization and sharp, sharp dialog, 'Kidnapped' is the one for me. In brief, 16-year-old orphan, David Balfour visits his uncle in order to claim the inheritance, left by his father. The uncle, having failed to kill him, arranges for David to be kidnapped by a ship of thugs and villains and taken to the Carolinas to be sold into slavery. While navigating the Scottish coast, the ship collides with another boat and the crew capture the lone survivor, a swashbuckling Highlander called Alan Breck Stewart. David and Alan become friends and escape their captors. On land again, Stewart is accused of murdering a rival clan member and he and David must now cross the Scottish mountains to reach safe haven and for David to reclaim his inheritance.

The descriptions of the Scottish countryside are truly marvelous and the sense of pace and adventure keeps the reader hooked right to the end. I notice that one reviewer likened this section to 'a tiresome episode of The Odd Couple'. Perhaps it's worth bearing in mind that The Odd Couple was written a few years AFTER Kidnapped ! (In any case, I doubt that a written version of the television series would stir anyone's emotions like Kidnapped can). To most readers the historic aspects, along with the fact that the couple are being hunted by British redcoats is enough to maintain interest, suspense and pace.

Read and enjoy !

Let me tell you now that 'Kidnapped' is my personal favourite, and I've already read it four times! You'll never get a moment to pause to take a yawn. R.L. Stevenson with his superb writing capabilities writes of a young man named David Balfour. When his father dies, he is told to go to his uncle's house. After several failed attempts to kill David the wicked uncle sells him off to a skipper of a ship. In the course of his stay on the ship David meets the Jacobite, Alan. I can't describe the novel in words you gotta read it to know what you are really in for! This is the greatest adventure novel I've ever read. If you have read Stevenson's 'Treasure Island' then you won't be disappionted with this one.

I was surprised to see some reviewers didn't like this wonderful book. If you have trouble with the Scottish accent, read it out loud, use your imagination, and if you still can't figure it out, skip a bit. (Do you insist on understanding every single word spoken in a movie?)

This is the story of a young man overcoming adversity to gain maturity and his birthright. It moves right along, in Stevenson's beautiful prose. Read, for example, this sentence from Chapter 12: "In those days, so close on the back of the great rebellion, it was needful a man should know what he was doing when he went upon the heather." Read it out loud; it rolls along, carrying the reader back to Scotland, even a reader like me, who doesn't know all that much about Scottish history. Kidnapped is by no means inferior, and in many ways superior to the more famous Treasure Island.

Only two points I would like to bring up: I bought the Penguin Popular Classics issue, and have sort of mixed feelings. Maybe some day I'll get the version illustrated by Wyeth. I'm not sure whether this book needs illustrations, though. Stevenson's vivid writing is full of pictures.

In Chapter 4, David makes a point of saying that he found a book given by his father to his uncle on Ebenezer's fifth birthday. So? Is this supposed to show how much Ebenezer aged due to his wickedness? If anybody could explain this to me, please do.

I have been reading Ludlum for the better part of 25 years. I've read virtually all of his novels. I even suffered through the film version of "The Osterman Weekend". However, while reading "The Hades Factor", I couldn't help but wonder how much, if any, of this mess was written Ludlum and how much was actually written by Gayle Lynds who is listed as co-author.

According to this book, the world is divided into three groups. Group one is made up of an apparently large number of people who would participate in the murder of millions if it would make them rich. Their method of mayhem is the random release of a deadly virus. Since they have no real way of controlling the means of spreading the virus, it means that any of their family or friends could be infected.

The second group is even larger. It is made up of people who are so stupid, they probably deserve to be infected. They are incapable of seeing any relationship between the sudden spread of an unknown virus and group one who will make billions through the use of a "miracle cure" that they just coincidentally happen to have.

The third group is a handful of people who are the heroes of the story. They include a doctor who happens to also be an army commando, a British spy who is sort of a senior citizen version of James Bond, and two characters who are mandatory for this type of book, a beautiful CIA agent and a computer geek. Talk about clichés. The doctor is named Jon Smith. I guess the originality in there was dropping the "h" from his first name.

For those of you who don't know, Ludlum has had heart problems the past few years and has had surgery. Perhaps it has taken something out of him. Perhaps his medical bills have caused him to license out his name to Ms. Lynds. I noted that there is another installment of the adventures of Dr. Smith coming out soon that lists a different co-author. Perhaps Ludlum has decided that he should be more careful about who cashes in on his readership.

Three people in different parts of the U.S. die suddenly and dramatically of a bizarre, unknown virus. What connection could there be between them? And how can this virus be stopped before it claims more victims?

That's the set-up for this collaboration between thriller-meister Robert Ludlum and relative newcomer Gayle Lynds. This is something new for Ludlum, a series written in conjunction with other authors (ala Tom Clancy's Op-Center books). This is to be the first in a series of adventure-thrillers about a government action squad called "Covert One." I'm withholding judgment on the concept until more books come out, but for now I'm cautiously optimistic.

The story is solid, although familiar. It's obviously reminiscent of Richard Preston's "The Hot Zone," along with dozens of thrillers. That's not to say it's bad, though. I enjoyed the swiftly-moving plot, and found the characters to be interesting. The protagonist is Lt. Col. Jon Smith, a medical doctor, expert on killer viruses, and all-around man-of-action. He's a fairly typical lead character for a book of this sort. Smith is interesting enough, though, and smarter than the norm, which was a nice change.

Even better was the character of Smith's sidekick, Martin Zellerbach, a computer genius with a rare form of autism. I hope he returns in subsequent books because I found him fascinating.

This reads like Ludlum-lite, featuring his brand of paranoid action and suspense, but without the depth of plotting and sophistication that characterizes his best work. It's noticeably different from the rest of his output, although maybe that's a plus given the quality of his last few books.

"The Hades Factor" is recommended for thriller lovers and anyone looking for an exciting summer read.

I absolutely loved this novel from Ludlum considering I have never read anything of his before. This book kept me enthralled from the very first page and would let go.

Lt Col Jon Smith (USAMRIID) is trying to investigate the death of his beloved Dr Sophia Russell, who was killed after doing some detective work on a very rare virus that seemed to be kiliing random people across the world. This virus had Ebola-type symptoms and after Sophia goes digging into what sort of virus it is and where it comes from, somebody thinks she is better off dead.

Smith enlists the help of 2 friends to uncover a myriad of missing documents, doors slammed shut and unethical scientists that seem to love making terrible viruses and trying them out to see what would happen, but the question is why??

I thought this was a sensational read, not too heavy and very well written. Being a research biochemist myself, I love the way Ludlum incorporated todays technology into a suspense thriller that was able to keep me up all night! Excllent piece of fiction, Mr Ludlum, I will definately be reading everything else that you have written!

Highly recommended!

Like other reviewers, I will read a book to the end no matter how bad. Characters were too predictable as was the outcome. Too much meaningless detail e.g. "and Randi's blond hair was barely visible from underneath her watch cap." Who cares! A number of parts were simply ridiculous and never connected. Another example: Marty gets the bright idea of posting a message on the internet in an attempt to find out how to rescue Jon Smith who is bound and gagged by the bad-guys ... Peter (MI6) and Randi (CIA) agree that this is a great idea. How stupid is this??? The man is captured and they are going to give him a laptop with keyboard and internet access??? I suppose the bad-guys were going to give him a StarBucks card and wireless connection. My wife and I read this pig out loud and just howled at the poor writing -- towards the end we just invented our own senarios to get through this disaster. My advice: Avoid Gayle Linds.

If one is fond of this genre, one will find an interesting trend beginning to develop. Several well-known authors are taking on co-authors (apprentices actually) in their latest offerings. Patterson with his latest, Cussler with his latest, Clancy for some time and now, Ludlum with his previous two and this one, THE PARIS OPTION. Of course, Mr. Ludlum passed away over a year ago (an incredible loss to the literary world) and anything with his name will be co-authored or a reissue. For those of us who are die-hard Ludlumites, any taste from the Master is welcome. However, these co-authored books are less than authentic and THE PARIS OPTION is no exception.

Robert Ludlum was the absolute ruler of intrigue. If you are reading this review and haven't read a "real" Ludlum, pick up The Parsifal Mosaic or The Matarese Circle or the Bourne series (unlike a previous reviewer, I felt the Bourne movie didn't do the book justice). These books will absolutely put you on your heels. Ludlum had a way of telekenetically transporting the reader into the story. You are there...with the characters....truly spellbinding! In the co-authored books, apparently Mr. Ludlum's only contributions are the short outlines and a mentoring review (this, per an interview with Gayle Lynds). In the combined efforts, Ms. Lynds (and Philip Shelby in THE CASSANDRA COMPACT) develops the storyline and characters, which is what most hard-line Ludlum fans miss the most from Mr. Ludlum himself. While Ms. Lynds does a reasonable job of creating a suspenseful plot, it falls short of Ludlumite expectations. I would even go as far to say that if this was a standalone offering from Ms. Lynds, it might receive a more favorable critical review if for no other reason than not having to live up to the Ludlum standard.

To the story.......Jon Smith, our resident M.D. and superspy of Covert-One, returns from THE HADES FACTOR to unravel the mystery of the missing DNA computer. The brilliant French scientist, Emile' Chambord, is clandestinely putting the finishing touches on the world's first DNA computer (a computer combining life and computational sciences thereby creating a "living" machine) in Paris' own Pasteur Institute when an incredible explosion shatters the Institute and ostensibly Dr. Chambord and his invention. When Smith discovers that his friend, Marty Zellerbach, was in the Institute working with Chambord and was seriously injured in the blast, he drops his current research and heads for Paris.

Once there, the mysterious explosion, the frightening potential of the DNA computer and the uncertainty of Chambord's death throw Smith into the middle of an international crisis. An unknown cabal calling itself the Scarlet Shield, a pan-Islamic organization, is apparently behind the terror. Ultimately, Smith is joined by his spook cohorts from HADES, Randi Russell of the CIA and Peter Howell, retired (sort of) with MI6.

The plot is timely and has the requisite sharp edges. The character definition is moderate (better if one has previously read HADES) and the climax is probably the best part of the book. All-in-all, a decent read but if you're looking for this book to have the delictable flavor of a Ludlum thriller, you're likely to be sorely disappointed.

I'm beginning to think that this book has gotten so many negative reviews because the reviewers have decided in advance to resent anything Ludlum coauthored with anyone. If you respect the man's other work, then let's respect his decision to collaborate on whatever level it worked out to be with Lynds, and give the Paris Option and the series a chance.

The Paris Option was, in my mind, even better than the two earlier ones and a heck of a lot better than a lot of Ludlum's standalones, particularly from 1992 to 2000. Many of them were tedious, painfully overwritten, almost unreadable.

This book reads fast, is highly suspenseful, and I learned a lot along the way. Obviously a lot of research went into the authors' creation of the molecular (or DNA) computer. We're going to see one in maybe twenty years, but in this novel we get quantum physics on an understandable and exciting level. I don't know anyone who's written so convincingly about a DNA computer.

Plus, there's the growing political and economic conflicts between the United States and the European Union. Again, Paris Option delivers. Political suspense at its best. Yes, of course, the world is in serious danger in this book. This is not just a spy thriller, it's a political thriller ... a THRILLER. If you want something small and intimate to be the source of conflict, go read one of the wonderful so-called literary books that are out there.

One of my favorite aspects of a Ludlum novel is the intricate intrigue he creates. I don't know how much of this is Ludlum, and how much is Lynds, but it's one heck of a terrific entwining of villains and maybe-villains. One group of terrorists seems to be behind everything, then . . . no! It's another group. Finally, the heroes figure out it's another party. And mind you, the clues are there all along. The authors play fair. When each twist happens, you feel as if you should've spotted it. For someone who usually does, I was really happy. It's no fun if you figure out everything in advance.

And finally, I found the supporting cast ... Peter, Marty, and Randi to be fresh and unusual. Interesting. They're tough, and fun, and they talk like real people. They have moments of black humor. There are times when they're on top of everything, and other times when they fail --- both individually and as a group. You stick with them because you know they're in there pitching, and you hope and hope that they'll triumph in the end. They make a great counterpoint to the seriousness of the hero.

And one final thought about who actually wrote and who actually outlined and who actually edited ... or whatever else one wants to complain about. If Lynds did it all, more power to her. If it was a collaboration based on outline and notes left behind after Ludlum's death, more power to both of them. I've heard that the way the two men who created Ellery Queen collaborated was that one wrote the outline and the other one wrote the book. They grew to detest one another and never met unless they had to. Nevertheless, that's a respected "collaboration." Let's get off our thrones and quit judging.

Personally, I'm going to give Lynds's books a try.

Well, to put it short, this is a boaring book. Mr. Ludlum skill, knwoledge and writing style are been buried with him and what last is a naif atteimpt to imitate his "way".
The plot is pretty like a soap (including the "idea" of the US President's father who live since 50 year in a light security chinese prison) and some passage (as when Jon Smith enter in the carrying company ran by the bad people, just picking the locks with medic disguised pick tools) are really light year far away from a serious confidence with the covert operations literary topics.
Not to mention what happens when dealing with weapons: it seems that the gun/rifle universe of Ms. Lynds stops to "old AK47", Beretta and a few others.
I don't think Mr.Ludlum would be happy with this book.

In addition to the novels Robert Ludlum wrote before his death and which are being published posthumously, he also created the idea for the Covert-One series. He wrote brief outlines (approximately eight pages) for the plots of the introductory books in the series and then critiqued the work of the authors assigned to write the stories. Thus, the early books were quite Ludlumesque in the intricacy of the plot and the intensity of the action. However, it is now sevral years since his death and this story could best be dubbed "Ludlum-Lite" since his actual involvement in this story appears minimal. The plot is complex but much more straightforward than his own novels; the action is not as heartstopping although just as deadly, and the geopolitical intrigue is much more straightforward. Gayle Lynds (this is her third Covert-One book) has the genre right, but not the Ludlum intensity and surprise factor.

The story involves a potential showdown between the United States and China regarding a ship that has a cargo bound for Baghdad that is suspected to include chemicals used in weapons of mass destruction. The suppposedly true manifest of the ship's cargo has beeb acquired by an American agent in Shanghai. Captain Jon Smith is sent to rendezvous with that agent and obtain the manifest so that the US Government will have the proof required that any attempt to board and search the ship before it enters the Straits of Hormuz is not an act of aggression. However their meeting results in an ambush and the death of Smith's contact before the manifest can be transferred. However, the agent did have time to inform Smith before Jon's escape from the assasins that President's Castilla biological father is still alive after fifty years of captivity in a Chinese prison.

The efforts to both obtain a copy of the manifest and ascertain the truth with regard to Castilla's father are complicated by the fact that a human rights treaty is in the final stages of negotiation and there are hard line factions in both governments that would like to destroy the increasing detente between them. Finally, there appear to be leaks at the highest levels of the US Government regarding all secret actions taken during the heightening crisis. As usual, Covert-One Director Fred Klein is the link to Smith's clandestine operations. And to the surprise of no reader of this series, CIA operative Randi Russell (the sister of Smith's dead wife first introduced in THE HADES FACTOR) plays a key role in Smith's survival and the ultimate success of his mission.

As the above summary should make clear, this is an action spy thriller in the Ludlum style - the heroic operator with powerful forces arrayed against him and with only minimal help. There is also the usual cynicism regarding the political motivations of most leaders and the necessity for political considerations often overwhelming simple choices between right and wrong. What is missing is the Ludlum touch that turns the routine thriller into a story that you can't put down and are often surprised by the outcome. My rating is intended to convey that this is an average novel of this genre. I enjoyed it, especially the fact that the series involves a continuing cast of characters who we are gradually coming to know. So, if you have read and enjoyed the earlier books in the series, you will probably find this worthwhile. And it is a very fast read. But you should read this series in order. One warning, the book suffers from inferior editing and proofreading.

Most importantly, unless you find Ludlum too time consuming and complex or the violence too graphic, all the books published under his name exclusively are far superior to this series. Their consistent quality helped create and define the genre, and even the recently published THE JANSON DIRECTIVE continues that tradition. Reading them will not only prove truly enjoyable but show you why he is the bestselling American author of all time. So read the BOURNE triology and all the others first, then read these if you have time and still want more.

This book was wonderful! Timely with its issues, keeps you locked to the page, rich with information and characters - you move through this book at a frenetic pace, devouring page after page until the end - an oh what an ending! From the cover, it looks like this was written by Gayle alone based on the series with Ludlum and to be honest, I think she's outdone the master! This one will keep you turning the pages until well in the morning. Bravo Gayle! On another fantastic read.