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Mick, an Irish-American kid living in a racially-segregated neighborhood, struggles to define his identity and break away from the hatred and ignorance that plagues his family. Mick faces opposition from every side as he tries to leave the bigotted ways of his neighborhood behind. Terry, his alcoholic, bigotted, and violent brother believes that family honor is dictated by the fist; Mick's parents stand idly and blindly by as Mick is mentally and physically abused by Terry and his friends (ironically, his parents end up buying a bar); even Sully, Mick's best friend, is unable to break away from the ignorance that traps him in his own cowardice.
This book does not make escaping from deep-rooted prejudices and family ties look easy, which is why it seems so real. With each step forward, Mick slips back two or three. Mick does not face an easy challenge, but readers will want to see if he is ever able to break away from the hatred and terror.
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If you are a Lynch fan, you will enjoy this book which covers Lynch's history and some if his thought processes. Lynch realizes that his art should (and does) speak for itself so he keeps his ground and never talks about exactly what he meant in a particular shot in a film. Instead, he talks about the evoking of feelings and ideas as the genesis for his art.
I would certainly recommend this book as a more entertaining read than the competing texts, some of which are nearly ridiculus in their over-intellectualiztion.
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The story takes place in inner city New York and deals with many of the hardships that inner city youth face. The boys are introduced to a 'big brother' because there mom fears it may be the only way to save Monty and that it may do the boys some good. George takes this offensively because it makes him feel as though he has screwed up on raising his younger brother who assumes responsibility for.
I would recommend reading this book because it is an easy read for the high school level and it is a really great book. From the beginning you connect with the characters and really get an understanding for why they are the way they are. As an older brother I really enjoyed seeing how George felt the responsibility for his younger brother and always wanted to protect him.
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Told through poems and short stories, Chris Lynch reveals the relationships between his characters through the little incidents that make up life. Very few people live lives structured like a well-plotted novel, and that goes double for this group of aimless teenagers. As the book progresses, the connections between the pieces become more and more apparent, with the final poem bringing it all together.
This is the second Chris Lynch novel I have read (after Iceman). Both books feature dark-edged plots and emotionally dysfunctional characters, rendered starkly and unsentimentally. It's that air of grim realism that draws me back to Lynch's books. I find them compelling, without the sense that everything will end up happy just because that's how audiences prefer their stories to end. Because, again, real life is never as well planned as a novel. Lynch kept me engrossed in this story because I needed to find out how it all turned out, if things were as inevitable as they seemed.
And I was not at all disappointed.
I had never even heard of 'Chris Lynch'....my philosophy has always been that 'modern' writers can't really capture the essence of what is really going on in real life...I was wrong...
Lynch relates the story of three very modern teenagers, much too smart and too intelligent, for their surroudings...Pauly, the go-getter, would-be poet, with a hyperdramatic agenda...Oakley, the true poet...losing his will to do anything that would upset his calm agenda...Lilly...the college bound girl who is set to do something amazing, but she's watched by these two sensitive men...
It's almost a stream of consciousness dialogue, but not quite...Pauly comes in with his own, realistic-like musings...Lilly is there, like a pawn in the game...beautiful, as if who can capture her first...
The structure of this novel is first rate...a first person commentary...the one moment that holds me the most is 'Chelle'..
trying so hard to make the classic movie, restauraunt vision her own...in her beautiful rust velvet gown....only to see it vanish before her, her own town letting her down...she is the one bright vision, besides Nestor, that wants this thing to happen...
I don't know what did it, but something happened during the chapter called "Will." The chapter really wasn't any better than all of the ones before it, but I suddenly found myself really pulled into the characters.
I mean that. You will neve be pulled into the story. The book is a bundle of short stories and poems. The chapters do not really follow through until the end of the book when everything explodes into a Fourth of July firework show. It's a powerful book about powerful characters.
These characters are three teens, two boys and a girl. They are quite real and could easily be real considering some of the recent happenings in the news. I actually wouldn't mind knowing any of them. Well, there is one that I would watch really carefully.
That character is the one unsolvable problem of the story. We never really get to see what motivates this character. His or her (don't want to ruin it for you) family is not described so we have many questions hanging. This character isn't really even seen very often. In a way, this adds to the reality of the story. In real life, there are just some things we never know (Tennessee Williams wrote with this in mind).
The poems are also distracting until the very end when everything suddenly makes sense. Another reviewer recommended rereading the poems are completing the book. I have to echo those words. The opening poem "Kiss" will haunt me forever. The first time you read it, it's easy to forget. After reading the entire story and then reading the poem again: Boo.
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there was some bad things about the book i didnt like. for one its to long. its also not as funny as it sounds like it would be. it wasn't a bad book though. it was confusing how one day he was doing one sport and all of a sudden the next day he was doing another. I would recommend this book to likes sports and a little bit of comedy.
The camp has a system of "slots", or places in sports. Elvin is just good for nothing, no sport seems to fit his personality, he tries football, soccer, baseball and finally when he thinks he found his place in wrestling, his hopes are turned down by the coaches when he is asked to leave because of other incoming students. Later when he finds a slot in art he meets new friends and finds out that strength doesn't always have to be physical.
Chris Lynch is a great author who takes you into the head of a 14 year old boy, revealing his thoughts and impressions. "Slot Machine" is mostly comedy and drama. If you are interested in a good, refreshing novel, then this is a book for you.
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The book keeps its plot while the 'big' actions, like Napoleon's arrival, take place. Afterwards, the book just wanders through a tiny section of already explained plot, as if it is lacking some sort of train track. The book then is explained in the second to last scene.
The ending is what disappointed me the most. It seems as if the author just wanted to get rid of Napoleon, so he threw in the new fact the Napoleon is a star singer, and he knows it. This leads him to join some fancy private singing school, and leave Richard's. The entire idea that Richard doesn't care very much about his friend leaving, and Napoleon being this amazing singer would seem alright in a story with unexpected twists along the entire plot, but the plot before this is incredible dull and cliché.
I would definitely not recommend this book to anyone, unless they like real world scenarios gone stale.
Overall this was an interesting and well-written book. It would be a great book to use with middle-school aged children to urge them to be their own person, think for themselves, and not listen to peer pressure or take other's thoughts and feelings as the truth.
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I first discovered his work in "Whitechurch", the brilliantly twisted novel about a girl and two boys in a small, stagnant, semi-self destructive whirlpool of a town. The novel just sucked me in, and 'All The Old Haunts' is certainly following in that type of atmosphere.
In this collection of 10 brilliant short stories, Lynch covers the gamut, from a difficult father-son relationship, to abortion, grandparent-grandchild generation gaps (of a sinister nature), the boredom of a daily reality, death, stalking, semi-voyeurism.
His style in itself is gorgeous, and he doesn't wrap everything up in a tidy ending. If anything, I can say that if a reader wants a tightly wrapped story that has a definite beginning, middle and completed conclusion, this isn't for you. Lynch wants us to read between his lines, to fathom for ourselves what the true meaning or outcome of the story is or may be. His verbal style is sharp, witty, it made me laugh out loud at times, when I felt I shouldn't be laughing.
I can't really even begin to describe the stories, since they are somewhat surreal, but the typical book reviews seem to miss the point. They tend to 'dumb down' the themes...was the protagonist of 'Off Ya Go, So' an innocent figure, or a slightly incestuous 2nd cousin? Was he speaking of abortion?
Is 'Womb to Tomb' really about an 'evil brother', or is it a single teenager coping with Schizophrenia or some other mental illness that causes him to see himself as two different people?
What about 'Good-bye is Good-bye'? Is it really a friend visiting his friend's funeral, or is it about the suicide (or accidental death??) of one person? Lynch's work is so gorgeous in this way...there's a subtext that ripples underneath and forces you to think...
And this, I believe, is the sign of a truly great writer. 'Horror Vacui' really reminds me of Stephen King also, the surreal quality of a single person stuck in a small, hot July town, with almost no neighbors around, his thoughts, memories and senses the only thing that exist in his world, besides the buzzing 'buggy' bugs...
On a silly side note, Lynch seems to be a Beatles fan and works this into a few places, in both "Whitechurch" (through the 'Ophelia Lennon' character, a chapter in that novel titled 'Love Me Don't', and in 'Off Ya Go, So' in this collection)...and for me, as a Fab Four fan, this is really cool!
Hope to see much more from this electric author! I'm hooked!