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Katerina has joined them, after one of the Americans took pity on her and paid the Germans to include her in their package deal. She, too, is hopeful and patient, watching, waiting...until that one moment when all becomes unmistakably clear, and hope is wrenched from the depths of her innocence. It is then that Katerina is quiet no longer. She chooses a requiem of her own devise.
This is a stunning novel in which the experience of the author, who himself spent time in various death camps during World War II, manifests itself in the book in the form of a mood so chilling and diabolical, as to make the reader take pause and wonder at man's inhumanity to man.
Darkness Casts No Shadow is a roughly autobiographical story of Arnost's escape from a freight train (carrying human passengers to Theisenstadt) with another young man. In class, we got the real biographical details, which have been merged and separated in the fiction. The escape was initiated by an American fighter who mistook the train as one ferrying soldiers, and Arnost and his companion (Manny and Danny in the story) watch while the bullets rip apart the prisoners in the early freight cars, deciding that they will risk jumping and running rather than wait for the sure death of the American's bullets.
It's an exciting tale of adventure, but the adrenaline is muted by the flashbacks that tell the background to the boys being on that freight car, including their former lives and the deaths of many of their family members. I've not read much Holocaust literature, for example, I've never read The Diary of Anne Frank, most of my knowledge regarding this time limited to The Hiding Place and documentaries (but not Schindler's List, which I managed to avoid, somehow). This story is inherently sobering, making one stop and realize the day-to-day horror of the situation. This is not an anti-war story, but one promoting anti-brutality. It is also highly moralistic (in the best sense that all literature should have a moral underpinning). Yeah, I was impressed by it. The ending is a little open to interpretation; I know that Arnost and his friend survived, but the reader wonders if Manny and Danny escape. My feeling is that Arnost selected such an ambiguous ending to reflect the thousands of escapees, rather than just his particular experience. Some did survive; most did not.
For intance, just paging through, I came across a scene where two men are driving a vanload of Jewish people, who are slowly being asphyxiated. The men chitchat and drive, occasionally daring to check the progress of their work through window behind them. They have to drive for a period of time so that the carbon monoxide fills the van slowly, so that the people go to sleep before they die. If the people are asphyxiated rapidly, they tend to die in grotesque poses that disturb the soldiers who must unload the van afterwards.
Grisly, isn't? Perhaps this sort of story should be forgotten, not retold and refreshed for another generation of readers. This book is upsetting and you should consider wisely before opening it.
Also, it helps to be acquainted with the German language. The seven stories contained in this volume are in English, but are peppered with German names and phrases throughout.