This isn't a bad book, but it pales in comparison to to Hardy's major novels. I like Hardy when he's at his gloomiest, when weird events happen in the depth of the English countryside. This book is pretty routine stuff both in its underpinning theme (who will marry the eligible young lady? - it seems to me that nineteenth century novelists were almost totally obsessed by this)and its lightness of style. Utterly harmless, but instantly disposable stuff.
The ending aside--where the oddness is confined to just the last two pages--this is a superb character study of five disparate main characters and a handful of minor characters. Hardy is a master at imbuing each character with not only distinct personalities, but with the inconsistencies and flaws that make them leap, whole and warm-blooded, from the page. His characters are never stock people; they always seem as though they are people you could (or do) actually know in your own life.
The primary character is Anne Garland, a lovely country village girl who is much sought after by three different local men. These include Festus Derriman, a ne'er-do-well with a temper and a lust for his uncle's money; John Loveday, a soldier and the trumpet-major of the novel's title, who is the kindest, most patient character I believe I have ever seen in a novel; and John's younger brother Bob, who is a boisterous sailor with good intentions but a short attention span when it comes to the ladies. The machinations by which these three seek to catch Anne's eye is endlessly inventive and endlessly interesting for the reader, and her varied reactions to their attentions is a marvel of observed detail and the inconsistency of human nature. By turns hot and cold towards each of the men, Anne never seems shallow or thoughtless--merely human. There is also another sharply etched female character, the actress Matilda Johnson, who appears only a couple of times, but who is the linchpin of much important action.
As always, Hardy likes to insert subtle humor into even the most serious of situations. In detailing the village's concern about Napoleon (who is referred to frequently in the book by the derisive nickname "Boney"), Hardy writes:
Widow Garland's thoughts were those of the period. "Can it be the French?" she said, arranging herself for the extremest form of consternation. "Can that arch-enemy of mankind have landed at last?" It should be stated that at this time there were two arch-enemies of mankind, Satan as usual, and Buonaparte, who had sprung up and eclipsed his elder rival altogether. Mrs Garland alluded of couse to the junior gentleman.
You will be surprised, as I was, by the man with whom Anne Garland ends up. Yet now, just a day or two after having finished the novel and having been almost affronted by the abruptness and seeming insuitability of the ending, my position has softened and I can see that Hardy was actually quite true to the characters, their motivations, and their choices--however inconsistent they may at first have seemed to the reader. This is not by any means a great Thomas Hardy novel, but an average novel by Thomas Hardy is still a marvel of construction, of character, and of plot.
Apparently, this book was the basis for the 4-hour movie that periodically shows up on TV. While the movie presents a one sided view of Dianne Masters as the victim of her husband, Alan Masters, the book does point out some negative aspects of her life.
The biggest drawback of the book is the lack of access to anyone close to Alan Masters. Therefore, the author provides a rather shallow picture of Alan Master's viewpoint.
If you have seen the movie, the book does fill in many blanks left by the film and provides background information filmmakers leave out because of time restaints.
He later worked closely with Bob Kennedy in the Justice Department, and his memoir gives fascinating insights into this most capable and best-motivated of the WWII Kennedy brothers. Note: the title *does not* refer to those brothers; and note further: the "Band of Brothers" initials form "Bob." (In Arthur Schlesinger's "Robert Kennedy and His Times," near the end of chapter 11 on staffing the DoJ, Schlesinger mentioned Guthman's book with that terrific title. Soon after I'd read that, much publicity emerged about the 2001 TV series of almost the same name, which coincidence was intriguing enough to move me to locate the Guthman book.)
Guthman provides a unique and warm, respectful but not worshipful, set of insights into RFK's strengths and struggles as a survivor of the Joe Kennedy household, Senate investigator, and officeholder. He was present with Bob Kennedy for many meetings, plans, and conversations which directly determined the course of powerful events for the US, especially during the almost- unbelievable 1960s. It's high- energy material.
We now live in times of school shootings and terrorism, with ordinary people rising to the challenges of extraordinary demands. There has been a remarkable amount of Cuba news as well (Elian Gonzales, Castro's condition). That makes it all the better to see how Guthman shows JFK-RFK leading the nation to deal with labor- management corruption, the Cuba-nukes and Bay of Pigs crises, and attempts to keep civil rights away from much of the population. For many younger US readers now, it will probably be hard to imagine those times, as urgently important as they were to where we are now.
Caleb in some strange way ends up traveling from the future to our time. The lovely, self sufficient Libby helps him thinking he's a plane wreck victim. The way Caleb reacts to everyday items in this century is funny. I found myself laughing through this story and the ending is great!
Jacob travels through time in search of his brother., Caleb and to bring him home. While Jacob is waiting for his brother to return from a trip with Libby, he slowly begins to fall in love with Libby's sister. Sunny. The ending of this story is better then the first and it will surprise you!
These two story's are reprints combined to one great book. Even if you are not a big time travel reader, if you like Nora Roberts you will not be disappointed.
I am a big Nora Roberts fan, but I still always approach each book objectively, and the bottom line is, this book was highly enjoyable.
Both stories are romantic and quite funny at times. I found myself laughing out loud at Caleb and Jacob's reactions to the twentieth century.
I certainly wouldn't call this novel one of Nora's very best, but it was original and it was lots of fun to read. I did not get bored by it, nor did I find the love scenes too long.
So don't listen to all these critical people, just sit back, relax, and join Libby & Caleb and Sunny & Jacob on their incredible journey through time to find true love.
What a wonderful surprise.
In the first story:
Caleb in some strange way ends up traveling from the future to our time. The lovely, independent Libbie helps him thinking he's a plane wreck victim. The way Caleb reacts to common items in our century is funny. I found myself laughing several times. I particularly liked the ending.
In the second story:
Jacob travels through time on purpose in search of his brother. While Jacob is waiting for his brother (Caleb) to return from a trip with Libbie, he slowly begins to fall in love with fiesty Sunny. I liked the ending of this story even more than the first story.
I appreciated the true to life feelings that Nora is able to depict in her writing. I also appreciated the fresh look at our century.
The Apocalypse Watch reads as though it were written by a screenwriter. The plot moves swiftly, and is carried by the dialog. However, there is a conspicuous shortage of descriptive prose. Locations, buildings, scenes, and persons are usually described in one short paragraph. That leaves little room for local color, atmosphere, or character development.
The Apocalypse Watch is a big disappointment for this Ludlum fan. I can't recommend it.
As I read 'The Apocalypse Watch' I kept getting the distinct impression--at first--that this was a direct sequel to the wonderful 'Holcroft Covenant'...but that isn't quite the case. Then after reading a bit further, I felt that this was a quasi-re-write of 'Covenant' instead...but again, that isn't quite the case, either. As far as plot goes, it wasn't exactly Ludlum's most original, but I have to say, it certainly moved with the usual pace of his average thrillers. As I read this book, I felt somewhat saddened that truly one of the great Adventure/Thriller authors of all-time had begun to reach that point where his edge, his ability to be fresh has started to come to an end. What seems to have started with 'The Scorpio Illusion' has now continued with 'The Apocalypse Watch' and although I have high hopes for his future novels, it DOES appear that the 'absolute master of the superthriller' has seen the decline of his ability to dominate the audience he himself helped to create. But even so, I still enjoyed this book more than a LOT of other novels released in the past 5 years or so that were hailed as genius literary works of art. In my opinion, Ludlum just cannot escape his earlier novels, and his faithful reading audience has a very difficult time indeed reading his books without comparing them to his other tremendously entertaining novels. If we could do that, his novels (including his more recent ones) would stand up rather well.
List price: $13.00 (that's 20% off!)