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I actually finished this book days ago, but have had to take the time to sort out my feelings about it. Ms. Llywelyn has written a powerful story. She has taken the old Irish legends of Finn Mac Cool, and retold them in the form of historical fiction. Finn is presented as a larger-than-life man, one whose peculiar talents can make him and can also unmake him.
This book is an enthralling read. It contains stories of action, and stories about life. I wholeheartedly recommend this book.
The story of Finn Mac Cool is one of a young man from one of the lowest classes of Irish society, driven by ambition and strength to rise above his birth and bring to his people new respect and status.
The legend of Finn Mac Cool is full of mythological elements, and Llywelyn incorporates these very well, so that the reader never feels as if they are reading a fantasy adventure.
There are many fascinating conflicts and layers in this book and within Finn Mac Cool himself. Finn's constant battle of wits with the king, his enemies, and the wise but dangerous Goll Mac Morna serve to heighten his inner struggles over race, class, and success.
For the casual reader, this book will serve as a rousing tale of Irish lore. For the more serious reader, or lover of Irish history, it will serve as a fascinating character study and glimpse into Irish past.
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More than anything this book shows just how far ranging the influence of the ancient Celts was, long before the word "Celt" became synonymous with the word "Ireland". While not as good as "Bard", "Lion of Ireland", or "Finn MacCool", "The Horse Goddess" is a good book - well worth reading, if for no better reason than to get background for Llywelyn's later books.
This is another wonderfully written book that keeps you interested from start to finish. While it's a love story at heart it is a book that everyone can read and enjoy.
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Reading this book makes me proud to be Irish! It tells of the family of Brian Boru, the high King of Ireland.
This is an absolutely brilliant look into the daily lives of the ancient Irish and kept me reading from start to finish!
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As a journalist, Henry is privy to a lot of private information - some he isn't even able to print. In 1921 the events become more than just dates and places and the people involved more than just names. They become very real to the reader as Henry finds himself smack dab in the middle of much of the action. His friendship with Michael Collins is at the forefront of the story, but as Henry tries his best to remain neutral after the treaty is signed, it is clear it is going to be very difficult for him to do so.
There's romance for Henry as well. He falls for widow Ella Rutledge, an Irish native of English ancestry, a protestant whose family allegiance lies with the British. Will he ever find true happiness with the beautiful, intelligent young woman when her family feels like they do?
I was surprised to see that Llywelyn used Henry as the protagonist instead of Ned, but I applaud her for doing this as in so doing she was able to give a more objective point of view - something that might appear very difficult to do.
Even though the reader may be aware of many of the historical events, he/she is still stunned at the brutality and the atrocities of war in a story which it is difficult to know which side to sympathize with as horrible, unspeakable acts of brutality were carried out by both sides. It becomes clear it isn't as simple as Catholics vs. Protestants.
By the time the reader finishes these two novels (1916 and 1921) they are certain to have a better understanding of today's Irish "Troubles" -- although understanding doesn't mean condoning the violence.
One can only hope that Llywelyn is planning to continue this series as has done such a spectacular job and as Henry tells Ned, "History tells what happened; literature tells what it felt like."
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I was a little surprised that Llywelyn actually included human sacrifice in her portrayal of the druids, considering that the only source of "witness" to such practices were the Romans themselves, who, being the enemy of the Gallic Celts, were known to create various lies to plant fear of the druids in the minds of their followers. Note that I am not deducting any stars due to this, though, because there is very little we know about the Celts and their lives and one cannot be absolutely certain.
However, I feel the need to defend this book against some of the reviews, because, frankly, many of them were down-right stupid.
Take, for instance, the reviewer who deducted a star merely because it had a "sad ending". How many books have sad endings? Some of the greatest books of all time do! It has nothing to do with the quality of the book, so don't deduct from the average star review for such a stupid thing as that! He follows up with an "Oh, well, that's history" attitude. So why deduct the star at all?
Oh, and the person who complains about the central character being "egotistical"...So what if he ever showed any signs of egotism? That's his character! Once again, that's a part of the story. And then you spoke of the Romans being "exaggerated". That's because it was from the Gallic Celts' point of view. Of course they're going to portray the Romans that way! It's their point of view! Oh, and if you're going to bash a book, at least use something resembling good English grammar so you don't look like a complete fool. There's a difference between typos and not using anything resembling capitalization, punctuation, etc. When talking about the Romans, use the plural form of the word. "of Roman" does not cut it.
And there was another man who said the characters were too "sophisticated" for him, because the Celts are shrouded in such mystery. You're right, there is much we do not know. But the author has the license to guess. She seems to have done a fairly good job at remaining as historically accurate as possible. What do you want her to do? Have paper-thin, 2-dimensional characters? Come on! She has to breathe life into them somehow! And there is hardly a reason to believe that the Celts didn't have the vocabulary to express concepts such as "professional jealousy."
Sorry for ranting like this, but I'm tired of stupid, trivial reviews complaining about stupid things. Reviews such as "this isn't what I was looking for", so the book itself is terrible because "I was unaware of its true content".
Like I said, this wasn't a perfect book. I give it four stars because I believe it deserves that much for it's fluidity and presentation. It reads pretty well. But it lacks something.
The plot is fairly simplistic and easy to understand. We follow the boy Ainvar as he has his first awakening when he somehow revives his grandmother from death at a Druidic ceremony, to his eventual role of Chief Druid, and advisor to one of the greatest Celtic warriors.
The characters are all very carefully woven, and interesting to watch develop. If you think you know a character, then they will often suprise you with new aspects surrounding their personality.
Finally, this book is quite emotional. There are many heart-breaking events, but they all seem to be handled in a wonderful fashion, and they aren't used as useless plot points.
The romance may bother some, 'Druids' doesn't preach monothesic relationships by any counts. The main male seems to get himself involved with about three women at the same time. This didn't bother me however, and it is written in a 'classy' style and not in a fashion that would insult a woman.
I reccommend this novel to practically everybody. (Except, perhaps, historians who could probably find many errors) Read this if you want an engrossing tale.
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By the end of the novel, I did not want to put the book down and hope that Ned's experiences will be continued. After all, the story of Irish independence did not end in 1916.