This is a very well-written and highly engaging work which covers many facets of opera, from performance histories and traditions, to singing and staging techniques- a little of everything. The author is obviously a devoted and knowledgeable opera lover of many years' experience. In the excellent introduction, which is longer than most of the subsequent chapters, Littlejohn makes generally successful attempts to codify such elusive concepts as "good" versus "bad" opera. If there is any fault whatsoever, it is the fact that, in his enthusiastic discussions of a subject he obviously loves, the author contradicts himself at times. He declares himself willing to place his faith in the hands of stage directors to enliven and re-invigorate the tired old classics through ingenious staging concepts, yet he condemns the likes of Peter Sellars and other directors who attempt to do the exact thing Littlejohn was urging just a few pages before. If he considers i! t incumbent upon these directors to do something new with opera's classic works, he must also accept the results, however misguided. But he is an unusually open-minded critic, and can even include some (mostly) impartial analysis of Richard Strauss' "Elektra" in a chapter on Greek-derived operas, for example, despite the fact that he acknowledges disliking the work tremendously. A lesser critic might have ignored "Elektra" altogether, but as it is one of the most prominent and successful operas based on a Greek source, Littlejohn dutifully includes it and gives the opera much sharp analysis. His tastes are quite broad, and while I do not personally care much at all for the likes of Handelian opera, to take one example, I found every essay thoroughly readable and enjoyable, and learned much that I did not previously know. This is probably the most wide-ranging single book on opera on my bookshelf, and any opera fan will find much to enjoy within its pages.

This book is primarily written by a handful of contributors, mainly journalists and edited by a seasoned journalist and former journalism professor at the University of California-Berkeley. Because of the number of authors, the quality of the chapters vary, but in general, this was a very noble effort and a well-thought out and implemented project. The idea, according to the editor, was to demystify the resort destination and to look at it as a real, although unique American city.
The introduction by the editor is excellent, as is his epilogue, synthesizing and analyzing the content of the book.
The chapters in between discuss various aspects of the city, the educational system, the plight of the homeless, the large population of hispanic immigrant workers, the casino and sex "industries", the scarce water supply, etc. The book also attempts to discuss such things as the special characteristics of Nevadans.
Many of these chapters are very well written, and are all very easy to read. Some of the authors tend to fall into a pattern that I find particularly troublesome about, in particular, television journalism. The author is looking to make a point (for example, there are a lot of kids in the Clark County School District who use drugs). So, they interview and present the most shocking results from their interviews regarding what a few kids say about their drug use. Never mind the fact that one could have probably obtained similar comments from some kids in any other city. Reading the chapter on the schools, I would think that it is impossible to grow up in Las Vegas and to be a good kid and not drop out and go onto college. However, quite on the contrary, over the last 4 years that I have lived in this city, I have interviewed 30+ high school seniors on behalf of my alma mater on the East Coast. I have met kids who are outstanding students, have some of the highest test scores in the nation, are deeply involved in athletics, music, and community service and have never touched a drug and don't regularly hang out on the strip.
It is very difficult, I believe, as a visitor, to get a true picture of this city. The tourism economy actively attempts to create and maintain the atmosphere of "anything goes" "have fun and drink and gamble and do whatever you want" for the tourists. However, as the editor astutely notes, beyond the strip, "many conditions recorded in this book will be recognized by Americans from other states and cities..."

Beyond some of the shortcomings, this is a very well-done work. Some of the authors spent a great deal of time locally researching their work. The introspective thoughts by the editor really pull it together. As a resident, I find this book helps me to get some critical distance to evaluate the city in which I live. My only fear is that for someone not familiar with the city, the work of some of the authors may paint a uncharacteristically negative picture in some cases that does not give Las Vegas the proper perspective in these problems relative to other places.

It seems from the reviews that some people were disappointed by this book, but I really enjoyed reading the various essays. The book is a series of journalistic essays from different writers, and each one writes for about 5-7 pages on a specific topic. Some of the topics the book covers are housing/development, water, the sex industry, African Americans in Vegas, crime, growing up in Vegas, etc. Some of the essays were more serious (water) than others (sex industry), but all of them offered a nice insight into the city, especially if you've only been there a few times and have never ventured beyond the strip. I read this book a few months before moving to Henderson, NV., and thought the book was a nice way to get acquainted with the city and what goes on there. This is definitely not a book for tourists or someone planning a trip to Vegas, but more for people who live in the area, people considering moving there, or perhaps people who have visited and developed an interest in the area. It's an easy read, and an enjoyable one.

Having spent at least 1 week a year in Las Vegas since 1960, the scope and breadth of the "Real Las Vegas" was rewardingly real, and suprisingly interesting and very readible. Staying at the Sands Hotel in the sixties with my family and - the obvious metamorphousis of a few casinos in the desert to what is is today is a marvel and wonder. The 2 reviewers listed seemed to be looking for some explanation or reason for the diversity of L.V.. Answers. Answers - You won't find any here. The stories and straight up, direct, and frank. Real investigative insight into some of the many facets of life in Las Vegas. What I really liked about this book is it's about real people, with real dreams and disapointments. It's about a city that's grown too fast, under the stewardship of gaming, sex and power. It's about the extremes. Las Vegas is a wonderful metephore for the United States society - some are just turned off the the brash and brazen display of human nature Las Vegas encourages. You won't like all the stories, but you will find some very moving people and issues. The introduction is 1 of the best sections in the book. They had to leave out many sories because of space. I hope there's another volumn.