This book is simply amazing. It's a must read for any Buddhist or non-Christian who has ever been verbally attacked by a zealous Christian. And it's an important book for Christians to read because while it may not convince them that their deity does not exist, it may help them understand why the majority of humans reject their concept of god. Mr. Dharmasiri is brilliant in his analysis and understanding of the Christian concept of god, and he goes to great lengths to illustrate the irrational nature of such belief. Furthermore, Mr. Dharmasiri does all this in the compassionate and understanding way that has always been a halmark of Buddhist debate. He does not ridicule or belittle. I really hope more people take the time to read this book.

The only problem with the book is that it's hard to find. The only place I know where you can obtain a copy is in Sri Lanka at the Buddhist Publication Society.

A very important novel of the 19th Century. How it is included in the best novels of the 20th Century by the New York Times is beyond me. The book was begun more than 30 years before 1900. Although completed in 1872, it lay unpublished for nearly 30 years; presumably until such time as some of its anti-Victorian ideals would be more palatable to the British public.

The story principally centers around the life of Ernest Pontifex, an impreesionable and naive young man who is reared by devout Anglican parents. Their well meaning cruelty shelter Ernest and cause him to make bad decisions and derail his ambitions. As a result of the consequences of these bad decisions, Ernest learns to manage his own life and becomes a success despite his early failures.

Although important in its time, the novel is brutally slow.

The Way of All Flesh covers six generations of strife in the Pontifex family, and spans a period from 1750 to 1880. However, the bulk of the story concerns the life of Ernest Pontifex, from about age 5 up to age 28, and describes his unsatisfactory relations with his parents, his school, his church, his wife, and his friends. Sometimes we feel sorry for Ernest, because many of his problems are caused by unbelievably cruel or thoughtless people, and sometimes we're furious with him, because he himself is the author of at least half of his troubles, but either way his misfortunes make him stronger and move him steadily along the path to maturity. Throughout, the book remains an easy read, although the writing is very witty and often rewards close examination.

Even today, 100 years after the book's publication, a reader finds many things to identify with. Anyone who felt unjustly treated by his or her parents or teachers will find much to sympathize with here. Anyone who has wrestled with the conflict between Reason and Faith will find much to think about here. Given how much change the last century has seen, it's surprising how many of the issues still seem fresh and relevant, and the book definitely makes you think about them. It is easy to see how many people have described reading The Way of All Flesh as a turning point in their lives.

A point worth keeping in mind: the characters are all described from Ernest's point of view. Several clues tell us that Ernest exaggerates the cruelty of various characters - some of whom seem evil beyond belief, and I think it's quite clear that, at these points, we're supposed to smile at Ernest - not shake our heads at the author. This is most obvious with Ernest's schoolmaster, Dr. Skinner, whom Ernest consistently sees as a pompous fool, but who we also know is very popular with the best students, and who shows other signs of being a much better man than Ernest believes him to be.

The footnotes in my edition (Penguin Classics 1986) are very skimpy, focusing on comparing elements from Ernest's fictional life to Samuel Butler's real one. The failure of the notes to translate passages in French or Latin, or to explain very contemporary references, is inexcusable. (E.g. but for the recent controversy over his Beatification, we'd have no clue that "Pio Nono" was Pope Pius IX.) Hoggart's introduction (1966) is decent but a bit dated, not having weathered as well as the book itself!

I read this book after reading all the reviews on Amazon not knowing what to expect: Incredibly boring or amazing insightful? I have read many books written in that same time period. I believe this to be the most mature work to come out of England in the late 19th Century(although it was published later). I enjoy Dickens, Hardy, and Eliot very much, but Butler makes their works look like grocery store fiction. I can see how many people might be bored if they were expecting a great story. While the story is excellent, it is more a book about ideas. Butler uses his hero to voice his commentary on Victorian ideals. Most of it is still very relevant today, though. I think it will be most relevant for people that have been exposed to the religious right wing who still hold many Victorian values. I enjoyed the characters and the story was compelling. There are many beautiful passages. It was very funny at times and somewhat sarcastic. The narrator reminded me of Hemmingway born 50 years earlier in England. What impressed me the most was Butler's modern style of writing. Much less wordy than Dickens. Dickens would have taken 800 pages to express the same thoughts. I also felt a real kindred to the main character Ernest. This is ultimately a coming of age book which most people will be able to relate to in one way or another (unless you haven't grown up yet). I would recommend it to all serious readers.