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new and different approaches to Anton Zarnak' from action, to horro and even some comedy mixed-in. More anthologies should be this
fun.
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"Conan the Liberator" tells the story about a revolution mounted against the evil Numedides, King of Aquilonia, by Conan the Cimmerian, a former general of Numedides. People are fed up with the debaucheries of Numedides, and the high taxes that go along with them. But Numedides is under the spell of the evil Lemurian sorcerer Thulandra Thuu, a man who wishes to further his own interests through the king. Conan has other ideas, and assembles an army with the help of Count Trocero, a nobleman of Poitain; Dexitheus, a priest of Mitra; Publius, a rebel tax accessor; and Prospero, another exiled general. The army assembles in nearby Argos, where spies keep watch on their activities, and a beauty by the name of Alcina, in the employ of Thuu, watches Conan. The entire book is a painfully detailed account of the grinding excursion north to a showdown with Numedides and Thuu.
"Conan the Liberator" is the worst fantasy book I've ever read. Page after page is loaded with meaningless dialogue and politics. I always felt the name Conan was synonymous with action. This book showed me the error of that type of thinking. NOTHING happens in this book. Sure, there are a couple of short battles during the course of the story, and Thuu manages to cast a couple of spells against Conan and his army. But overall, these few scenes are not enough to justify writing this book, let alone reprinting it. Almost every scene manages to land with an earth-shattering thud
Character development is criminally, excruciatingly flat. I've seen better character development in industrial training films. Not one character ever rises above simple human traits such as breathing and moving. It will be a miracle if I remember anything about any of them in a few days.
What is good about this book pertains directly to the creator of Conan, Robert Howard. The introduction is good, and the map of Howard's fantasy world is fascinating. According to the introduction, Howard created a world with a mix of ancient, medieval, viking, and biblical place names. Howard placed his world between the sinking of Atlantis and "the emergence of the cities." Our gods and mythologies, according to Howard, are fragmentary memories of this forgotten age.
Avoid this clunker at all costs. Go out and find the original stories, or rent the Conan movies. Learning Esperanto or cleaning the lint out of your navel would be more fun than diving into this cesspool. I suspect Howard would be quite testy if he was still alive today to witness what others have done with his ideas.
Conan and his advisors anticipate and plan a war they expect fought in which blade goes against blade. Instead, the evil sorcerer Thulandra Thuu and his servant Alcina intercede. Soon a mysterious illness threaten to do what the king's forces have failed to do, destroy the rebel army unless Conan can find some way of saving himself, his soldiers and ultimately the people of Aquilonia.
This is a reprint of an exciting sword and sorcery tale released over two decades ago. The story line is fast-paced and loaded with non-magical and esoteric action as expected from the novels starring the pre-history hero. Conan remains dauntless while trying to do what he believes is right while his deadly foe Thuu will return for another day (or is that novel - if this reviewer's memory holds see CONAN THE SWORDSMAN).
Harriet Klausner
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