The very short 1981 edition currently before me features black and white illustrations by Philip Gough, and was translated by Naomi Lewis.

There's been a trend lately for fantasy authors to take traditional fairy tales and retell them, either as novels (as in Mercedes Lackey's case, or Peggy Kerr's _The Wild Swans_) or short stories (Tanith Lee did this even before Terri Windling came along). Hans Christian Andersen's little gems *aren't* traditional folk tales - he did the work - but quite often serve to fuel such fires anyway.

The translator, Naomi Lewis, has included a brief introduction discussing Andersen's life and career, and a few pages of notes at the end of the book discussing the original publication and origins of each story herein.

"The Princess and the Pea", "Thumbelina", "The Emperor's New Clothes"

"The Little Mermaid" - If you're only familiar with the Disney version, I warn you that they discarded much of what makes this story truly great. When evaluating a translation of this story, a quick test is to check the last scene between the mermaid and her prince to see how well the translator captures the actions and feelings of the characters.

The youngest of the seven mer-princesses has always been more fascinated by her grandmother's tales of the world above than any of her sisters, but she has the longest to wait for her first trip to the surface on her fifteenth birthday. Since mer-folk turn into seafoam at the end of their 300 years of life and have no immortal souls, she is especially curious about her grandmother's tales of how humans, when they die, can rise into a higher world just as the merfolk rise to the ocean surface, but one the merfolk can never reach, save through a human's love. (Oscar Wilde once turned this upside-down in "The Fisherman and the Soul", a very good story in which a fisherman fell in love with a mermaid and magically cut himself free of his soul to join her in the sea.)

As each of the sisters in turn makes her first journey, we see the world through their eyes, and since each has a different temperament and their birthdays fall at different times of the year, each sees and seeks out different sights. But when the youngest princess' turn finally comes (her name is never given), she has experiences that even the 3rd sister (the most adventurous of the lot) never had: a prince's birthday celebration at sea is struck by a great storm, foundering his ship before her eyes.

"The Steadfast Tin Soldier" - A toy story.

"The Nightingale" - Try Lackey's _The Eagle and the Nightingales_.

"The Ugly Duckling"

"The Snow Queen" - Check out Joan D. Vinge's novel of the same name.

"The Shepherdess and the Chimney Sweep" - They're porcelain figures who have fallen in love, but when her grandfather arranges a marriage for her with a mahogany carving instead, they decide to run away together.

"The Happy Family" - One of Andersen's lesser-known stories, of a little family of snails who know that they're the most important people in the world. :)

"The Goblin at the Grocer's" - The poet rescued an old book of poetry from the grocer who was using it as scrap paper, and the household goblin took offense at what was said. But when he entered the poet's room to play him a spiteful trick, he got more than he bargained for.

"Dance, Dolly, Dance" - Very short story about a poem written for little Amalie and her dolls.

Not bad, but if you were really looking for some real knowledge of Lewis' teaching style this isn't it...it's pleasant reading, but not terribly informative. Also, it does not show the complete Lewis character. Based on sources at Oxford, the real C.S. Lewis was impersonal (even by British academic standards) with some of his students, and could be withering to those whom he felt were not terribly bright or motivated.

I've always been a bit surprised and suspicious of the C. S. Lewis industry: the fact that I like reading Lewis, doesn't mean I like reading about him. (Though, if push comes to shove, I have to admit I do. Just no slobbering, please.) Fortunately this is a collection of essays by colleagues, students, and friends of Lewis who, even while writing about Lewis, have other things on their minds -- the purpose of English teaching, Oxford, redemption, even (in the gardener's case) his own bad jokes. There are even a few critical stories. Most of the essays are well written and insightful, and gave plenty of Boswell-like anecdotes not only of Lewis, but of other peculiar denizens of Oxford as well. Graham could have saved himself the occasional bone thrown to evangelicals, though, as far as I'm concerned. I really don't care how Bob Jones reconciles the work of the Holy Spirit and beer. Billy Graham and J. I. Packer didn't seem to have much to say. Also, the editor protested a bit too much about "hero worship." There's no need to apologize for this book, otherwise.

The book arrived in the mail on Friday afternoon. By Saturday afternoon I was chewing on crumbs.

To me, one of the most interest comments was the suggestion by one writer that Lewis had been influenced by the marvellous chapter "The Ethics of Elfland" in G. K. Chesterton's Orthodoxy. I am beginning to suspect that Wilhelm Grimm was a very clever, and also successful, evangelist, and that there might be a secret link between the Seven Dwarves and Trumpkin.

author, Jesus and the Religions of Man

While good in intentions and accurate in information presented, the book lacks clear and concise order and becomes very confusing for the begining pathology student. It also focuses too much on obscure conditions while ignoring more common ones. Very disappointing.

Compare with other oral pathology book, this one give a comprehensive information of different kind of pathology such as etiology, definition of each disease, clinical and radiographic findings and treatment. Excallent pictures make you easily got the ideal of that book.

Pauly tries to assign an historical importance to American biologists that simply doesn't exists. He claims that they have significantly influenced American culture, but his examples are narrow in scope and unconvincing. Pauly is a champion of biologists, as you would expect from a historian of biology, but he goes too far. Biologists have largely been a tool in shaping American culture, rather than a motive force as Pauly claims.

This book, with its great scope and complicated objectives, could not help but fall short in some aspects. Some of his historical analogies (the Grey/Agassiz conflict and the civil war) are a bit of a stretch, and the information on nearly all the scientists leaves the reader wanting. Nonetheless, this book covers an extremely broad range of topics, people...the type above the title says it all--"From Meriwether Lewis to Alfred Kinsey". This is obviously not going to be extremely in depth on many subjects. The chapter on biology's integration into the high schools is by far the best section of the book. A book that fulfills a specific niche admirably if not terribly enthrallingly.