It was 1958 when a twenty-four-year-old George Attla limped to the staring line of the Fur Rendezvous World Championships sled dog race in Anchorage, Alaska with a team of dogs borrowed from family and friends in his hometown of Huslia, Alaska. Three days later he won with a record-setting victory -- the first of many championships won by the man who would become the greatest spring dog "musher" of all time. An athabascan Indian from a tiny Koyukuk River village, Attla was diagnosed with crippling bone tuberculosis as a child, a disability that resulted in a permanently fused knee. Unable to work with his father on the family trap line (as Attla boys were expected to do), George began work training the family pups as a young boy. The dogs became his life, and "mushing" his life's work. Spirit Of The Wind: The Story Of Alaska's George Attla, Legendary Sled Dog Spring Champ is the inspiring biography of an unusual man who overcame all manner of obstacles and impediments to fulfill his life's dream, and in doing so, became a true and authentic champion!

Christian Mythmakers is a good overview of some of the thoughts and ideas of various Christian fantasy writers. While the chapter on John Bunyan is basically little more than a summary of Pilgrim's Progress, the rest of the book is interesting and thought provoking. The chapter on Charles Williams is a "must read" for anyone interested in or confused by Williams' work.

This book is a fascinating look at ten Christian mythmakers, that is authors who have used the power of myth to convey Christian truths in a new way. The narrative begins with John Bunyan and his seminal Pilgrim's Progress, continues through George Macdonald, G.K. Chesterton, Charles Williams, J.R.R. Tolkien, C.S. Lewis, and finishes up with Madeleine L'Engle, Walter Wangerin, Robert Siegel, and Hannah Hurnard.

Professor Hein begins with a short biography of the author, and then proceeds to explain the author's work, examining its theology and significance. I found this book to be quite fascinating, with the author giving me a look at these masterpieces of Christian literature in a way that I had never thought of before. If you are a fan of any of the authors above, then I highly recommend that you get this book!

I had the privilege of taking courses under Dr Hein in the early 90's at Wheaton. He is a very knowledgeable teacher and has great affection for the people he is writing about in this book. If you have any interest in these authors, this book is a must read. I wasn't aware that he had written this book when I came across it looking for books on George MacDonald and C.S. Lewis. As an Economics major, I somehow ended up taking four Lit. classes from Dr Hein because he is such a good instructor and passionate about his subject matter.

I bought this book for my granddaughters and immediately began looking for other books illustrated by Lynch, because it is so beautiful. The story is well-told and nicely paced---altogether pleasing.

My name is Elizabeth, and i think that this book is the BEST book I ever read. This book is about a young maden who is so beautiful. One day ever father becomes ill and she needs to fetch him a cup of spring water from the fountain far away. When the maden gets there she drops the cup into the spring. Then a frog gets the cup. he said that in order to do this she must let him have one wish. Then the madens fther becomes better. The maden lives a happy life once again. The frog comes to her house and asks her to kiss him. The maden refuses. Find out what happens to the maden..... she searches far and wide for the one she loves.... I recomend this book because it was so good I remember when my grandfather read it to me and i absolutl loved it! This IS my favoite book!

This book was amazing, captivating and entertaining. The first time I read it was when I was 7 years old and I still enjoy it today.

Peter Bogdanovich has written a book that is for the movie enthusiast. I suspect the general reader may find some of the interviewees obscure, and the topics technical. I feel that is their loss. For the student of film or film history, this is a treasure trove of information, ideas, experiences, and feelings about films taken from interviews with some of the most distinguished directors in movie history. The author's selection is not encyclopedic, but the directors' experience spans from the earliest years of silent film to the present. These men are not just informative, but their strong and distinctive personalities show in each interview, giving the sense that one has actually met and understood many of them. Some of the interviews are brief, or even very idiosyncratic, but the best are delightfully personal. This is a long book, but affords many pleasant evenings of good conversation. It also makes one want to go back and see the films again!

Peter Bogdanovich pioneered the director interview in English, and this wonderful collection will give endless pleasure to film buffs. The book-length interview with Allan Dwan alone is worth the price of admission. Bogdanovich always did vast amounts of study before sitting down to talk with his subjects, and his expertise and enthusiasm encouraged them to open up in a way they usually did not with other interviewers. Anyone writing about the careers of the directors Bogdanovich interviews has to start with his work on them. A fitting companion piece is Bogdanovich's encyclopedic interview book "This Is Orson Welles."

The title was suggested by Howard Hawks who once observed, "...I liked almost anybody that made you realize who in the devil was making the picture...Because the director's the storyteller and should have his own method of telling it." Hawks is one of the 16 "legendary film directors" represented in this volume. It is important to keep in mind that these are conversations rather than interviews such as those conducted by Robert J. Emery in The Directors: Take One and its sequel, The Directors Take Two, as well as interviews conducted by Richard Schickel in The Men Who Made the Movies. It is also worth noting that Bogdanovich is himself a distinguished director of films such as The Last Picture Show, What's Up, Doc?, They All Laughed (a personal favorite of mine), and Texasville. As a result of his own background, Bogdanovich's questions and comments reflect somewhat different interests and perspectives than do those of Emery and Schickel.

I rate all of these books Five Stars but probably enjoyed reading Bogdanovich's book the most because the conversations ramble along somewhat messily, as most of my own conversations tend to do, and also because Bogdanovich is more actively involved in the interaction than Emery and Schickel are. As a reader, I feel as if I were really an eavesdropper as 16 directors casually share their opinions, information about specific films and actors, gossip, "war stories," and overall evaluations of their careers' various successes and failures. At no time does Bogdanovich seem intrusive or manipulative. Moreover, perhaps to an extent he did not realize when writing this book, he also reveals a great deal about himself...much of it endearing and some of it admirable. His passion for film making and his appreciation of the great directors are almost palpable. Readers' interests about various directors and their respective films obviously vary. I include myself among those who are die-hard film buffs and so I enjoyed reading every chapter and every word in each chapter. Indeed, each conversation was for this amateur "gourmet" a feast to be consumed with delight and, yes, gratitude.

I was hoping there would be documented cases within this book but there are not. All Keonig talks about is "many cases", "various cases" and "multiple studies" which makes his assertions somewhat dubious.

I was hoping for some; "In 1994, at Harvard Medical school, 345 patients...." type stuff. I didn't find it.

If you want a light/feel good read this is it.

If you want facts and figures look elsewhere.

Dr. Harold Koenig is a professor of medicine and psychiatry at Duke Unversity Medical School. He writes a candid account of his spiritual journey that motivates his research interests in religion and health. Evangelical Chrisitans will especially appreciate the book and its honesty.

It is pleasantly refreshing to find a medical doctor and scientist willing to tell their life story with such vulnerability and humility. Disagreeing with the editorial review mentioned earlier that Koenig, "succumbs too often into self-congratulatory mentions of his many achievements," I rather think that Dr. Koenig presents his story honestly as part of his own struggle to realize his purpose in life. The Healing Connection by Koenig is an excellent book for the lay person interested in the relationship between faith and health. I would strongly reccommend this book!

This is a very good biography of George Washington during the French and Indian War years. It is written well, enjoyable and easy to read.
One of the things I especially appreciated was the writer explaining just how George Washington became involved with the colonial goverment, so that he was ever asked to be involved in the political situation of the time. Not many books make this clear.
The book not only covers George Washington, but also hits upon the politics of the time and many other important people involved during this exciting historical period.
I am glad I read the book and I recommend it to others. This is an especially good book for those with little knowledge of George Washington's involvement with the British government and the politics of the French and Indian War.

This is by far the best biography of the early years of the life of George Washington I have ever read. Lewis gives us not only a brilliant introduction to young Colonel George Washington, but also a vivid analysis of the period of the French and Indian War, including the people, places, and circumstances of the conflict.

The book first gives a background on an adolecent Washington and his boyhood adventures as a surveyor in western Virginia. We learn how he grew up admiring the wealth and lifestyle of his aristocratic neighbors, the Fairfaxes, and how he began a long journey to emmulate them and to be a part of their privileged world. However, Washington's own ambitions pull him in other directions as he becomes deeply involved in the brewing storm of events that would culminate with the conflict with the French and Indians over posession of the Ohio Country and the Trans-Allegheny region. We follow Washington as he attempts to make a name for himself with the Governor of the Virginia colony by accepting a mission to deliver a message to the French army marching south from Lake Erie to the Forks of the Ohio River. This single event pushes Washington from the "shadows of an ordinary life" onto the stage of history. We see as Washington botches his attempt to protect the Forks from a French invasion at Fort Necessity and his anger at his own failure to not only obtain a royal commision in the British army, but to even obtain a victory in battle. Lewis details Washington's involvment in the war from Braddock's disasterous campaign against Fort Dusquene in 1755 to his ultimate anti-climactic success at the end of the long and muddy Forbes' Road in 1758, after which Washington retires from public service to return to the simple life of a farmer forever.

I also enjoyed Lewis' attention to the background of the struggle that served as the forge of experience for young G. W. Here we are exposed to the details and origins of the problems with not only the French, but particularly the Indians living in the Ohio Country and the singularly important role they played and the failure of Washington, or any other whitemen, to grasp that importance. This is evident in both Washington's and Braddock's terrible defeats in the early war years. Lewis gives us fascinating accounts of Washington's peers, his allies, enemies. These are men like Ohio Company scout Christopher Gist, The Seneca chief Tannacharison (Half-King), friend and neighbor George Fairfax, and others. In the end Washington would emerge older and experienced from a bloody conflict prepared to take on an even greater leadership role in another later fight in the not too distant future. A great book that I highly recommend.

Lindskoog has a special taste for coincidences, unexpected connections, odd synchronicities, and the like. In this book she indulges her taste to the full, with enjoyable results. For those who already have some direct knowledge of Lewis, MacDonald, and Dante, this book will fill in blanks that they did not know, maybe, were there.

I particularly enjoyed reading about the connections between MacDonald and Mark Twain. Perhaps Lindskoog's case that _Sir Gibbie_ influenced Twain's _Huckleberry Finn_ by provoking its author should be taken under consideration by Twain scholars. I think it is a strong one.

The book is, as its title indicates, in the way of a potpourri, rather than a unified case. There is no connection here to the Dark Tower controversy explored by Lindskoog in her book _Sleuthing C. S. Lewis_.

Curiosity, tenacity, and dedicated truth-seeking have produced this delightful book. There is fresh meat here to nourish doctoral candidates for decades. The work's clarity of expression, depth of argument, breadth of illustration, humour and thoughtful tutoring are worthy of a session with Oxford's Inklings. Lindskoog's Primavera discovery alone would have ensured her a welcome there.
Lindskoog writes about certain literature by three men--Dante Alighieri (1265-1321), George MacDonald (1824-1905), C. S. Lewis (1898-1963). Sharing a belief in a changeless universe ordered by a loving God, their highly rational works and complex symbolism have a timeless appeal. Each engages in a "dialect of desire," leading the reader into the universal appeal of the Christian's certain hope in the Message of the Suffering Servant. (But each
is greatly enjoyed by readers who don't care about or accept their religious beliefs.)
This book is a collection of 23 essays. Due diligence unearthed the influence of Beatrix Potter on Lewis, Lewis' anti-anti-Semitism in the GREAT DIVORCE and George MacDonald's stories with dual meanings and prophetic warnings. But most of the book is taken up with some truly startling, sparkling, and sober revelations which also enlighten and delight.
In the due-diligence type, Lindskoog traces meticulously and with great originality the surprising connections of these men with each other and with events, art and authors before and during their times. In Beatrix Potter, whose books he read as a child, Lewis found "at last, beauty", intense desire, and pleasure "in another dimension". In "Where is the Ancient City of Tashbaan?" geography and politics combine to provide the background Lewis used in THE HORSE AND HIS BOY of the CHRONICLES OF NARNIA. (Lindskoog learned from Brad Brenneman that THE CHRONICLES are for sale in Tashkent in Russian translation.) In "All or Nothing: A Newly Discovered Lewis Essay", she paraphrases the text of a Lewis article that Perry Bramlett discovered and generously shared with her.
Only Dante was active in politics, but politics was the bane of each. Dante was framed as an embezzler and banished from Florence; MacDonald lost his church when accused of preaching "unbiblical" universal redemption, and Lewis, scorned by Oxford for his popularization of sacred concerns, left for a warm welcome at Cambridge. Indeed, if Germany had invaded England, Lewis might have been killed by the Nazis for writing of "subhuman dwarfs in black shirts called the Swastici" in THE PILGRIM'S REGRESS (1933).
Lindskoog reveals surprising evidence that in THE GREAT DIVORCE (modeled on Dante's DIVINE COMEDY) Lewis' "Beatrice" (Sarah Smith) is a Jewish woman overflowing with heavenly love. As a bonus, Lindskoog and others had noted the resemblance of the Sarah Smith hymn to OLD TESTAMENT Psalms. Lindskoog credits Joshua Pong for pointing her to Psalm 91, Lewis' obvious source.
Using cognition and noting coincidence, Lindskoog takes us ever further up and further in toward the connection among the works of these three authors and others. Each points, whether in canto or correspondence, verse or prose, with relentless consistency toward the eternal fountain. It's this reliability which helps Lindskoog uncover Lewis' debt to Sadhu Sundar Singh,
for example, in THAT HIDEOUS STRENGTH. "Links in a Golden Chain: C. S. Lewis, George Macdonald, and Sadhu Sundar Singh" ends whimsically with circumstantial evidence for a mystical passing of Sundar Singh's mantle on to MacDonald and from him to Lewis.
In "Roots and Fruits of the Secret Garden", Lindskoog shows us the historic links between MacDonald's CARASOYN (1871), Frances Hodgson Burnett's THE SECRET GARDEN (1911), Willa Cather's MY ANTONIA (1918) and D. H. Lawrence's LADY CHATTERLY'S LOVER (1928). Colin as shepherd boy, Colin as a motherless, crippled child, and then, thanks to Barbara Reynolds, Colin as a
crippled adult. Animals, gardens, invalids, rescues, moors, and wise women figure in one after the other. (Lawrence's book, however, is stunted by its narrowing, inward-looking worship of physical love with no link to spiritual reality.)
Equally fresh is "The Salty and the Sweet: Mark Twain, George MacDonald, and C. S. Lewis". The Twain and MacDonald families had traded hospitality, books, and a proposal to write the Great Scottish-American novel together. Twain's children, fond of MacDonald's AT THE BACK OF THE NORTH WIND, asked their father to invent stories about its hero, Diamond. Although co-authorship was never realised, Lindskoog shows that Twain bought and read MacDonald's SIR GIBBIE while writing HUCKLEBERRY FINN. She
traces some remarkably specific contents of SIR GIBBIE that Twain included in HUCKLEBERRY FINN. She explains her convincing theory of why Twain did this.
Something "difficult to see" over the centuries is revealed for the first time by Lindskoog in her masterful analysis of Botticelli's Primavera as an "intentional Christian allegory," a tableau of Dante's sacred Garden of Eden at the peak of Mount Purgatory, with Beatrice at the center. Because it is a NeoPlatonic painting, this scene also appears as a tableau of figures from classic mythology.
Lindskoog also leads the casual reader or the scholar through 50 new insights of hers into specific phrases in Dante's many-faceted DIVINE COMEDY. Her 20 non-biblical discoveries involve, among other things, astronomy, animal husbandry, geology, geometry, sexual ethics, metaphysics, and church
politics. The other 30 are even more striking; all are Biblical allusions or illustrations of Dante's that have been overlooked or sadly misunderstood until now.
Dante, Lewis and MacDonald deal with the kind of death that leads to rebirth. Writing to point the way of faith, not deeds, through secular snares toward heavenly reward, each put into verse "things difficult to think." The timeless gift of all three is summarised in Lewis's praise for MacDonald's ability to trouble "the oldest certainties" and shock "us more fully awake than we are for most of our lives."
Closely reasoned, wittily presented, and based on solid evidence, Lindskoog's book rouses and enlightens her readers, cheerfully acknowledging the threads that others have contributed to her tapestry of discoveries. I hope the inevitable doctoral theses which will follow her leads exhibit the same integrity and credit the fertile source of their inspiration.

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I was reminded of this book after reading that George Grossmith spent many years with the Gilbert and Sullivan company and is portrayed in a very interesing fashion in the film "Topsy Turvy." It was available in a very inexpensive editon from amazon.co.uk and I read it quite quickly and found it delightful. It is truly enjoyable and informative to read the slice-of-life story of Mr. Pooter, an archetypal middle class creature whose idiosyncracies would be recognizable [and, unfortunately, beaten to death] in a current TV sitcom. His problems at home and at work, and his relations with family and friends, are delightfully communicated and it is fascinating to see both what is tied to his own time and what is recognizable to us, today. The story is lightly drawn but there is a subtle undercurrent of profound social commentary.

This book must be the most nearly perfect piece of comic writing in English, its humour gentle and subtle, its depiction of character, class, time and location flawless. It fixes forever the late-Victorian world of the respectable Lower Middle Class, populated by clerks, petty merchants and tradesmen, observing it with both objectivity and affection. It is splendidly read on tape by Frederick Davidson, whose assumed accent is perfectly gauged to reflect the upwardly-mobile aspirations of the Mr.Charles Pooter, the self-confessed nobody of the title, and which slips down the social scale by several notches in moments of stress and frustration. Though superficially simple, the construction of the narrative is complex in the extreme, with comic situations often being built up over a long period, and with clues carefully planted in earlier sections, only to come to fruition later. It is particularly impressive how the main characters - Pooter himself, his long-suffering and often silly but supportive wife Carrie and his exasperating son Lupin - emerge as rounded characters from apparently simple diary entries and achieve a realism and familiarity as great as any in more serious literature. The situations in which they find themselves - or rather get themselves - are not only ludicrously amusing, but also close to the normality of life as many live it, and one can often, uncomfortably, recognise one's self or one's friends in their reactions to them. What makes the Diary an enduring masterpiece is however the gentle and affectionate treatment of human weakness - and greatness. Pooter may be pompous, foolish and sometimes sycophantic, but he is also loyal, decent and honourable and his life, and his family's, for all its pettiness, also has its dignity. I first read the Diary over forty years ago and it has never ceased to delight me since - it remains a treasured bedside book to be opened at random - and this splendid tape of it is an ideal companion for long or short automobile journeys. (An interesting footnote is that George Grossmith, as a singer and actor, created many of the best known Gilbert and Sullivan roles on stage).

This book details the minutia of the daily life of a London city clerck. The main character, Charles Pooter, is one of a generation in Victorian England attempting to establish his place in the middle class. The Diary is a chronicle of the minor offenses and meager triumphs that make up Mr. Pooter's life. Were I a better person, I should be ashamed that I found the narrator's pathetic life so very funny.

"American Country Houses of the Gilded Age" reprints 100 photographs from "Artistic Country-Seats," a book originally published in 1886-87 with commentary by George William Sheldon. This new version of the collection replaces Sheldon's original comments with those of Arnold Lewis. But the real "stars" of the book are the 93 houses and four casinos portrayed in the excellent black-and white photos.

These houses represent some of the most stunning mansions of the late 19th century. Most of these buildings were built in the northeastern United States. Each plate is accompanied by both Lewis' comments and by a first floor plan.

The houses themselves represent many of the popular styles of the era: Tudor, "Shingle," Queen Anne, Chateauesque, Richardsonian Romanesque, Colonial Revival, and Exotic Revival. The crisp photography captures a wealth of beautiful details: covered verandas, stone arches, classical pillars, towers, pinnacles, parapets, half-timbering, castellations, fanciful dormers, and intricate decorative flourishes.

The only disappointing aspect to the book is the fact that only the first floor plans are included. Plans for the other floors would have increased the book's value as a record of social history. Nevertheless, the detailed first floor plans do offer fascinating insights into the lives of the wealthy families of the "Gilded Age." You can imagine yourself wandering through the billiard room or music room of your favorite mansion! If you are fascinated by American home architecture, or if you simply want a taste of this opulent era, you will love this book.

This book let's readers see how the wealthiest people in America lived back in the late 1800's. The floor plans are, although small, completely readable. I do wish the author would have included the floor plans for the second, third, etc. floors. Great photographs and good desrciptions of the homes.

This book features period pictures and information about some of the most amazing houses to be built it the US. It is wonderful to think houses of such detail and quality were built, and so sad to learn how many of them did not survive. This book is a wonderful tribute to them.

As large as C. S. Lewis looms in today's intellectual landscape, and for all the different ways he manages to find a readership, whether as a literary critic, a Christian apologist, or fantasy novelist, it is somewhat surprising that we do not yet have a truly first rate biography. Until that volume comes along, this affectionate biography/memoir by Lewis's student/friend George Sayer is the best that we have.

The great problem in C. S. Lewis scholarship at the moment is that the bulk of the books dealing with his life tend to be overwhelmingly pious and respectful (the St. Jack bios) or intent on tearing holes in that portrait (A. N. Wilson). What we really need is a first rate biography that manages to capture the magic and appeal of Lewis's personality, explains his ongoing intellectual and imaginative appeal, and yet does not willfully overlook the man's flaws. Sayer captures the personality marvelously, gives some hints as to his intellectual appeal, but presents a fairly sanitized version of Lewis's life. No doubt this is out of respect and affection, but Lewis doesn't emerge as a warm flesh and blood human being. For instance, while alluding to his relationship with Mrs. Moore, Sayer assumes a position of agnosticism as to its nature. It is an important if disturbing chapter in Lewis's life, because it potentially reveals a great deal about his personality.

One thing that does emerge in Sayer's biography is the closed reserve that Lewis seems to have carried with him all his life. On the one hand, Lewis seems to have been a very accomodating, kind, and helpful soul, and yet, he is hard to get to know. One gets to know his thoughts, and yet never gets to know the man who thinks them. One can read both SURPRISED BY JOY and A GRIEF OBSERVED, and come away from them not having a strong sense of how Lewis felt about things, about the predomenant emotions in his life. Sayer doesn't completely dispell this emotional reserve that Lewis projects, but he probably gets as close as anyone has.

Still, I don't believe this is the biography we are waiting for. It will do until the definitive one comes along. My recommendation for those wanting to know about Lewis's life is to read this one in conjunction with A. N. Wilson's. In the latter Wilson far too gleefully deconstructs the carefully constructed portrait of Lewis that some of his more somber admirers have constructed. I value the Wilson as a corrective, but one will not get much of a sense of why Lewis was such an attractive individual for so many, both in his books and in real life. For that, you will need to look to this excellent book.

. . .to one of the top Christian writers of the 20th century.

George Sayer knew CS Lewis from 1934 until Lewis' death in 1963, first as a tutor, later as a friend, and finally as an extremely close friend.

While other biographies have been written by persons with axes to grind or by persons whose own connection to Lewis was minimal, Sayer writes from the perspective of a true insider.

While he minces no words -- the "difficult" aspects of Lewis' life are certainly explored in-depth, he treats the subject with respect and true affection.

Mr. Sayer is, himself, a career academic in the field of English, and thus is able to enlighten the casual reader about aspects about the "literary Lewis" which would otherwise not be recognized. I've been a Lewis fan for 25 years and yet was unaware of his significant contributions in the field of literary criticism. Also enjoyable was the discussion of Lewis' own tastes in reading as well as his major influences.

While the influence Charles Williams had on Lewis (especially in "That Hideous Strength") was addressed, I was disappointed that Tolkien's influence on Lewis was minimized. This was, I believe, an oversight.

All in all, though, I highly recommend this extremely readable volume.

I am truly astounded at some of the less than 5-star reviews... have these reviewers read any OTHER biographies of Lewis? This one is definitely the best by far for many reasons, not the least of which is the personal touch that comes from Sayers twenty-nine year friendship with Lewis. It's one thing to know via secondary research that "with his meal Jack liked to drink a couple of glasses of red wine"... but Sayers clinked glasses with him! With Sayers, Lewis spoke frankly about his personal temptations, spiritual difficulties, creative processes, sundry preferences and worries.

This biography can be read with novel-like enthusiasm by even peripheral Lewisites... and those of us already up to our necks will not mind holding our breath as this book rolls over us. Rather than use this forum to berate another popular Lewis biography whose author has the initials A.N.W., I'll just say that this one is a clear note that rings true.