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Alice through the Looking Glass is similar to the prequel, yet glaringly different. The whole book revolves around a chess game, and so the character's actions correspond to moves on the chessboard. Alice joins in the game, starts out as a white pawn, and proceeds to move until she becomes a queen. At each square, she meets a new character, but in one chapter, characters from the previous book are in this one too. An important thing to know in this famous classic is that everything is backwards. It makes sense since Alice is on the other side of a mirror, yet she encounters difficulty sometimes in understanding this. But in the end, she manages to become a queen and to checkmate the red king. Both books are very enjoyable, and I strongly advocate both children and adults to read it. Enjoy!! Cheers!!!!! : )
AAIW is about a young girl named Alice whose boring day with her sister is interrupted when a white rabbit runs by her saying, "Oh dear! Oh dear! I shall be too late!" Alice's curiosity is aroused, but surprisingly not to a great degree. This is the first hint to the reader that Alice is not an average child, as she seems to believe that a talking rabbit is quite normal. She does become intrigued, though, when the rabbit produces a clock from his pocket, so she follows it down its hole and enters a world of wonder. I loved the story from this point on. It is filled with such unbelievable creatures and situations, but Carroll's writing style made me want to believe in a world that could be filled with so much magic and splendor. There was never a dull moment in the story, and each page was filled with more excitement. I will offer a warning, though. This story is not for those who like a neatly packaged plotline. It is written in a somewhat discontinuous nature and seems to follow some sort of dream logic where there are no rules. However, I enjoyed the nonsensical pattern. Without it, a dimension of the story would be lost. It offers some insight into the mind of a young, adventurous, fearless girl, and Carroll seems to be challenging his readers to be more like Alice.
The second text in this book, TTLG, is again a story about Alice. In this adventure, Alice travels through a wondrous world on the other side of her looking glass. As in AAIW, Alice again encounters absurd creatures, such as live chess pieces and talking flowers. The land she travels through is an oversized chessboard, which gives this story a more structured plot than AAIW. The chess theme provides Alice with sense of what she must accomplish in the looking- glass world, and it provides the reader with a sense of direction throughout the story. Alice's goal is to become a chess queen, so the reader knows that when she becomes queen, the story will be over. However, just because the story has some structure does not mean that it is not just as wild and marvelous as its predecessor. I enjoyed all of the characters. They seem to have an endless supply of advice that people in the 21st century can still learn from. My favorite example is when the Red Queen says, "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!" Maybe what Carroll is suggesting is that if we read more nonsensical, unbelievable stories like his, we won't be so afraid to be adventurous and fearless like Alice; so that the next time a white rabbit runs by us, we might just see where it leads us.
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It tells the famous expedition of Lewis and Clark from the perspectives of the participants, particularly Lewis, Clark and Sacagawea. Their voices form competing versions of the expedition; together they weave a narrative like glimpses of a river seen through branches. I was left with the sense that I had explored much more than just the blank space of the unknown on the map.
The mysteries in the hearts and minds of the characters unfolded inside of me. By the end of the book they had filled in a map of memories and desires that kept speaking to me long after I had closed the book.
This is a lyrical and rewarding book that will change the way you view the opening of the west and the history of America in general, along with what it means to explore the unknown, both up a river and through someone's heart.
The adventures of William Clark and Merriweather Lewis have long been ample fodder for historical prose. Their expedition is probably the most memorable story of "See America First" type travel, and their triumph in exploring an unknown America has been well documented since the Jefferson era. But never has the story been so personal, nor as involving, as Brian Hall's take on their trek.
"I Should Be..." gets its title from Lewis's actual invitation to Clark to join the Corps of Discovery in exploring an uncharted Western America. The novel imagines the dialogue between the men, along with their native guide Sacagawea and Sacagewea's husband Toussaint Charbonneau, and uses the words of the foursome to propel the story from Washington DC to St. Louis, and then through the great Northwest. It removes the tale from the traditional dry narrative type of historical novel, and gives the characters rich, imagined lives that make the expedition almost personal to the reader.
All books of this type rise and fall on the strength of the cast, and Hall has populated his players with the necessary hopes, despairs and neuroses that would go hand in hand with creating a legendary tale. Lewis's grandeur in his mission and Clark's seeming envy at playing #2 in what was described to him as a mission led by equals are among the many plot devices used by Hall to make allready known charecters take on human form. A hysterical and well imagined portion of the book describing the naming of rivers after Lewis and Clark (where Clark gets the short end of the stick) is only one example of how well this story plays out.
Since the book is told in dialogue form, the chapters were Sacagawea describes the journey are difficult (Hall uses a device that blends English and Shoshone that is slightly confusing) but essential to the plot. This is a minor gripe for a book that is revolutionary in its retelling of history.
While everyone is familiar with how the story plays out and ends, there is a coda to the novel that describes Lewis and Clark's lives following the expedition that was new to me. Lewis's post-expedition live was tragic, while Clark became a mainstay of St. Louis society. Taking the book through their post-expedition lives gives Hall a great opportunity to expand on the price of fame and the fall of legends. He hits the mark with eloquence and sincerity.
I had never read anything by Hall prior to this book, so I don't know if the richness of this story could have been foreseen, or if he just got lucky. I will be looking forward to reading some of his other works now, for his talent in bringing character and emotion to one of history's greatest duo was incredibly impressive.
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The story would have been great if it had been realistic, as other reviewers have noted. I applaud that someone finally wrote about the more subtle forms of abuse. The problem is Steel repeated herself for about 1/3rd of the book! Then Maddy only breaks free by using another man! If only Steel had consulted with a psychologist about the sickness of ending this book that way & the message that gives to the public, this book COULD have been great. Unfortunately, it tells abused women that they NEED a man in order to break free. Also Maddy was supposedly seeing an experienced psychologist about her abusive marriage, yet Maddy's excuse for not getting out was not knowing how. Excuse me Ms. Steel, next time call a hotline from any phone book or at least consult a professional. First of all, ANY woman in an abusive relationship of ANY kind if urged to get out immediately, while Maddy was encouraged to STAY WITH her abuser while trying to figure it all out, with her life at risk on a daily basis! The first thing a psychologist must do in this situation is provide resources for an abused client to get out of harms way!
Every city has women's shelters, safe houses for immediate escape. All phone books should include toll-free hot lines, if not, call a local hospital and ask for the number of a Domestic Violence/Abuse hot line. No one should read this book & take ANY of Maddy's actions to heart as a valid way to respond to this kind of abuse. Instead, call the hotline & get help NOW. Emotional & verbal abusers can turn physically violent at any time, as Maddy's husband Jack did when he bit her nipple til it bled--yet Maddy stayed with him for almost a year afterwards, suffering progressively worse abuse from her husband that was absolutely unnecesary! One aspect that was apparent from how Steel structured this book--she must believe having access to a plane, a weekend house, luxury and more is worthy of continuous abuse. Maddy was definitely addicted to her luxurious lifestyle, which she used as an excuse not to leave her abuser!
I hope Steel at least has an editor to do the work for her before she attempts writing another book on any serious subject such as this one. It is terrifying that someone as widely read & "famous" as Steel could write so dangerously bad--grammatically & ignorantly.
That said, DS does an excellent job describing the psychological abuse that Maddy suffers during the course of the book at the hands of her husband, Jack. My main problem with this is that this couple have been married for SEVEN YEARS. When the book begins, she is happy and in love and things are described as having been heavenly for the course of her marriage. Well, it becomes obvious that Jack has always been domineering and controlling, but it seems very unconvincing to me that Maddy only now begins to feel suffocated by this relationship.
Lastly, I was extremely disappointed that Maddy did not emerge from her relationship with Jack until it was "a sure thing" with her new beau and close friend. I think DS could have provided a much stronger message by allowing Maddy to rescue HERSELF from the relationship, be alone for a while, and then realize that she was in love with Bill and have it be a conscious decision to go to him. As it was written, she moved right from one man to another, and you wonder if she is even remotely on the path to healing or not. If DS was concerned about lengthening the story to allow for Maddy to spend some time on her own, she could easily have reduced it by 50-75 pages by just being LESS REPETITIVE. This reptitive style of writing is getting worse with each book she writes and it's evident that churning out 2-3 books a year is adversely affecting the quality of the material.
In summary, I believe that fans of this author will enjoy this book, but I suspect will share some frustration at the convenience with which everything comes together at the end.
Ms. Steel did a fantastic job of writing about abuse, and not just physical abuse but emotional abuse, or invisible abuse, because it is harder for everyone to see. I must say this book opened my eyes to the subject. Overall journey is a good book. I found parts to be repetitous. I guess that could be chalked up to the fact that during Maddy's journey she keeps thinking about incidents from the past. I just found some of these parts to be (and I hate to say this) a little boring.
I think every woman should read this book. It gets the messge of emotional and verbal abuse across very well. Towards the end the book is very good and reminds me of Ms. Steel's early work.
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