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Assassins combines all the would be and have been presidential assassins of the United State's history and throws them all into a timeless world where Charles Guiteau (Garfield) can chat with Leon Czolgosz (McKinley) and Sam Byck (Nixon) at a bar while John Wilkes Booth (Lincoln) reads a copy of Variety magazine. It is more of a revue than anything, but the music (which you MUST own if you're going to buy the libretto) is so moving and so powerful it actually is able to draw sympathy for Lincoln's assassin. If the prospect of feeling pity or sympathy for Lee Harvey Oswald makes you angry, Assassins is not my recommendation.
Indeed, Sondheim and Weidman sucessfully made me feel sorry for Leon Czolgosz and Booth and Oswald and nearly all the characters in the musical. Some may think it unpatriotic; I think it presents the other side to woefully biased history lessons claiming the Assassins to be vengeful madmen searching for chaos. Assassins truly brings to light what's wrong with the American dream, and for any history buff, Sondheim fan, or just plain theater fan, Assassins is a MUST have.
I happend to notice the title of this book at a donated book sale at our local library.... I picked it and others up and proceeded to add it to the pile of books I would some day scan. On a long business flight I started to read this book.
I could not stop. As the authors laid out their ideas I covered the pages with notes.
Finaly a logical explanation of why change, even obviously necessary change, fails. Even more the begining of a method on how to make it work.
But beg or borrow if you can, and steal if you must, the translation by W.S. Kuniczak that was published in the early 1990s. Discover what happens when a novelist translates. Kuniczak is true not just to the sentences, but to the spirit of the work. He blows the dust out of the century-old writing and lets it shine. And for readers not on intimate terms with the Polish-Lithuanian Commonwealth in the 17th Century (admit it), he effortlessly drops in helpful hints.
Here's how Curtin starts:
There was in Jmud a powerful family, the Billeviches, descended from Mendog, connected with many, and respected, beyond all, in the district of Rossyeni. ... Their native nest, existing to this day, was called Billeviche; ... In later times they branched out into a number of houses, the members of which lost sight of one another. They all assembled only when there was a census at Rossyeni of the general militia of Jmud on the plain of the invited Estates.
And Kuniczak:
In the part of the old Grand Duchy of Lithuania that was known as Zmudya, and which antedated the times of recorded history, there lived an ancient family named Billevitch, widely connected with many other houses of Lithuanian gentry, and respected more than any other in the Rosyen region. ... Their family seat, known as Billevitche ... so that in time they split into several branches that seldom saw each other. Some of them got together now and then when the Zmudyan gentry gathered for the annual military census near Rosyen on a plain called Stany...
Honestly, which version would you rather spend 1700 pages with? The native nest or the family seat?
(And just by the by, when will a smart publisher sell the Sienkiewicz Trilogy alongside Tolkien? Why do they squirrel it away with the Serious Literature in Translation that mostly gathers dust? There's millions and millions of dollars in these books, lying around, waiting for someone to market them properly.)
The DEluge centers about Swedens march into POland. POland initially accepted their incursion, however, as the situation worsens the POles srrike back. The Swedish war machine was beleived to be unstoppable throguhout Europe and they did march through Poland but they made a mistake - attacking the town of Czestochowa (pronounced Ches toe hova) which had significant religous importance to the POles. The POles were rallied by a Bishop who held out against the Swedes under great odds and touched the soul of Poland. It is something we need to learn in our country - that we must put country above our personal needs to exist and win in the world. Sienkiewicz brings this point home again and again throughout the novel. Mike Niziol
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However, not all of the advices should be taken literally, because they can be the author's guessing, not experience. An example is the advice to use Unicode characters to display textual language selection menu in a global gateway web site. Rather than merely not displaying the characters of fonts not installed on a user's computers, a web browser may offer the user to download and install all the fonts needed to properly display all of the characters used on the page. Thus, the North American user will need to download fonts for Traditional Chinese, Kanji and so forth. The user may however choose to skip downloading fonts, but the question dialog box may nag the users, but the author writes nothing about this.
The book tends to expose problems, rather than to focus on solutions, because the solutions in this particular topic (web globalization) may quickly become outdated. Thus, the book encourages the reader to do further research, and offers references to companies that provide translation services and software for web content-management frameworks with globalization support.
The book is a helpful introduction-- and probably invaluable to someone who wants to get into the business-- but some of the hands- on was a little lacking.
However, it's really not geared towards those of who are decision makers at larger companies-- for example, Yunker praises the infrastructure underlying Fedex.com, but fails to mention the company that designed the infrastructure--OnlineFocus. Additionally, the ESPN comments lack any reference to Starwave's global reach and how that may have helped them design ESPN for diverse audiences.
Yunker is a fine writer, communicates well, and organizes even better. This beautifully laid out book contains a mass of unique information on just about all the issues you will encounter in commissioning and producing multi-language web sites, in doing business across borders, dealing with very different cultures, and their laws, and on how to make less than fully globalized software do a reasonable job at handling more than just ASCII English text.
To better reinforce his lessons, Yunker has provided several Hands On practical exercise chapters on how to globalize in several different languages, case studies and Q&As with major corporate globalizers. Many precious little gems drop out of the book's pages, as well as sterling advice on how to get right things that most web page designers currently get badly wrong. Common mistakes like creating forms that fail to take into account differing standards in phone numbers, or the many ways dates and times are expressed around the world.
The issue of globalization has only just come up for my firm. To remain viable, and then grow, our web agency must seek clients beyond its immediate vicinity. And that means suddenly having to cope with a plethora of non-European languages, and very different cultural precepts. Beyond Borders has proven invaluable already by enlightening us on what we are in for.
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The novel is a farce, set against the backdrop of college in the 1970's on the GI bill--but as with most farces, it has a serious point. The lead character, Eddie Delano, discovers that almost everyone he meets hides a true identity behind a facade.
Since Delano has gone around my circle of friends, we often refer to people and events from the book as if they were real. I sometimes describe acquaintances as 'a little like Sam' or having 'Alice's taste in health food!' This book prompted me to ask myself, 'How many of us went through that era pretending to be someone different than who we really were?' Yet I find that younger friends (who didn't 'survive' the 60's and 70's) recognize that in the book even sooner.
I give Delano thumbs up for the kind of love of human beings, with all our quirks and hangups, that you find in authors from a previous age.
Without wishing to carp, I do think that the book is a shade too long -- the final section 'Coming into the Country' could profitably have been pruned of about forty pages -- but the greater length does allow the reader to see the effort McPhee goes to to provide his stories with an aesthetically pleasing structure. The first section, 'The Encircled River' deposits us, in medias res, halfway down a tributary of one of Alaska's northenmost rivers. McPhee and his companions travel downriver to the confluence of a larger river, and then we head back to the headwaters of the earlier river -- the story describes an encircling pattern. The second part 'What they were looking for' is a very funny record of a helicopter trip taken by a committee established to decide on a new capital for Alaska. Here the story skips around the theme as the chopper skips around proposed sites for the new metropolis. It's in the final section which gives the book its title that McPhee really lets loose, leaping from the present to the past, from those living on the river to those encamped in the small town of Eagle, back to the Indian village, on to a white mountain trapper and his Indian wife, back to the first goldrush era in the Yukon valley, all the time incorporating off-the-record views of Eagle townspeople, journal entries, his own observations of the breathtaking landscape. It's a tour-de-force. McPhee is the best journalist in the English-speaking world. Alaska is a wonderful place. The meeting of the two is something to behold.