With that said, back to the book at hand. Sacred Mirrors is probably the book most people who want to get an idea of Grey's art should buy first. I find it slightly more accessible than Transfigurations, and it does not demand any knowledge of Grey's previous work. For those unfamiliar with his work, he paints almost all of the systems of the body in a transparent fashion, layered on top of each other. In his paintings you will see bones, nerves, blood vessels, chakras, and auras all at once. It can be overwhelming, but careful study of the paintings can make you see ordinary processes like kissing in a whole new way. And if you keep looking deeply at his paintings, things will keep revealing themselves. He also paints deities, from Avalokiteshvara to Jesus, with loving detail. This is definitely a great coffee-table book (and so much more!) for anyone interested in how transcendental theories of energy would manifest themselves visually. Grey's book also makes delightful entertainment for any kind of trip. Overall a sound buy for almost anyone who gets that feeling, sometimes, that there may be things going on in our physical reality that we just can't percieve. Grey can see them, and he has shared them with us.

Former Chief Minister Cabbarus, forced into exile in "Westmark" plots with the uncle of the King of neighbouring Regia to invade Westmark and re-establish a "proper" society. Theo wanders the country, trying to get a grip on how he feels about the thought of Mickle, the street urchin he fell in love with in "Westmark" becoming Queen... with himself intended as Prince Consort.

When the invasion begins, Mickle finds herself forced to become a military commander, and Theo finds himself among Florian's "children" again, fighting the Regians as an irregular, eventually rising to the rank of colonel among Florian's forces.

And Alexamder takes the chance -- without seeming preachy or heavy-handed -- to present us with just a bit (PG13 rating or so) of the horror of war and what it does to even good people.

Because "Colonel Kestrel", the brilliant and ruthless revolutionary/guerrilla leader is, also, the gentle Theo, who has never believed in violence as a solution to anything.

Someone has said, more or less, that Alexander is here presenting a parable on the uses and effects of violence, in causes good and not-so-good. He proposes (by example) the question "When -- if ever -- is violence justified in a 'good cause'?", and proceeds to show us (again by example) the answers to that question arrived at by various people of greater or lesser good-will.

And then he hands the reader an even hotter potato to examine than that -- he asks us to consider the after-effects of violence (even "in a good cause") on the people who have found themselves forced into it.

And it hurts -- in a good way -- to see what some people must give up so that others may still have it.

(David Drake presents a much more violent -- and most *definitely* adult -- look at much the same questions in his military SF novel "Redliners".)

In the end, everyone is forced to compromise somewhat, and all *appears* to be well.

On the other hand, this *is* the second olume of a trilogy.

It shows the effect war can have on different people, and also really makes you think about war, peace, revolution, and even the nature of man.

This is a really good book, and even though I liked Westmark a bit better, this continues the story well. I have not yet read The Beggar Queen, but will definatly be looking for it. Also, isn't it strange that while they are a trilogy, The Kestrel is out of print, though Westmark and Beggar Queen are still in print??

The main character is once again Theo. When Westmark is attacked by neighboring Regia, Theo is forced with a dilemma. Should he serve his love (Mickle) or should he serve his country? Eventually, Theo is compelled to join fighting along with Florian's forces because of a memory of his cowardice at the battle of Nierkeeping in "Westmark." Fighting a guerrilla-style war under the command of Justin, Theo begins to be baptised by fire. He sees comrade after comrade killed. He becomes filled with hatred for the enemy army. Eventually, he is given command and becomes Colonel Kestrel, a semblance of Theo who commits unspeakable acts in the name of war.

Alexander studies the morals of war through his characters. The reader is forced to examine psychological aspects of war in Theo. War is also shown through a leader's eyes with the examinations of Mickle, Theo, Justin, and Florian. The devastating effect of war on the countryside is shown from following Sparrow and Weasel.

The Kestrel is a brilliant continuation of the series. The plot is magnificent, and it has so much depth. The characterizations are excellent, and the issues studied are compelling. The Westmark Trilogy is a great piece of young adult literature. I've read some of the great war novels like All Quiet on the Western Front and The Red Badge of Courage, but the trilogy is better written and with more depth. Everyone really should read these excellent novels.

The consequences were also human: the loss of the prime years of a man's life, a life without the love of a woman, a father worrying about the fate of his young daughter thousands of miles away. Solzhenitsyn does a masterful job of rendering the real world behind philosophy and ideology, the world the USSR lost sight of when they placed ends before means.

In the end, what is perhaps most frightening is that the face of evil is so banal.

I believe that Solzhenitsyn is the best writer of the 20th century, or at least he's the top writer I've read so far (and I've read a lot of books). Maybe that's influenced by my early exposure, but I don't think so; I find his works just as compelling now as I did then.

The First Circle is one of his most "accessible" works (that is, you can just jump in and start reading) and probably one of his best. A very compelling story; his portraits of the various vile creatures of the Soviet government have been shown to be quite accurate, and the way the various plots intertwine and are resolved is wonderful.

The First Circle gives great insight into a culture totally foreign to most US citizens, as the book's a mixture of spy novel, guide to life in a Gulag camp, and brief introduction to Soviet society of the 1950s. A depressing place to be sure, but fascinating. Well worth reading.

In the latest book in THE NO. 1 LADIES' DETECTIVE AGENCY series, Precious Ramotswe, the first female private detective in Botswana, has issues: (1) a strutting, cocky new detective has opened shop in Gaborone and is threatening her business; (2) one of the children in her care has taken up a bad habit; (3) her secretary/assistant, Mma Makutsi is involved with a suspicious man; (4) Mma Makutsi has opened a sideline business, teaching men to type and (5) a client has given her an urgent, delicate assignment.

Like Jan Karon's gentle fiction, I never tire of stories about Precious, her finance, her employee, and their lives in Africa. True, there is no thrilling action (unless you count the miracle in the garage....or the death of a water pump), but there is plenty of heart and some wonderful soul in Alexander McCall Smith's stories about the first female detective in Botswana.

Read the books in order.

Enjoy!!!

In the latest book in THE NO. 1 LADIES' DETECTIVE AGENCY series, Precious Ramotswe, the first female private detective in Botswana, has issues: (1) a strutting, cocky new detective has opened shop in Gaborone and is threatening her business; (2) one of the children in her care has taken up a bad habit; (3) her secretary/assistant, Mma Makutsi is involved with a suspicious man; (4) Mma Makutsi has opened a sideline business, teaching men to type and (5) a client has given her an urgent, delicate assignment.

Like Jan Karon's gentle fiction, I never tire of stories about Precious, her finance, her employee, and their lives in Africa. True, there is no thrilling action (unless you count the miracle in the garage....or the death of a water pump), but there is plenty of heart and some wonderful soul in Alexander McCall Smith's stories about the first female detective in Botswana.

Read the books in order. THE NO. 1 LADIES' DETECTIVE AGENY. TEARS OF THE GIRAFFE. MORALITY LESSONS FOR BEAUTIFUL GIRLS. THE KALAHARI TYPING SCHOOL FOR MEN.

Enjoy!!!

Mma Ramotswe (in traditional Botswana culture, honorifics are always used; it seems rude not to do so in the review as well) has had a tough life: married to an abusive jazz musician, she loses her baby and then her beloved father. But she finds her vocation: she sets up the No. 1 Ladies' Detective Agency and is soon attracting clients. She also acquires a fiancé, garage owner Mr. J.L.B. Matekoni, two orphans, and a sidekick, Mma Makutsi, who received a grade of 97 percent on her exams at the Botswana Secretarial College. You don't have to be familiar with the first three books to follow the action in KALAHARI --- McCall Smith is careful to supply context for the first-time reader --- but I think it's better to discover them in order. Not only do you gradually develop a sense of Mma Ramotswe and her life on Zebra Drive (yep, that's the name of her street), but you also become deeply fond of Botswana (this is important since, to the average Westerner, Africa is still a "dark" --- that is, unknown --- continent). These wise, charming books leave you feeling washed clean and peaceful, with an expanded sense of humanity.

Although KALAHARI and the other books are technically mysteries, plot is not the main thing here. There are interlocking events --- a man across town opens a new detective agency; Mma Makutsi starts a typing school for men; Mma Ramotswe solves a case or two --- but there is little real tension or suspense. What keeps you reading is the wonderful writing: pure, economical, funny, utterly lacking in condescension. The evocation of Botswana is often lyrical (its quiet roads, its ubiquitous cattle). Sometimes the stories seem fable-like, as if McCall Smith is telling them around a campfire in the deep African night. This impression is reinforced by the repetition of certain phrases. Mma Ramotswe has a "tiny white van" and is "traditionally built." She believes in "the old Botswana morality" --- a phrase that covers everything from knocking and calling out "Ko Ko" before you enter someone's house to the deeper sense of courtesy and integrity that is being overwhelmed by modern life.

It is one of the many ironies of this wonderful book that Mma Ramotswe and her cohorts, despite their professed yearning for traditional values, are actually the smartest, most progressive people around. Because they are authentic and honest and guided by common sense rather than greed or pride, they make phony modernists like the proprietor of the rival Satisfaction Guaranteed Detective Agency look like idiots (the scene in which Mma Ramotswe and Mma Makutsi pay him a visit is priceless). Indeed, THE KALAHARI TYPING SCHOOL FOR MEN, more than the others in the series, is very much occupied with gender; it has a feminist streak a mile wide.

Consider the characters McCall Smith gives us: the entrepreneurial Mma Ramotswe and Mma Makutsi; the imposing head of the orphan farm, Mma Potokwani, who wangles free products and services from everyone ("It would take a degree of courage that few possessed to turn [her] down"); Mma Tsolamosese, whose daughter has died of AIDS and who is caring for her doomed grandchild with dignity and compassion; and Mma Boko, who is head of a local branch of the Botswana Rural Women's Association but refuses to run for office because "all [men] do is talk about money and roads and things like that. ... We women have more important things to talk about."

With sly humor and wry tolerance, the novel captures that conspiratorial sense among women --- in any culture --- that men are not quite up to their standards (Mr. J.L.B. Matekoni being the exception, of course): "The trouble with men," muses Mma Ramotswe, "was that they went about with their eyes half closed for much of the time. ... That was why women were so good at tasks which required attention to the way people felt. Being a private detective, for example. ..." Or Mma Makutsi, commenting on the essays written by her typing-school students: "All of life seemed to be laid out before her: mothers, wives, football teams, ambitions at work, cherished motor cars; everything that men liked." And when Mma Ramotswe says her foster son is going through "a difficult patch," a friend replies dryly: "Boys do go through times like that. It can last for fifty years."

McCall Smith, it turns out, was born in what is now Zimbabwe (then called Southern Rhodesia) and taught law at the University of Botswana, but those facts alone hardly explain his astounding ability to enter the soul of a woman as well as the soul of Africa. He, like Mr. J.L.B. Matekoni, must be one of the exceptions, a good man. He is certainly an imaginative and observant one. Somehow he manages to communicate the specific feel and spirit of Botswana while also creating characters that transcend the barriers of geography, culture, and gender.

McCall Smith is writing a fifth Precious Ramotswe book, according to his publisher, and has started a new series featuring another lady detective, Isabel Dalhousie (Scottish father, American mother). I can't wait.

--- Reviewed by Kathy Weissman

One of the main features that make this book stand out of the crowd of similar books is the fact that it's paved with illustrations using real market data. You get a feel of the reality, not just some conceptual approach that might or might not work.

The other feature that gives this book a step ahead of others is how Carol managed to make it perfectly accessible to someone with little mathematical weapons, yet kept it absolutely worth for the Quant!

The constant but constructive analysis of the "practical" limitations and advantages of such and such models explained or mentioned, adds to keeping the whole scene of the book very realistic.

It's also a true solutions book; it doesn't just tell you what to do by presenting the theory behind the concept, but how to do it by applying it to real data.

Chapters like "principal components" and ["Non Normal Models" or Normal mixtures" as she likes to call them], bring forward some elegant, yet powerful and straightforward methods for modelling in finance.

Market Models should be a trader's must read and without a doubt, "THE" book of the modern Risk Manager.

Go get the book and learn what you need to know!

Here's a very simple example of a pattern. When a room has a window with a view, the window becomes a focal point: people are attracted to the window and want to look through it. The furniture in the room creates a second focal point: everyone is attracted toward whatever point the furniture aims them at (usually the center of the room or a TV). This makes people feel uncomfortable. They want to look out the window, and toward the other focus at the same time. If you rearrange the furniture, so that its focal point becomes the window, then everyone will suddenly notice that the room is much more ``comfortable''.

I applied that pattern to my own living room, by moving the TV under the window and rearranging the furniture, and I was amazed what a difference it made! That's a very simple example, and there are literally hundreds more in this book and its sequel. Simply reading them is fascinating; it will convince you that you can make your own home into something as wonderful in its own way as the Taj Mahal--which is Alexander's whole point.

In fact, the book's main idea is much more powerful than that. It applies to almost every aspect of life, not just to architecture. When a situation makes us unhappy, it is usually because we have two conflicting goals, and we aren't balancing them properly. Alexander's idea is to identify those ``conflicting forces'', and then find a solution which brings them into harmony. It's a simple concept, but once you appreciate it you realize how deep it really is.

This is definitely one of the best books on my shelf. It has really changed the way I look at...everything.

On the other hand, if I was building a building I'd use his visualization techniques before I drew plans. But I wouldn't use this technique to actually construct a building. It would triple the cost. (The essence is to build it as you need it.)

On the other hand he explains why swiss barns look "alike" without the need for a design review committee. (Or barns in general.)

As for software, Design patterns give programmers a way to talk about problems and solutions without talking about code. Its a great idea and I use software patterns all the time. (Get the GOF book for actual software patterns.) Read this one to understand how they came onto this idea.

This book, however, literally takes the concept of living patterns to architecture, and, by extension of the act of creation, to life itself.

At the same time as being a great philosophical read, it's also a handy guide to building a house. Bonus points for the author: The book can be read in 15 minutes (reading the "detailed table of contents"), in one hour (reading only the headlines), or in the full. These modes of reading the book come from the author's emphasis of the whole over the parts, e.g. the whole is more than the sum of its parts.

I am not entirely sure that, as the author promises, i will now be able to go and build a house, without drawing a plan... but that this idealistic goal is in practice hard to attain does not make the incredibly deep insights in this book any less true or any less practical.

Like another reader said - the book changed the way i think about... everything!

Patterns as described in this book are far more refined than anything we use in computer science, and that he sees them in a much broader light. The central grandiose idea is the one of complete interconnectedness of the patterns - the whole, which is more than the sum of its parts.

If you have a more casual interest in birds, you may be more happy with "A Pocket Wildlife Guide" for Costa Rica, published by Rainforests Pub.,... commonly available locally in Costa Rica. It has nice color plates of common birds, butterflys, reptiles, and mammals.

Doc Kane is the man we follow throughout the book. He is on the verge of a parole hearing that will likely lead to his release after 16 years. A new cellmate and some favors are all that stand in his way. Readers that would suggest this tale is cliché, and the questions it poses rhetorical, have not given the book a fair reading. The book is about much more than a man who faces the trials of possibly leaving prison, only to be tagged with an electronic band and monitored as closely outside of the penitentiary as he was within its walls.

The book for me was about the pervasiveness of the jail Doc Kane lives in. Whether inside a 5x9 cell, or walking the streets electronically tagged, he never regains his freedom. The Washington streets he returns to are populated by the same gangs, and the same equally fragile codes of honor that are as lethal while incarcerated or when he "freely" walks the streets. The daily prison routine is replaced by a parole officer, who has every bit as much control and power, to send him back to prison, as the guards in the penitentiary had to punish him.

Work is a condition of parole, but how high are the chances of employment when a job application is filled out? And even if a job is there how much does it differ in mindless routine from the one he left in prison? The friends of 16 years even if they too are paroled are off limits to him as a meeting would send him back inside.

And then there are his own perceived demons and they are every bit as real and problematic as any he has faced before. Virtually every diversion, which would be legal for him to enjoy, because of his parole are denied to him. The book is a great commentary on just what being let out of prison means for the vast majority of those who spend time there. This is not about a so-called, "Club Fed", where white-collar criminals worst issues are boredom and their loss of face in their former world. The latter is often not even at issue; just think about, "The Junk Bond King".

There were no small characters, no small roles in this story. Every piece a valuable connection to the puzzle. ENCORE!!!
Will be looking for more from Alexander Parsons

This volume is also priced reasonably, as with most Dover Chess books anyway.....