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I expecially enjoyed the short stories and articles by Dan DeQuille, Bret Harte, and Mark Twain.
Mr. Reid preceeds each chapter with an introduction that explains some of the history regarding the author and the subsequent story.
Bill White Minden, Nevada
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My sympathies go out to Mr. Bond and his family. I hope they can rest a little easier knowing that Ng has finally gone to trial.
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The characters in "The Secret History" were not your run-of-the-mill college students. I appreciated that these "children of privilege" were not of superior intellect or attending the most prestigious of institutions, but were still smart, unique, and interesting in their own way. Much of their intrigue is a credit to Donn Tartt's writing abilities. Unfortunately, Bunny, Henry, Charles, Francis, Camilla, and even Richard spent so much time analyzing one another's intimate details, that the story's true plot became something less than a mitigating circumstance. "The Secret History" is written in a similar style as "American Psycho," but it is more academic and less violent. Both Tartt and Bret Easton Ellis (of American Psycho), in their novels, write about sophisticated and self-centered individuals who only enjoy the finer points of life. "The Secret History" is suspenseful, comical, and believable but still begs the question; what really happened in the woods?
As I reread the book, I see that it is not flawless. Tartt tends to repeat herself, and her editor should have been vigilant over this. (For example, in one early scene, Henry tells Richard that Bunny's family "doesn't have a cent," and Richard is surprised. About a hundred pages later, Henry tells him this again, and Richard again seems surprised, saying he thought they were bluebloods. The book is rife with little redundancies of this kind.) Secondly, Tartt often lacks a tight wrap-up before her space breaks, and the dramatic pauses often fizzle out. There are also moments where Tartt, normally so lavish with her descriptions, "holds out" on the reader-- for example, when Henry (in regards to the Bacchanal) says that "there was a certain carnal element to the proceedings," and we never find out exactly what this "certain element" was, it strikes this reader as being an evasive cheat. And then there is Bunny's notorious letter to Julian, in which he reveals all that he knows; I felt that the text of this letter needed to be included in order for it to seem truly damning to the rest of the Greek scholars.
I also think, arguably, that Tartt made a mistake in killing off Bunny, who was one of the book's most singular characters. The story flattens out and loses a great deal of his charm after his demise. How she could have approached the book differently is hard to say, but the second half of "The Secret History" does suffer as a result of the actions taken by the surviving characters.
Aside from all that, "The Secret History" is a marvelous tangled web of a book, and the author-- who composed this novel when she was in her 20's-- is one of our most ambitious and promising scribes. I look forward to her new book, which I've heard is to be titled "Henry Darger," due out later in the year.
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The authors tell us why this has occurred. Essentially, many newspapers, t.v. stations, and radio stations have been taken over by huge corporations like Gannett or AOL-Time Warner. These corporations are fixed upon obtaining a certain bottomline profit margin from each station year by year. To this end, they have limited space for hard news stories, laid off thousands of reporters, increased entertainment type features, and do little investigative reporting (which is expensive). They have also raised advertising rates and in some situations, involved themselves with inappropriate relationships with businesses who advertise in their mediums.
The authors point out through a number of examples, exactly why good journalism is important to a community. Solid news coverage on a state/national/international level has helped inform the American people of complex realities, enabling them to make sound decisions in the Representative Democracy in which we live. It has helped cracked scandals like Watergate wide open. It has helped states realize and rectify problems in their educational and social systems. It has explained much of the current problems with Muslims and Osama Bin Laden, so that we can understand what occurred on September 11, 2001 better.
The authors are wrong about some things. I noted that both Downie and Kaiser started in journalism in the sixties, before the advent of the computer age. Perhaps, this is what makes them hostile to presentation of news stories with fancy computer graphics, maps, and other audio/visual effects. I don't see this as a problem. I think an authoritative news cast could make use of both good reporting and the technologies of the information age that allow us to make better presentations and allow for more effective communication with an audience.
While I largely agree with the authors, I also note this problem. The term "news" and "newsworthy" is a very subjective term. Any two people may experience serious disagreement about what is a legitimate "news story" and what is not. For example, a president having sex with his intern may or not may not be a news story. Perhaps, the line is when you can show that his doing so is somehow interfering with his official duties. By arguing that the media needs to do a better job reporting news, and complaining about particular types of reporting,the authors in essence conclude that some matters are not "newsworthy". The authors opinion on this maybe no better or worse than our own.
What I found most discouraging about the book is that the solutions are going to be very difficult. Things have reached the point they have because of demands for profitability by huge multi-national corporations. Its a very involved process and will be difficult to rectify.
In the end, the authors simply make the point that if the American public wants good journalism it has the power to demand it, by refusing to watch or read poor journalism. That action will send the greatest message of all to those who are in charge.
Like other such books, it raises important questions that remain unanswered: Are people less interested in news because news is getting dumber... or is the news getting dumber because people have become less interested in news? Why don't news providers lose audience for dumbing down... and gain audience from raising the bar? Will we be empowered by new media and news-on-demand to demand (and get) good journalism, and avoid (and punish) bad journalism? Or will corporate consolidation continue to undermine standards for news in a race to the lowest common denominator? The authors detail the well-known condition of today's media. But what now?
More importantly, the authors enlighten the readers to the deleterious effects of corporate ownership on newspapers. In an effort to maintain historically high profit margins - and therefore, stockholder equity - corporate influence causes newspapers large and small to trim news space, cut staff, and conform to cookie cutter reporting strategies. This book is a real eye-opener, and more than a little scary.
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"Foothills" section that includes at least three hikes properly described as in the Piedmont, hardly foothills at all. Those are at Reed Gold Mine and Duke Power State Park (as the book still calls it). They can be pleasant and rewarding hikes, but if you go there expecting mountain or foothill vistas, you could be disappointed. By the way, Duke Power State Park has since been renamed Lake Norman State Park. You'll need to know that if you look for signs directing you there (like from Interstate 77).
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This is the second time I've read "Short History of a Prince"
It was better the second time, because, ofcourse, we see more detail.
The story unfolds back and forth from the 70s to the 90s...For some more inexperienced writers, this may not have worked, but for Hamilton, it did.
Walter is the main character, coming of age in some chapters, a thirty eight year old in others. I love how Hamilton does this, as in the "Book of Ruth" It really allows the reader to understand the characters more clearly.
I enjoy dance and adored Balanchine, so I found the story line centered around the dance world very interesting. I wonder if Hamilton danced once herself or just did her homework on this one.
The story has been woven with family situations, death, dreams, sexual desires (some we may never experience), youth, middle-age, and finally, in the end,
realizing that sometimes what we have is enough...
Love, love, love Hamilton, the messages she sends, Her tenderness, Her ability to allow hope to seep through all of her stories. She does not disappoint in this one either!
There is a lot to savor in "Prince." It is a coming-of-age story as Walter must cope with a death in the family while coming to grips with his own homosexuality. While Walter may be one of the most well-realized gay characters put into print, one small quibble is that he seems to fall into so many stereotypes (ballet dancer, opera/theater lover, works in a dollhouse shop, literature teacher). Also, "Prince" asks the age-old question "Can one ever go home again?" as Walter returns to his Midwest roots as an adult. The novel is not only about the struggle to let go of the past, but perhaps even more painfully so letting go of the dreams of the future.
If you are looking for well-developed characters and beautiful prose, there is no need to go any further than a Jane Hamilton novel.