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Representing the works of writers and artists of the Golden Age like creators Joe Simon & Jack Kirby, Bill Everett, Carl Burgos, Russ Heath, Stan Lee, John Romita Sr., and others, this book is a great example of the early days of Marvel Comics' history, back then called Timely Comics. It shows how the art form of comic books was done in a time of war and depression. This is a worthwhile read.
This book was followed up with The Golden Age of Marvel Comics volume 2 released in 1999.
This book features stories with Marvel's "big three": the original Human Torch, Captain America, and The Sub-Mariner, as well as lesser known, now obscure characters like The Fin, Red Raven, and The Vision (I don't think this is the same one as the android Vision now appearing in Marvel's The Avengers series), as well as a few others. These classics are by the writers and artists of comics' Golden Age: Joe Simon and Jack Kirby, Bill Everett, Carl Burgos, and many others, including one story written by Stan Lee. The book also features an introduction by the legendary Mickey Spillane.
Overall, this book makes for an excellent read, especially for people interested in the early years of comic books. Most of the stories are set during World War II, so some people may be offended with the Germans and Japanese as the Nazis villains.
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There were some vague rules regarding his entry and exit methods with the Fibonacci numbers and when you actually start to apply his methods to your own trading, you will likely be left with more questions than answers. Not necessarily a bad thing, as all you can really ask from a book is a few new things to try out and see if it applies to your trading.
His simple but POWERFUL trading tools in the book if followed, will put you in position to win at trading.
The book taught me money management, entry and exit placement , profit objectives and gave me a trading planto follow.
I have read a lot of trading books over the years, but since reading this book I have not had a need to read any others.
I'm a profitable trader now because of the information made
available in this book.
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I would definately recommend this book to someone who wanted to know more about Eastern Philosophy.
Arthur Hubbard
Santa Barbara Science Project
November 2001
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Here you can find detailed drawings of blouses, skirts, men's shirts and leggings, moccasins and head coverings. Although the book doesn't include patterns per se, the written instructions appear to be detailed enough for most readers with some sewing experience to follow. (As a very amateur seamstress, I have to admit I would have liked more detailed explanations, espeically for the finger weaving section).
Since this book includes clothing of all the Great Lakes tribes, you can see the variations in design and construction between the peoples of that area. However, as Hartman points out, it is almost impossible to identify clothing as belonging to a specific tribe. Contact among these people offered the opportunity for trade as well as imitation of dress styles. Looking at the many drawings, you can see the influence that the French and other Europeans had on clothing and jewelry design.
However, this is more than just a sewing or design book. In addition to the pictures and how-to sections, Hartman also includes quite a bit of historical and cultural information. She briefly mentions the role of trade silver used for decoration. (If this is a subject that interests you, you may want to look at "The Covenant Chain, Indian Ceremonial and Trade Silver," by N. Jaye Fredrickson.)
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He started his elf as a wizard, in a dragon cult. He took all the other craft item feats for fun. Turns out, he also is the pre-cursor to a Dragon-mage.
If you're looking for something more to do with your character and the prestige classes you've seen so far just don't cut it, then check out this book!
The Golden Age of Marvel Comics, Volumes 1 and 2 can be considered Marvel's equivalent of a public service. It's historical preservation in a market that has a notoriously short attention span. When the majority of fans and retailers were demanding more high-octane heroes showering their foes with bullets, we got two beautiful yet affordable collections of Golden Age greats, showing readers that, while the stories and art of the Golden Age might not have been all that "golden", the characters and their appeal more than made up for it. You can clearly see the elements of these stories that fascinated aspiring writers and artists, leading to their expanding these characters in ways never dreamed of during Marvel's Silver Age and beyond. The covers for both volumes are beautiful: for 1, a battle scene by Ray Lago; for 2, a Kirby/Theakston image. The intros provide some very good historical perspective on the contents.
Marvel is now back on its feet, sort of, but don't expect these books to be reprinted anytime in the near future. The current crowd at Marvel seems to be even more out of touch than the previous one and apparently has no understanding of the treasure it is sitting on.