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ORSINIAN TALES is a collection of "mainstream" short stories set in the imaginary Eastern European country of Orsinia, which take place in various time periods ranging from the pagan Dark Ages to the 17th century to the Cold War. They are by turns grim, joyous, lyrical, wistful, and always fascinating. My one cavil is that the date of each story's setting is placed at the end of the story, so if you're not quite sure of the story's period (the period is not always terribly well defined in the opening of the stories, and it makes a difference--at least to me--if a tale is set in 1905 or 1950) you have to peek ahead. But it's a small quibble with a lovely piece of literature.
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Reading a book structured like this is a delight because Cummins has tied in themes and concerns of Le Guin's work with her fictional settings. It reads like a detailed and complex unofficial Ursula Le Guin handbook, with many references to the tao te ching and other philosophical pre-occupations, but is easy to read and simply ~*fascinating*~.
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Ursula is a cut above the rest in terms of intellectual involvement, poses moral and spiritual questions, always tells a ripping good yarn.
Fans of The Dispossessed will be entranced by the story of Odo - founder of the Odonian movement which led to settling of the moon Anarres by the anarchists.
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With that said, I must confess a little bit of disappointment with the writing of "The Dispossessed". Having read the Earthsea Saga and "The Left Hand of Darkness", I know that LeGuin can do better. In particular, this book lacks any of the great descriptive passages found in her other works. A few good word pictures of the unforgiving landscape on Annares would have gone a long way towards making the book more intensely realistic. Some of the dialogue also falls a little bit short. Still, I view the book overall as being quite impressive, and a must-read for science fiction fans who like to think.
Unfortunately, I just could not find either of her hypothetical societies believable. The capitalistic Urras seemed to be a mix of 21st century technology and 18th century ethics. Though at face value, Urras appears to be a scathing condemnation of capitalism, a deeper look shows the problems on Urras result less from its free markets than from its totalitarian government and rampant "isms". Likewise, the anarchistic, communist utopia on the moon Anarres also did not ring true. Le Guin simply did not convince me that the inherent conflicts of anarchy and communism could be resolved. People on Anarres did not shirk duties or commit crimes, even though they did not have self-interest (ala capitalism) or the threat of force (ala totalitarianism) to bring them in to line. Le Guin seems to explain this by proper education, social pressure, and child-rearing, which I couldn't swallow. I did enjoy her pointed commentary on the tyranny of the majority (even absent the rule of law), and of the oppression of the individual by social pressure for conformity.
Overall, this rates as a sci-fi classic - even though it barely qualifies as sci-fi at all. Le Guin's best work.
Most people, I am sure, hear the word "anarchy," and it brings to mind images of smelly punk-rock kids throwing rocks and trashing cars (direct action!) However, the layperson generally cannot see beyone the premise of "no government = chaos." Le Guin tears down the philosophical walls and false presuppositions and proposes a world based on true libertarian socialist ideals: Anarchy. These people are not terrorists, but hard working, sincere individuals, possessed with all the faults that we have always had. It adresses the problems that could arise in an anarchist community plagued by extreme scarcity, but its message triumph over tribulation rings true.
It is this book which radically changed my political philosophies, and if is powerful and beautiful enough a piece of literature that it can do the same for all who read it.